Jesmyn Ward – författare

_______________SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018WINNER OF THE NATIONAL BOOK AWARD 2017ONE OF BARACK OBAMA'S BEST BOOKS OF 2017SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC_______________'A must' - Margaret Atwood'A searing, urgent read' - Celeste Ng'Staggering' - Marlon James'Disarmingly beautiful' - Spectator'Blazing with power, grief and tenderness' - Financial Times_______________An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing examines the ugly truths at the heart of the American story and the power – and limitations – of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. His mother, Leonie, is in constant conflict with herself and those around her. She is black and her children’s father is white. Embattled in ways that reflect the brutal reality of her circumstances, she wants to be a better mother, but can’t put her children above her own needs, especially her drug use. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing brings the archetypal road novel into rural twenty-first century America.

_______________'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times'Fresh and urgent' - New York Times'There’s something of Faulkner to Ward’s grand diction' - Guardian_______________WINNER OF THE NATIONAL BOOK AWARDHurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.As the novel progresses through twelve dramatic days, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day._______________'Masterful ... A palpable sense of desire and sorrow animates every page ... Salvage the Bones has the aura of a classic about it' - Washington Post'Beautifully written ... A powerful depiction of grinding poverty, where somehow, amid the deprivation, the flame of filial affection survives and a genuine spirit of community is able to triumph over everything the system and nature can throw at it' - Daily Mail

* AN OPRAH'S BOOK CLUB PICK *‘A spectacular achievement’ ANTHONY DOERR‘Extravagantly beautiful’ DAILY MAIL‘One of the greatest writers of all time’ JACQUELINE WOODSON‘Extraordinary’ GUARDIAN‘The best book I’ve read in years’ LOUISE KENNEDY-----------------------The first weapon I ever held was my mother's hand.On a slave plantation in the Carolinas, Annis has survived in the light of her mother’s resilience, comforted by stories of her African warrior grandmother. Everything she knows, she learned from her mother – how to fight, how to be strong, how to grow up in a world shrouded in darkness.When she is sold south by the white enslaver who fathered her, Annis must venture onward through the rich but unforgiving landscapes of the American South alone: from the rice fields of the Carolinas to the slave markets of New Orleans, and into the fearsome heart of a Louisiana sugar plantation. Searching for relief in memories of her mother, she opens herself to a world beyond her own, teeming with spirits of earth, water, history and myth. A reimagining of American slavery as beautifully rendered as it is heart-wrenching, Let Us Descend offers a magnificent portrait of the strength of the human spirit and its ability to emerge from darkness into light. This is a story of beauty, love, rebirth and reclamation – a masterwork for the ages.Praise for Sing, Unburied, Sing‘A must’ Margaret Atwood‘One of the most important writers in America today’ Ann Patchett‘Ward is a lyrical, visceral storyteller’ Daily Mail‘A searing, urgent read’ Celeste Ng‘Plays out like a grand epic … Staggering’ Marlon James

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay.Respair (noun, obsolete), fresh hope after despair.From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as 'the heir apparent to Toni Morrison' (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to 'Tell it straight. Tell it all.'True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood — the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies — including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as one of America’s finest living writers and is a monument to hope, beauty, and personal and collective resilience.PRAISE FOR JESMYN WARD:'One of the most important writers in America today' Ann Patchett'Ward writes like a dream: a real dream, uneasy, vivid and deep as the sea' The Times'Takes the territory made so familiar by writers such as William Faulkner... and reclaims it' Financial Times'Jesmyn is, simply, the best of us' Ta-Nehesi Coates

A collection of the year's best stories selected by celebratedtwo-timeNational Book Award winner Jesmyn WardIn her introduction to The Best American Short Stories 2021, guest editor Jesmyn Ward says that the best fiction offers the reader a ';sense of repair.' The stories in this year's collection accomplish just that, immersing the reader in powerfully imagined worlds and allowing them to bring some of that power into their own lives. From a stirring portrait of Rodney King's final days to a surreal video game set in the Middle East, with real consequences, to an indigenous boy's gripping escape from his captors, this collection renders profoundly empathetic depictions of the variety of human experience. These stories are poignant reminders of the possibilities of fiction: as you sink into world after world, become character after character, as Ward writes, you ';forget yourself, and then, upon surfacing, know yourself and others anew.The Best American Short Stories 2021 includes GABRIEL BUMP *; BRANDON HOBSON *; DAVID MEANS*; JANE PEK *; TRACEY ROSE PEYTON *;GEORGE SAUNDERS *; BRYAN WASHINGTON *; KEVIN WILSON *; C PAM ZHANG and others

