Jessica Martin – författare

This book argues that Walton's practice, in his Lives, was crucial in shaping modern expectations of biography: how it should be organised, how it should treat evidence, how seriously it should regard narrative coherence, and most particularly in the modern expectation of an intimate relationship between author, reader, and subject. Dr Martin considers Walton's biographical ethics in relation to the tributary genres influencing him as they emerged from post-Reformation commendatory practice after 1546, most particularly classical funeral oratory and the emergent Protestant funeral sermon, the Plutarchan parallel, the didactic Character, martyrological narrative, and finally Walton's direct model, the exemplary biographical commemoration of the conformist minister. Dr Martin considers how Walton develops his literary inheritance, arguing that his lay status required him to initiate a different kind of mediation between reader and subject from the straightforwardly imitative. Walton presents himself as a channel for the words and acts of an authoritative subject, a preference implicitly followed both in his stress on personal connections with his subjects (which spectacularly particularizes his portraits) and in his very extensive use of their own writings. His Lives attempt posthumous autobiography. They are also considered as prominent and accomplished examples of the many politically intended narratives which exploit a consensual interpretation of private virtue to support, without having to argue for, a sectarian interpretation of public rectitude.

Scholars increasingly recognise that understanding the history of religion means understanding worship and devotion as well as doctrines and polemics. Early modern Christianity consisted of its lived experience. This collection and its companion volume (Worship and the Parish Church in Early Modern Britain, ed. Natalie Mears and Alec Ryrie) bring together an interdisciplinary range of scholars to discuss what that lived experience comprised, and what it meant. Private and domestic devotion - how early modern men and women practised their religion when they were not in church - is a vital and largely hidden subject. Here, historical, literary and theological scholars examine piety of conformist, non-conformist and Catholic early modern Christians, in a range of private and domestic settings, in both England and Scotland. The subjects under analysis include Bible-reading, the composition of prayers, the use of the psalms, the use of physical props for prayers, the pious interpretation of dreams, and the troubling question of what counted as religious solitude. The collection as a whole broadens and deepens our understanding of the patterns of early modern devotion, and of their meanings for early modern culture as a whole.

Scholars increasingly recognise that understanding the history of religion means understanding worship and devotion as well as doctrines and polemics. Early modern Christianity consisted of its lived experience. This collection and its companion volume (Worship and the Parish Church in Early Modern Britain, ed. Natalie Mears and Alec Ryrie) bring together an interdisciplinary range of scholars to discuss what that lived experience comprised, and what it meant. Private and domestic devotion - how early modern men and women practised their religion when they were not in church - is a vital and largely hidden subject. Here, historical, literary and theological scholars examine piety of conformist, non-conformist and Catholic early modern Christians, in a range of private and domestic settings, in both England and Scotland. The subjects under analysis include Bible-reading, the composition of prayers, the use of the psalms, the use of physical props for prayers, the pious interpretation of dreams, and the troubling question of what counted as religious solitude. The collection as a whole broadens and deepens our understanding of the patterns of early modern devotion, and of their meanings for early modern culture as a whole.

Scholars increasingly recognise that understanding the history of religion means understanding worship and devotion as well as doctrines and polemics. Early modern Christianity consisted of its lived experience. This collection and its companion volume (Worship and the Parish Church in Early Modern Britain, ed. Natalie Mears and Alec Ryrie) bring together an interdisciplinary range of scholars to discuss what that lived experience comprised, and what it meant. Private and domestic devotion - how early modern men and women practised their religion when they were not in church - is a vital and largely hidden subject. Here, historical, literary and theological scholars examine piety of conformist, non-conformist and Catholic early modern Christians, in a range of private and domestic settings, in both England and Scotland. The subjects under analysis include Bible-reading, the composition of prayers, the use of the psalms, the use of physical props for prayers, the pious interpretation of dreams, and the troubling question of what counted as religious solitude. The collection as a whole broadens and deepens our understanding of the patterns of early modern devotion, and of their meanings for early modern culture as a whole.

