Claude McKay – författare

While stowed away on a transatlantic freighter, Lafala is discovered and locked away in an icy-cold closet, resulting in the loss of his frostbitten legs. When his successful lawsuit against the shipping company brings big bucks, Lafala returns to Marseille to resume his affair with Aslima, a Moroccan prostitute. With its scenes of black bodies seeking pleasure and fighting for freedom even when stolen, shipped, and sold for parts, Romance in Marseille explores the heritage of slavery amid a predatory modern economy.

One of the finest and best-known novels of the Harlem RenaissanceClaude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI, through Jake, an African American longshoreman who deserts the U.S. army and returns to his home in Harlem, and Ray, a Haitian intellectual expatriate. With his use of dialect, McKay portrays these men and other working-class characters who try to stay afloat in a complex world of isolation, racial discrimination, and excitement drawn from Harlem’s jazz nightlife. Home to Harlem sparked controversy among Black middle-class critics, such as W.E.B. Du Bois, who considered it reductive and stereotypical, while other critics such as Langston Hughes embraced it for its frankness and for the relevance of McKay’s reflections on the Black working-class experience and the social and racial inequalities of the day. This debate within the Harlem Renaissance literary world and curiosity about Harlem from white readers drove Home to Harlem to become the first commercial bestseller by an African American novelist.

A collection of private correspondence from one of the Harlem Renaissance’s brightest and most radical voices  The Jamaican-born, queer author Claude McKay (1890–1948) was a central figure of the Harlem Renaissance. His 1919 poem “If We Must Die” expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco.  Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay’s never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris’s Lost Generation, immerses himself in the Marseille dockers’ noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

Jamaican-American poet Claude McKay (1889–1948) came to the U.S. in 1912 and became an important figure in the Harlem Renaissance. This inexpensive edition includes a representative sample of his Jamaican dialect verse, but concentrates on poems from Harlem Shadows (1922) and uncollected verse. Edited and with an introduction by Joan R. Sherman.

Jake Brown, a World War I army deserter, is one of the protagonists of Claude McKay's novel Home to Harlem. When he leaves London and returns to New York, Jake gets entangled in the seedy side of Harlem life – prostitutes, clubs, and gambling halls. He reunites briefly with a former war buddy, Zeddy Plummer, and later befriends a Haitian immigrant named Ray while they are both working on a train.The novel explores the plight of young Black men in the early twentieth century in America, and was both applauded and criticized for its sensual, brutal honesty of its portrayal of urban life.

As the smoky dark sweeps across the capital, strange stories emerge from the night. A seance reveals a ghastly secret in the murk of Regent's Canal. From south of the Thames come chilling reports of a spring-heeled spectre, and in Stoke Newington rumours abound of an opening to another world among the quiet alleys.Join Elizabeth Dearnley on this atmospheric tour through a shadowy London, a city which has long inspired writers of the weird and uncanny. Waiting in the hazy streets are eerie tales from Charlotte Riddell, Lettice Galbraith and Violet Hunt, along with haunting pieces by Virginia Woolf, Arthur Machen, Sam Selvon and many more.

This is a full-length novel written by Claude McKay in 1933-34, in the same key as the episodic "Banjo", but for which he was never able to find a publisher. Richard Bradbury, who discovered the manuscript in New York, provides a critical introduction.