_______________''A brilliantly pacy adventure story ... Ward writes like a dream'' - The Times''Fresh and urgent'' - New York Times''There''s something of Faulkner to Ward''s grand diction'' - Guardian_______________WINNER OF THE NATIONAL BOOK AWARDHurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch''s father is growing concerned. He''s a hard drinker, largely absent, and it isn''t often he worries about the family.Esch and her three brothers are stockpiling food, but there isn''t much to save. Lately, Esch can''t keep down what food she gets; at fifteen, she has just realized that she''s pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull''s new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child''s play and short on parenting.As the novel progresses through twelve dramatic days, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day._______________''Masterful ... A palpable sense of desire and sorrow animates every page ... Salvage the Bones has the aura of a classic about it'' - Washington Post''Beautifully written ... A powerful depiction of grinding poverty, where somehow, amid the deprivation, the flame of filial affection survives and a genuine spirit of community is able to triumph over everything the system and nature can throw at it'' - Daily Mail

_______________''A brutal, moving memoir … Anyone who emerges from America''s black working-class youth with words as fine as Ward''s deserves a hearing'' - Guardian''Raw, beautiful and dangerous'' - New York Times Book Review''Lavishly endowed with literary craft and hard-earned wisdom'' - Time_______________The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice''And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped'' - Harriet TubmanJesmyn Ward''s acclaimed memoir shines a light on the community she comes from in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young black men dear to her, including her beloved brother – to accidents, murder and suicide. Their deaths were seemingly unconnected, yet their lives had been connected by identity and place. As Jesmyn dealt with these losses, she came to a staggering truth: the fates of these young men were predetermined by who they were and where they were from, because racism and economic struggle breed a certain kind of bad luck.The agonising reality brought Jesmyn to write, at last, their true stories and her own._______________''Acute and often beautiful'' - Financial Times''Haunting'' - Laurie Penny, New Statesman Books of the Year''Elegiac, rage-filled, and uncommonly brave'' - Vogue''A brilliant book about beauty and death'' - Los Angeles Times''Essential'' - San Francisco Chronicle''Burns with brilliance'' - Harper''s Bazaar''Unvarnished and penetrating'' - Elle

_______________SHORTLISTED FOR THE WOMEN''S PRIZE FOR FICTION 2018WINNER OF THE NATIONAL BOOK AWARD 2017ONE OF BARACK OBAMA''S BEST BOOKS OF 2017SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC_______________''A must'' - Margaret Atwood''A searing, urgent read'' - Celeste Ng''Staggering'' - Marlon James''Disarmingly beautiful'' - Spectator''Blazing with power, grief and tenderness'' - Financial Times_______________An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing examines the ugly truths at the heart of the American story and the power – and limitations – of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. His mother, Leonie, is in constant conflict with herself and those around her. She is black and her children''s father is white. Embattled in ways that reflect the brutal reality of her circumstances, she wants to be a better mother, but can''t put her children above her own needs, especially her drug use. When the children''s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.Rich with Ward''s distinctive, lyrical language, Sing, Unburied, Sing brings the archetypal road novel into rural twenty-first century America.

THE NEW YORK TIMES BESTSELLEREdited by two-time National Book Award winner and Women''s Prize shortlisted-author Jesmyn Ward, a timely and groundbreaking collection of essays and poems about race in AmericaIn this bestselling collection of essays and poems, Jesmyn Ward gathers a new generation of writers and thinkers to speak on race. From Claudia Rankine to Rachel Kaadzi Ghansah, Kiese Laymon to Carol Anderson, these voices shine a light on the darkest corners of American history, wrestle with the struggles the country faces today and imagine a better future. Envisioned as a response to The Fire Next Time, James Baldwin''s groundbreaking 1963 essay collection, The Fire This Time considers the black experience in modern America. Significant progress has been made in the fifty years since Baldwin''s essays were published, but America is a long distance away from a post-racial society – a truth that must be confronted if the country is to continue to work towards change.Baldwin''s ''fire next time'' is now upon us, and it needs to be talked about. Sage, urgent and impassioned, this is an essential collection edited by one of America''s greatest writers.

