Jenny Edkins – författare

Global Politics: A New Introduction engages directly with questions that those coming to the study of world politics bring with them. From that innovative starting point, it explores key issues through a critical and inquiring perspective, presenting theoretical ideas and concepts in conjunction with a global range of historical and contemporary case studies.

Revised and updated throughout, the fourth edition offers examples engaging with the latest developments in global politics: the climate crisis and anthropocentrism, Indigenous experiences and thinking, racism and the rise of xenophobia, artificial intelligence, citizen journalism, global health and pandemic response and drone warfare.

Global Politics:

• examines most significant issues in global politics – poverty, development, colonialism, human rights, gender, inequality, race, war, peacebuilding, security, violence, nationalism, authority and what we can do to change the world;

• offers chapters written to a common structure ideal for teaching and learning and features a key question, an illustrative example, general responses and broader issues;

• integrates theory and practice throughout the text, drawing on international relations, political theory, postcolonial studies, sociology, geography, peace studies and development.

This exciting, up-to-date and ground-breaking textbook is essential reading for all those concerned about global politics.

Global Politics: A New Introduction engages directly with questions that those coming to the study of world politics bring with them. From that innovative starting point, it explores key issues through a critical and inquiring perspective, presenting theoretical ideas and concepts in conjunction with a global range of historical and contemporary case studies.

Revised and updated throughout, the fourth edition offers examples engaging with the latest developments in global politics: the climate crisis and anthropocentrism, Indigenous experiences and thinking, racism and the rise of xenophobia, artificial intelligence, citizen journalism, global health and pandemic response and drone warfare.

Global Politics:

• examines most significant issues in global politics – poverty, development, colonialism, human rights, gender, inequality, race, war, peacebuilding, security, violence, nationalism, authority and what we can do to change the world;

• offers chapters written to a common structure ideal for teaching and learning and features a key question, an illustrative example, general responses and broader issues;

• integrates theory and practice throughout the text, drawing on international relations, political theory, postcolonial studies, sociology, geography, peace studies and development.

This exciting, up-to-date and ground-breaking textbook is essential reading for all those concerned about global politics.

A wide range of critical theorists is used in the study of international politics, and until now there has been no text that gives concise and accessible introductions to these figures. Critical Theorists and International Relations provides a wide-ranging introduction to thirty-two important theorists whose work has been influential in thinking about global politics.

Each chapter is written by an expert with a detailed knowledge of the theorist concerned, representing a range of approaches under the rubric ‘critical’, including Marxism and post-Marxism, the Frankfurt School, hermeneutics, phenomenology, postcolonialism, feminism, queer theory, poststructuralism, pragmatism, scientific realism, deconstruction and psychoanalysis.

Key features of each chapter include:

Written in engaging and accessible prose, Critical Theorists and International Relations is a unique and invaluable resource for undergraduates, postgraduates and scholars of international relations.

A wide range of critical theorists is used in the study of international politics, and until now there has been no text that gives concise and accessible introductions to these figures. Critical Theorists and International Relations provides a wide-ranging introduction to thirty-two important theorists whose work has been influential in thinking about global politics.

Each chapter is written by an expert with a detailed knowledge of the theorist concerned, representing a range of approaches under the rubric ‘critical’, including Marxism and post-Marxism, the Frankfurt School, hermeneutics, phenomenology, postcolonialism, feminism, queer theory, poststructuralism, pragmatism, scientific realism, deconstruction and psychoanalysis.

Key features of each chapter include:

Written in engaging and accessible prose, Critical Theorists and International Relations is a unique and invaluable resource for undergraduates, postgraduates and scholars of international relations.

In recent years we have witnessed an increasing convergence of work in International Politics and Performance Studies around the troubled, and often troubling, relationship between politics and aesthetics. Whilst examination of political aesthetics, aesthetic politics, and politics of aesthetic practice has been central to research in both disciplines for some time, the emergence of a distinctive ‘performative turn’ in International Politics and a critical return to the centrality of politics and the concept of ‘the political’ in Performance Studies highlights the importance of investigating the productivity of bringing the methods and approaches of the two fields of enquiry into dialogue and mutual relation.

Exploring a wide range of issues including rioting, youth-driven protests, border security practices and the significance of cultural awareness in war, this text provides an accessible and cutting edge survey of the intersection of international politics and performance examining issues surrounding the politics of appearance, image, event and place; and discusses the development and deployment of innovative critical and creative research methods, from auto-ethnography to site-specific theatre-making, from philosophical aesthetics to the aesthetic thought of new securities scenario-planning.

The book’s focus throughout is on the materiality of performance practices—on the politics of making, spectating, and participating in a variety of modes as political actors and audiences—whilst also seeking to explicate the performative dynamics of creative and critical thinking. Structured thematically and framed by a detailed introduction and conclusion, the focus is on producing a dialogue between contributors and providing an essential reference point in this developing field.

This work is essential reading for students of politics and performance and will be of great interest to students and scholars of IR, performance studies and cultural studies.

