Jericho Brown – författare

More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include Daniel Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions.Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include Daniel Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

Honored as a "Best Book of 2014" by Library Journal

Honored as a "Standout Book of 2014" by American Poet magazine

Winnner of the Thom Gunn Award for Gay Poetry

Paterson Award for Literary Excellence, 2015

NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor's guilt, sinner's guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book."—NPR.org

“Brown's is a necessary art in an era that has seen lingering racial conflict and growing acceptance of gays in America, as well as extreme intolerance and homophobia in many countries overseas. These poems work because while they emanate from an intimately personal place, social concerns loom as large as the barber in Bonnat's painting. To merge the private with the public so seamlessly is an enviable feat." —The Antioch Review

"Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi

"To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine

In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast.

Fairy Tale

Say the shame I see inching like steamAlong the streets will never seepBeneath the doors of this bedroom,And if it does, if we dare to breathe,Tell me that though the world ends us,Lover, it cannot end our loveOf narrative. Don't you have a storyFor me?—like the one you tellWith fingers over my lips to keep meFrom sighing when—before the queenIs kidnapped—the prince bowsTo the enemy, handing over the hornOf his favorite unicorn like those menBrought, bought, and whipped untilThey accepted their masters' names.

Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.

Finalist for the 2019 National Book Award

"100 Notable Books of the Year," The New York Times Book Review

One Book, One Philadelphia Citywide Reading Program Selection, 2021

"By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR

“A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown's “Dark” (featured in the New York Times Magazine in January 2019)

“Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine

Named a Lit Hub “Most Anticipated Book of 2019”

One of Buzzfeed's “66 Books Coming in 2019 You'll Want to Keep Your Eyes On”

The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner”

One of BookRiot's “50 Must-Read Poetry Collections of 2019”

Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

Finalist for the 2019 National Book Award

"100 Notable Books of the Year," The New York Times Book Review

One Book, One Philadelphia Citywide Reading Program Selection, 2021

"By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR

“A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown's “Dark” (featured in the New York Times Magazine in January 2019)

“Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine

Named a Lit Hub “Most Anticipated Book of 2019”

One of Buzzfeed's “66 Books Coming in 2019 You'll Want to Keep Your Eyes On”

The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner”

One of BookRiot's “50 Must-Read Poetry Collections of 2019”

Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

WINNER OF THE 2020 PULITZER PRIZE FOR POETRY

Finalist for the 2019 National Book Award

"100 Notable Books of the Year," The New York Times Book Review

One Book, One Philadelphia Citywide Reading Program Selection, 2021

"By some literary magic—no, it''s precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “''I Reject Walls'': A 2019 Poetry Preview” for NPR

 “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019)

“Winner of a Whiting Award and a Guggenheim Fellowship, Brown''s hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine

Named a Lit Hub “Most Anticipated Book of 2019”

One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On”

The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner”

One of BookRiot’s “50 Must-Read Poetry Collections of 2019”

Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.