Jerold C. Frakes – författare

This book is a comprehensive introductory manual that guides beginners to a functional reading knowledge of late medieval and early modern Yiddish (c.1100-1750). It is the first such manual to exist for that language, whose early literary tradition comprises a range of genres as broad as other contemporary European literary traditions. The guide is organized as a series of progressively more complex lessons, focused on key texts of the literary corpus, which arepresented in their authentic form as found in manuscripts and early printed books. The lessons seek to accommodate readers ranging from absolute beginners to those who might already know Hebrew, medieval German, or modern Yiddish. The focal texts are the Old Yiddish midrashic heroic lay,''Joseph theRighteous'', from the earliest extant manuscript collection of Yiddish literature (1382), the Middle Yiddish romance adventure tale, ''Briyo and Zimro'', from a later collection (1585), and a full canto of the Middle Yiddish epic, Pariz and Viene (1594), each with full glosses and a step-by-step introduction to the morphology, syntax, and phonology. Each lesson also includes a brief supplemental text that cumulatively demonstrates the broad cultural range of the corpus. In addition,several appendices of supplementary material round out the volume, including a collection of additional readings, a table of the manuscript hands and printing fonts employed in the volume, and a full end-glossary of all Yiddish words found in the texts.

This volume is the first comprehensive anthology of early Yiddish literature (from its beginnings in the twelfth century to the dawn of modern Yiddish in the mid-eighteenth century) for more than one hundred years. It includes the broad range of genres that define the corpus: Arthurian romance, heroic epic, satire, lyric, drama, biblical/midrashic epic, devotional literature, biblical translations, glosses, medicine, magic, legal texts, oaths, letters, legends,autobiography, travelogue, fables, riddles, and adventure tales. One hundred and thirty texts in the original Hebrew alphabet, edited anew from the earliest extant sources, are provided with introductory headnotes that include detailed information concerning sources, author (if known), the researchliterature, and the place of the text in the literary tradition.

This book is a comprehensive introductory manual that guides beginners to a functional reading knowledge of late medieval and early modern Yiddish (c.1100-1750). It is the first such manual to exist for that language, whose early literary tradition comprises a range of genres as broad as other contemporary European literary traditions. The guide is organized as a series of progressively more complex lessons, focused on key texts of the literary corpus, which are presented in their authentic form as found in manuscripts and early printed books. The lessons seek to accommodate readers ranging from absolute beginners to those who might already know Hebrew, medieval German, or modern Yiddish. The focal texts are the Old Yiddish midrashic heroic lay,'Joseph the Righteous', from the earliest extant manuscript collection of Yiddish literature (1382), the Middle Yiddish romance adventure tale, 'Briyo and Zimro', from a later collection (1585), and a full canto of the Middle Yiddish epic, Pariz and Viene (1594), each with full glosses and a step-by-step introduction to the morphology, syntax, and phonology. Each lesson also includes a brief supplemental text that cumulatively demonstrates the broad cultural range of the corpus. In addition, several appendices of supplementary material round out the volume, including a collection of additional readings, a table of the manuscript hands and printing fonts employed in the volume, and a full end-glossary of all Yiddish words found in the texts.

This volume is the first comprehensive anthology of early Yiddish literature (from its beginnings in the twelfth century to the dawn of modern Yiddish in the mid-eighteenth century) for more than one hundred years. It includes the broad range of genres that define the corpus: Arthurian romance, heroic epic, satire, lyric, drama, biblical/midrashic epic, devotional literature, biblical translations, glosses, medicine, magic, legal texts, oaths, letters, legends, autobiography, travelogue, fables, riddles, and adventure tales. One hundred and thirty texts in the original Hebrew alphabet, edited anew from the earliest extant sources, are provided with introductory headnotes that include detailed information concerning sources, author (if known), the research literature, and the place of the text in the literary tradition.

Jean Baumgarten's Introduction to Old Yiddish Literature, thoroughly revised from the first edition and translated into English, provides students and scholars of medieval, Renaissance, and early modern European cultures with an exemplary survey of the broad and deep literary tradition in Yiddish. Baumgarten conceives of his work as the study of an entire culture via its literature, and thus he conceives of literature in a broad sense: he begins with four chapters addressing pertinent issues of the larger cultural context of the literature and moves on to a consideration of the primary genres in which the culture is expressed (epic, romance, prose narrative, drama, biblical translation and commentary, ethical and moral treatises, prayers, and the broad range of literature of daily use - medical, legal, and historical). In the field of early Yiddish studies the book will be the standard of intellectual breadth and scholarly excellence for decades to come. In this second edition, the hundreds of text citations and bibliographical references that are the scholarly basis of the study have been verified, and the citations translated anew directly from the original source.

This volume is the first comprehensive anthology of early Yiddish literature (from its beginnings in the twelfth century to the dawn of modern Yiddish in the mid-eighteenth century) for more than one hundred years. It includes the broad range of genres that define the corpus: Arthurian romance, heroic epic, satire, lyric, drama, biblical/midrashic epic, devotional literature, biblical translations, glosses, medicine, magic, legal texts, oaths, letters, legends, autobiography, travelogue, fables, riddles, and adventure tales. One hundred and thirty texts in the original Hebrew alphabet, edited anew from the earliest extant sources, are provided with introductory headnotes that include detailed information concerning sources, author (if known), the research literature, and the place of the text in the literary tradition.

Broadens the perspective of recent work on the discourse of the Muslim Other in medieval Christendom by investigating pertinent texts, art, and artefacts, situating these local discourses of the Muslim Other in the larger cultural context of proto-Eurocentric discourse.

While much early Yiddish literature belonged to pious genres, quasi-secular genres—epic, drama, and lyric—also developed. Jerold Frakes contends that the historical context of the emergence of Yiddish literature is an essential factor in any understanding of its cultural relevance in a time and place where Jewish life was defined by expulsions, massacres, and discriminatory legislation that profoundly altered European Judaism and shook the very foundations of traditional Jewish society.

Jerold C. Frakes approaches the Nibelungenlied, the Klage, and the Kudrun, epic poems central to the Middle High German tradition, through a set of literary, economic, and sociological interpretations, informed by a broad range of contemporary feminist scholarship.