_______________'A brutal, moving memoir … Anyone who emerges from America’s black working-class youth with words as fine as Ward’s deserves a hearing' - Guardian'Raw, beautiful and dangerous' - New York Times Book Review'Lavishly endowed with literary craft and hard-earned wisdom' - Time_______________The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet TubmanJesmyn Ward’s acclaimed memoir shines a light on the community she comes from in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young black men dear to her, including her beloved brother – to accidents, murder and suicide. Their deaths were seemingly unconnected, yet their lives had been connected by identity and place. As Jesmyn dealt with these losses, she came to a staggering truth: the fates of these young men were predetermined by who they were and where they were from, because racism and economic struggle breed a certain kind of bad luck.The agonising reality brought Jesmyn to write, at last, their true stories and her own._______________'Acute and often beautiful' - Financial Times'Haunting' - Laurie Penny, New Statesman Books of the Year'Elegiac, rage-filled, and uncommonly brave' - Vogue'A brilliant book about beauty and death' - Los Angeles Times'Essential' - San Francisco Chronicle'Burns with brilliance' - Harper's Bazaar'Unvarnished and penetrating' - Elle

The first novel from two-time National Book Award winner Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflictJoshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi’s Gulf Coast. Over the course of a single, life-changing summer, as they struggle to find work and contend with the reappearance of their parents – Cille, who left town for a better job, and Sandman, a dangerous addict – the brothers are forced into a series of decisions that will ultimately damn or save them. A delicate and closely observed portrait of fraternal love and strife and the bonds that can sustain and torment us, Where the Line Bleeds marks the beginning of Jesmyn Ward’s extraordinary career in fiction.

The first novel from two-time National Book Award winner Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflictJoshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi''s Gulf Coast. Over the course of a single, life-changing summer, as they struggle to find work and contend with the reappearance of their parents – Cille, who left town for a better job, and Sandman, a dangerous addict – the brothers are forced into a series of decisions that will ultimately damn or save them. A delicate and closely observed portrait of fraternal love and strife and the bonds that can sustain and torment us, Where the Line Bleeds marks the beginning of Jesmyn Ward''s extraordinary career in fiction.

*Selected as One of the Best Books of the 21st Century by The New York Times * WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, The Oprah Magazine) and a timeless work of fiction that is destined to become a classic.Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love… this book is the kind that makes you ache to return to it” (Buzzfeed). Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).

The New York Times bestseller, these groundbreaking essays and poems about race—collected by National Book Award winner Jesmyn Ward and written by the most important voices of her generation—are “thoughtful, searing, and at times, hopeful. The Fire This Time is vivid proof that words are important, because of their power to both cleanse and to clarify” (USA TODAY).In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future. Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue).

The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe).Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

*Selected as One of the Best Books of the 21st Century by The New York Times * WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, The Oprah Magazine) and a timeless work of fiction that is destined to become a classic.Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love… this book is the kind that makes you ache to return to it” (Buzzfeed). Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).

As an adult, I learned this: persist. Work hard. Face rejection, weather the setbacks, until you meet the gatekeeper who will open a door for you. Jesmyn Ward grew up in a poor, rural community in Mississippi. Today, as the first woman to win the National Book Award twice, she is celebrated as one of America''s greatest living writers.Navigate Your Stars is a stirring reflection on the value of hard work and the importance of respect for oneself and others. First delivered as a 2018 commencement address at Tulane University, it captures Ward''s inimitable voice as she reflects on her experiences as a Southern black woman, addressing the themes of grit, adversity and the importance of family bonds.Beautifully illustrated in full colour, this is a meditative and profound book that will inspire all readers preparing for the next chapter in their lives.