Jessica Hillman-McCord – författare

What does it mean to be a 'fan' of musical theatre? And how does 'fandom' continue to shape the genre?From listening to Original Cast Albums on repeat in the basement, to camping in line overnight for firstrow tickets to Rent, to crowdsourcing new musicals and interacting with performers on TikTok, the activities a musical theatre fan engages in have changed significantly over time, but the love and passion at the heart of the experience has remained the same.Fandom in Musical Theatre delves into the universe of musical theatre fandom, investigating its dynamic communities. This book traces the historical context of fandom and then examines what it currently means to be a musical theatre fan, as fan culture shifts towards the digital.Including case studies on the 'diva worship' of Barbra Streisand, as well as Rent and Hamilton, this accessible introduction presents a multifaceted view of a passionate subculture often overlooked inacademic discourse.Published in Methuen Drama's Topics in Musical Theatre series, this book will appeal to anyone interested in exploring the intersections of musical theatre culture, fan engagement and community formation.

What does it mean to be a 'fan' of musical theatre? And how does 'fandom' continue to shape the genre?From listening to Original Cast Albums on repeat in the basement, to camping in line overnight for firstrow tickets to Rent, to crowdsourcing new musicals and interacting with performers on TikTok, the activities a musical theatre fan engages in have changed significantly over time, but the love and passion at the heart of the experience has remained the same.Fandom in Musical Theatre delves into the universe of musical theatre fandom, investigating its dynamic communities. This book traces the historical context of fandom and then examines what it currently means to be a musical theatre fan, as fan culture shifts towards the digital.Including case studies on the 'diva worship' of Barbra Streisand, as well as Rent and Hamilton, this accessible introduction presents a multifaceted view of a passionate subculture often overlooked inacademic discourse.Published in Methuen Drama's Topics in Musical Theatre series, this book will appeal to anyone interested in exploring the intersections of musical theatre culture, fan engagement and community formation.

What does it mean to be a 'fan' of musical theatre? And how does 'fandom' continue to shape the genre?From listening to Original Cast Albums on repeat in the basement, to camping in line overnight for firstrow tickets to Rent, to crowdsourcing new musicals and interacting with performers on TikTok, the activities a musical theatre fan engages in have changed significantly over time, but the love and passion at the heart of the experience has remained the same.Fandom in Musical Theatre delves into the universe of musical theatre fandom, investigating its dynamic communities. This book traces the historical context of fandom and then examines what it currently means to be a musical theatre fan, as fan culture shifts towards the digital.Including case studies on the 'diva worship' of Barbra Streisand, as well as Rent and Hamilton, this accessible introduction presents a multifaceted view of a passionate subculture often overlooked inacademic discourse.Published in Methuen Drama's Topics in Musical Theatre series, this book will appeal to anyone interested in exploring the intersections of musical theatre culture, fan engagement and community formation.

This book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike.