Jennifer Wong – författare

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets'' work by incorporating the writers'' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets'' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets'' work by incorporating the writers'' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets'' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

How do we think of ourselves as poets? How does our race, our home(s), and our cultural heritage, shape our sense of belonging, our ways of seeing or experiencing the world? How can we learn from and offer support to each other? State of Play brings together conversations between an international line-up of poets, taking place over the course of a year, to offer rich insights into these questions and the ways a life lived in many places can invigorate one’s writing. With themes ranging from the sense of home and racialised expectations, to community and language, as well as the process of writing poetry, these creative discussions delve into the complexities and diversity of identity in the days of global citizenship and cultural diaspora.‘Multiple yet singular, the conversations here reveal the complexities of poetic language as a space of becoming rather than being, of identities sharply focusing under the weight of plurality, the forces of migration and the long tethers of home and empire. This book makes a critical intervention in the shaping of diasporic writing, turns us away from the outworn frameworks to demand bolder and more imaginative ways of reading. Let these conversations begin urgent ones elsewhere about how language is made and how it remakes us as global subjects speaking together.’ —Prof. Sandeep Parmar, Professor of English Literature, University of Liverpool and Founder of Ledbury Critics of Colour.‘State of Play reminds us of the global reach of English-language poetry and poetics, whose production is not limited to the predominantly white Anglophone countries of the so-called West and reminds us of the ongoing legacies of British colonialism underlying even such seemingly neutral concepts as home, everyday life, and poetics.’ —Prof. Dorothy Wang, author of Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry & convenor/co-founder of Race and Poetry and Poetics in the UK (RAPAPUK)‘Giving voice to a diverse and multi-generational choir of distinctive voices, this anthology offers rare and intimate insights into the creative challenges of writing poetry now and the vital importance of dialogue as a free space for the play of ideas and critical thinking.’ —Prof. Susheila Nasta, Founder of Wasafiri, Magazine of International Contemporary Writing‘State of Play draws together a sparky and inspiring array of conversations between East and Southeast Asian poets situated across continents and borders. The different interactions are characterised by their commitment to exchange and reciprocity even where the poets meet for the first time only through the medium of these conversations. Editors Jennifer Wong and Eddie Tay have done a superb job of bringing together a rich spectrum of topics including nomadism, childhood, diaspora, race, belonging, the question of what it is to be creative, and all-important issues of language-choice and self-translation. I wager that no reader interested in poetry will not find excitement in this vibrant anthology.’ —Prof. Elleke Boehmer, Professor of World Literature in English, University of Oxford

Chopsticks or Fork? is a collection of stories and recipes from Chinese restaurants in regional Australia, based on the six-part ABC series created by Lin Jie Kong and Jennifer Wong.The book lovingly captures the stories of ten very different families who run Chinese restaurants, from Queensland's Hervey Bay to Western Australia's Dunsborough, and features 32 classic Australian Chinese recipes. As well as revealing the secrets behind everything from sizzling Mongolian lamb to deep fried ice cream, Chopsticks or Fork? includes trivia on the lazy Susan, encounters with the country's biggest Chinese restaurant fans, a game of Chinese restaurant bingo just waiting to be played on your next night out, and more Chinese restaurant 'takeaways' than you can poke a (chop)stick at. This is a unique celebration of an integral part of Australian cultural and culinary history.

Letters Home, Jennifer Wong’s remarkable and vivid third collection of poems, unravels the complexities of being between nations, languages and cultures. Travelling across multiple borders of history and place, these poems examine what it means to be returning home, and whether it is a return to a location, a country or to a shared dream or language.“There are poems of homesickness, nostalgia, but also humour, hope and optimism - all depicted in Wong's distinctive, intelligent style... This is a remarkable collection, which makes a new and bold contribution to the genre of diaspora literature.” – Hannah Lowe"Jennifer Wong’s voice is captivating, compassionate, her poems full of insight, as she questions the complex relationship between culture and identity and what it means to leave a place to become defined by another." - Rebecca Goss

Featuring both established and emerging Hong Kong poets across generations and continents, this unique anthology offers a glimpse into an exciting, diverse range of voices that make up the diasporic imagination of the contemporary Hong Kong poetry community. Adopting a diasporic approach, the anthology encompasses both native Hong Kong writers as well as expatriate and mixed-race voices who were born or have lived in the city.With a preface from the Hong Kong-born, California-based poet Marilyn Chin and a joint introduction from the co-editors, the anthology sheds light on some poignant, wide-ranging themes such as migration, identity, gender, language, belonging, environment that underpin the city of Hong Kong, a place situated uniquely between the East and the West, in the 21st century. The book also features a selection of artworks from some of Hong Kong''s most talented artists, inviting the reader to make connections between the visual images and the text.

