Jessica Hillman-McCord is a Professor in the Department of Theatre and Dance at the State University of New York at Fredonia. She has published articles in leading journals including Studies in Musical Theatre, TDR: The Drama Review, and Theatre Survey. Her monograph, Echoes of the Holocaust on the American Musical Stage, was published in 2012. She is also the editor of, and contributor to, iBroadway: Musical Theatre in the Digital Age, published in 2017.

Hillman-McCord is a professor deeply interested in the mechanics and meaning of musical theatre. In just 86 pages, she delivers a valuable and inspiring piece of scholarly engagement with the musical as we know it today.

• IntroductionChapter 1: Early to Mid-Century Fandom HistoryChapter 2: Megamusicals to Web 2.0, Fandom HistoryChapter 3: Current Musical Theatre FandomConclusionBibliography

Jessica Hillman-McCord is a Professor in the Department of Theatre and Dance at the State University of New York at Fredonia. She has published articles in leading journals including Studies in Musical Theatre, TDR: The Drama Review, and Theatre Survey. Her monograph, Echoes of the Holocaust on the American Musical Stage, was published in 2012. She is also the editor of, and contributor to, iBroadway: Musical Theatre in the Digital Age, published in 2017.

Hillman-McCord is a professor deeply interested in the mechanics and meaning of musical theatre. In just 86 pages, she delivers a valuable and inspiring piece of scholarly engagement with the musical as we know it today.

• IntroductionChapter 1: Early to Mid-Century Fandom HistoryChapter 2: Megamusicals to Web 2.0, Fandom HistoryChapter 3: Current Musical Theatre FandomConclusionBibliography

Jessica Hillman-McCord is a Professor in the Department of Theatre and Dance at the State University of New York at Fredonia. She has published articles in leading journals including Studies in Musical Theatre, TDR: The Drama Review, and Theatre Survey. Her monograph, Echoes of the Holocaust on the American Musical Stage, was published in 2012. She is also the editor of, and contributor to, iBroadway: Musical Theatre in the Digital Age, published in 2017.

Hillman-McCord is a professor deeply interested in the mechanics and meaning of musical theatre. In just 86 pages, she delivers a valuable and inspiring piece of scholarly engagement with the musical as we know it today.

• IntroductionChapter 1: Early to Mid-Century Fandom HistoryChapter 2: Megamusicals to Web 2.0, Fandom HistoryChapter 3: Current Musical Theatre FandomConclusionBibliography