In recent years we have witnessed an increasing convergence of work in International Politics and Performance Studies around the troubled, and often troubling, relationship between politics and aesthetics. Whilst examination of political aesthetics, aesthetic politics, and politics of aesthetic practice has been central to research in both disciplines for some time, the emergence of a distinctive ‘performative turn’ in International Politics and a critical return to the centrality of politics and the concept of ‘the political’ in Performance Studies highlights the importance of investigating the productivity of bringing the methods and approaches of the two fields of enquiry into dialogue and mutual relation.

Exploring a wide range of issues including rioting, youth-driven protests, border security practices and the significance of cultural awareness in war, this text provides an accessible and cutting edge survey of the intersection of international politics and performance examining issues surrounding the politics of appearance, image, event and place; and discusses the development and deployment of innovative critical and creative research methods, from auto-ethnography to site-specific theatre-making, from philosophical aesthetics to the aesthetic thought of new securities scenario-planning.

The book’s focus throughout is on the materiality of performance practices—on the politics of making, spectating, and participating in a variety of modes as political actors and audiences—whilst also seeking to explicate the performative dynamics of creative and critical thinking. Structured thematically and framed by a detailed introduction and conclusion, the focus is on producing a dialogue between contributors and providing an essential reference point in this developing field.

This work is essential reading for students of politics and performance and will be of great interest to students and scholars of IR, performance studies and cultural studies.

For International Relations scholars, discussions of globalization inevitably turn to questions of sovereignty. How much control does a country have over its borders, people and economy? Where does that authority come from? Sovereign Lives explores these changes through reading of humanitarian intervention, human rights discourses, securitization, refugees, the fragmentation of identities and the practices of development.

For International Relations scholars, discussions of globalization inevitably turn to questions of sovereignty. How much control does a country have over its borders, people and economy? Where does that authority come from? Sovereign Lives explores these changes through reading of humanitarian intervention, human rights discourses, securitization, refugees, the fragmentation of identities and the practices of development.

Critical international relations is both firmly established and rapidly expanding, and this Handbook offers a wide-ranging survey of contemporary research. It affords insights into exciting developments, more challenging issues and less prominent topics, examining debates around questions of imperialism, race, gender, ethics and aesthetics, and offering both an overview of the existing state of critical international politics and an agenda-setting collection that highlights emerging areas and fosters future research. Sections cover: critique and the discipline; relations beyond humanity; art and narrative; war, religion and security; otherness and diplomacy; spaces and times; resistance; and embodiment and intimacy.

An international group of expert scholars, whose contributions are commissioned for the volume, provide chapters that facilitate teaching at advanced undergraduate and postgraduate level, inspire new generations of researchers in the field and promote collaboration, cross-fertilisation and inspiration across sub-fields often treated separately, such as feminism, postcolonialism and poststructuralism. The volume sees these strands as complementary not contradictory, and emphasises their shared political goals, shared theoretical resources and complementary empirical practices.

Each chapter offers specific, focused, in-depth analysis that complements and exemplifies the broader coverage, making this Routledge Handbook of Critical International Relations essential reading for all students and scholars of international relations.

Critical international relations is both firmly established and rapidly expanding, and this Handbook offers a wide-ranging survey of contemporary research. It affords insights into exciting developments, more challenging issues and less prominent topics, examining debates around questions of imperialism, race, gender, ethics and aesthetics, and offering both an overview of the existing state of critical international politics and an agenda-setting collection that highlights emerging areas and fosters future research. Sections cover: critique and the discipline; relations beyond humanity; art and narrative; war, religion and security; otherness and diplomacy; spaces and times; resistance; and embodiment and intimacy.

An international group of expert scholars, whose contributions are commissioned for the volume, provide chapters that facilitate teaching at advanced undergraduate and postgraduate level, inspire new generations of researchers in the field and promote collaboration, cross-fertilisation and inspiration across sub-fields often treated separately, such as feminism, postcolonialism and poststructuralism. The volume sees these strands as complementary not contradictory, and emphasises their shared political goals, shared theoretical resources and complementary empirical practices.

Each chapter offers specific, focused, in-depth analysis that complements and exemplifies the broader coverage, making this Routledge Handbook of Critical International Relations essential reading for all students and scholars of international relations.

The face is central to contemporary politics. In Deleuze and Guattari’s work on faciality we find an assertion that the face is a particular politics, and dismantling the face is also a politics.

This book explores the politics of such diverse issues as images and faces in photographs and portraits; expressive faces; psychology and neuroscience; face recognition; face blindness; facial injury, disfigurement and face transplants through questions such as:

The book opens up a vast field of further research that needs to be taken forward to begin to address the politics of the face more fully, and to elaborate the alternative forms of personhood and politics that dismantling the face opens to view. The book will be agenda-setting for scholars located in the field of international politics in particular but cognate areas as well who want to pursue the implications of face politics for the crucial questions of subjectivity, sovereignty and personhood.