What does it mean to be a woman?To live as a woman is so often a political act. This powerful anthology maps the journeys of women: their joys and challenges, and the defining moments that shape them. From girlhood to ageing, from love to loss, from ambition to identity, these distinctive writers speak honestly to what it means to be heard in our own voices, on our own terms.Curated by acclaimed poet and critic Jennifer Wong, 'Woman, Mapped' reflects the breadth of lived experience across identities, cultures, and generations.With a foreword by Hollie McNish'This is the anthology - or should I say the evidence - that we need to read and understand as we advance into the perilous mid twenty-first century. In this meticulously curated selection, you’ll find varied explorations of the complexities and contradictions of identifying as a woman today crafted with courage, verve and poetic imagination. A multi-faceted jewel of a book.' - Jacqueline Saphra

Light Year by Jennifer Wong is a meditation on time. These poems delve into the mind of a poet crossing spaces of deep wounds, love and healing: a constellation of friendships and love as she moves through upheaval, transformation and change.The collection offers glimpses into the journeys of a migrant, a daughter, and a mother; with the passage of years, the poems ask what it might mean to move like light itself, beyond expectations and into new ways of understanding ourselves more profoundly. With sublime precision, Jennifer Wong’s poetry brings clarity to the spaces between the stars – the time difference between memories and place, between our loved ones, and everything we hold dear in life.A Poetry Book Society Recommendation

Light Year by Jennifer Wong is a meditation on time. These poems delve into the mind of a poet crossing spaces of deep wounds, love and healing: a constellation of friendships and love as she moves through upheaval, transformation and change. The collection offers glimpses into the journeys of a migrant, a daughter, and a mother; with the passage of years, the poems ask what it might mean to move like light itself, beyond expectations and into new ways of understanding ourselves more profoundly. With sublime precision, Jennifer Wong's poetry brings clarity to the spaces between the stars the time difference between memories and place, between our loved ones, and everything we hold dear in life. A Poetry Book Society Recommendation

This book presents qualitative research narratives on children’s engagement and learning in play and arts experiences. Using The Artground Singapore - a registered arts charity that offers interactive visual art spaces for children - as a site of study, the book also offers reflective and practical insights into the professional development and incubation of art practitioners dedicated to the creation and implementation of works for young audiences. With reference to other such purpose-built arts spaces specifically dedicated to the engagement and learning of young audiences through play and varied arts experiences, such as The Ark in Dublin and ArtPlay in Melbourne, the authors show how these spaces are also dedicated to the development and creation of new quality works for young audiences through various professional development programmes. The Artground Singapore was developed along similar lines of interest, and provides a dedicated arts space for children and their caretakers to explore, play and create together through its interactive visual arts play space, as well as arts programmes that include music, theatre and dance, amongst others. Sharing critical insights into the aesthetical, logistical, and management aspects of providing a dedicated arts space for children, this book will be of interest to arts practitioners, child educators, and cultural studies scholars interested in dance, drama and music performance and pedagogy.

This book presents qualitative research narratives on children’s engagement and learning in play and arts experiences. Using The Artground Singapore - a registered arts charity that offers interactive visual art spaces for children - as a site of study, the book also offers reflective and practical insights into the professional development and incubation of art practitioners dedicated to the creation and implementation of works for young audiences. With reference to other such purpose-built arts spaces specifically dedicated to the engagement and learning of young audiences through play and varied arts experiences, such as The Ark in Dublin and ArtPlay in Melbourne, the authors show how these spaces are also dedicated to the development and creation of new quality works for young audiences through various professional development programmes. The Artground Singapore was developed along similar lines of interest, and provides a dedicated arts space for children and their caretakers to explore, play and create together through its interactive visual arts play space, as well as arts programmes that include music, theatre and dance, amongst others. Sharing critical insights into the aesthetical, logistical, and management aspects of providing a dedicated arts space for children, this book will be of interest to arts practitioners, child educators, and cultural studies scholars interested in dance, drama and music performance and pedagogy.