How can we make sense of intensifying gender inequalities amid the growing visibility of popular, media-driven feminism? Can domestic cultures offer a space for feminist response and resistance to austerity?Feminisms and Domesticity in Times of Crisis seeks to address these questions, exploring how the revival of traditionally feminine domestic activities, such as crafting, baking and sewing exemplified by cultural figures such as the “trad-wife”, has coincided with the re-politicisation and heightened visibility of domestic culture during an era of austerity. Jessica Martin offers an in-depth analysis of public figures who have forged ‘austerity celebrity’ personas that blend domesticity with activism, producing a popular but complex strand of neoliberal feminism.Examining figures like Kirstie Allsopp, Justine Roberts, Jen Gale, and anti-austerity blogger and cook Jack Monroe, Martin examines how each figure develops a distinct form of politicised domesticity. Their responses span the political spectrum—from Allsopp’s promotion of the ‘Big Society’ and conservative individualism to Roberts’ transformation of motherhood into parliamentary activism.Martin also considers how this nostalgic turn to domesticity intensified during the COVID-19 crisis, reinforcing narratives of white femininity, patriotic stoicism, and the so-called British blitz spirit, while helping to obscure the escalating inequalities of austerity-era Britain. Martin argues that the convergence of nostalgia and femininity has produced new discourses of performative thrift, feminized labour and aspirational domesticity which are key resources for the justification of austerity policy.

How can we make sense of intensifying gender inequalities amid the growing visibility of popular, media-driven feminism? Can domestic cultures offer a space for feminist response and resistance to austerity?Feminisms and Domesticity in Times of Crisis seeks to address these questions, exploring how the revival of traditionally feminine domestic activities, such as crafting, baking and sewing exemplified by cultural figures such as the trad-wife , has coincided with the re-politicisation and heightened visibility of domestic culture during an era of austerity. Jessica Martin offers an in-depth analysis of public figures who have forged 'austerity celebrity' personas that blend domesticity with activism, producing a popular but complex strand of neoliberal feminism.Examining figures like Kirstie Allsopp, Justine Roberts, Jen Gale, and anti-austerity blogger and cook Jack Monroe, Martin examines how each figure develops a distinct form of politicised domesticity. Their responses span the political spectrum-from Allsopp's promotion of the 'Big Society' and conservative individualism to Roberts' transformation of motherhood into parliamentary activism.Martin also considers how this nostalgic turn to domesticity intensified during the COVID-19 crisis, reinforcing narratives of white femininity, patriotic stoicism, and the so-called British blitz spirit, while helping to obscure the escalating inequalities of austerity-era Britain. Martin argues that the convergence of nostalgia and femininity has produced new discourses of performative thrift, feminized labour and aspirational domesticity which are key resources for the justification of austerity policy.

How can we make sense of intensifying gender inequalities amid the growing visibility of popular, media-driven feminism? Can domestic cultures offer a space for feminist response and resistance to austerity?Feminisms and Domesticity in Times of Crisis seeks to address these questions, exploring how the revival of traditionally feminine domestic activities, such as crafting, baking and sewing exemplified by cultural figures such as the trad-wife , has coincided with the re-politicisation and heightened visibility of domestic culture during an era of austerity. Jessica Martin offers an in-depth analysis of public figures who have forged 'austerity celebrity' personas that blend domesticity with activism, producing a popular but complex strand of neoliberal feminism.Examining figures like Kirstie Allsopp, Justine Roberts, Jen Gale, and anti-austerity blogger and cook Jack Monroe, Martin examines how each figure develops a distinct form of politicised domesticity. Their responses span the political spectrum-from Allsopp's promotion of the 'Big Society' and conservative individualism to Roberts' transformation of motherhood into parliamentary activism.Martin also considers how this nostalgic turn to domesticity intensified during the COVID-19 crisis, reinforcing narratives of white femininity, patriotic stoicism, and the so-called British blitz spirit, while helping to obscure the escalating inequalities of austerity-era Britain. Martin argues that the convergence of nostalgia and femininity has produced new discourses of performative thrift, feminized labour and aspirational domesticity which are key resources for the justification of austerity policy.

How can we make sense of intensifying gender inequalities amid the growing visibility of popular, media-driven feminism? Can domestic cultures offer a space for feminist response and resistance to austerity?Feminisms and Domesticity in Times of Crisis seeks to address these questions, exploring how the revival of traditionally feminine domestic activities, such as crafting, baking and sewing exemplified by cultural figures such as the “trad-wife”, has coincided with the re-politicisation and heightened visibility of domestic culture during an era of austerity. Jessica Martin offers an in-depth analysis of public figures who have forged ‘austerity celebrity’ personas that blend domesticity with activism, producing a popular but complex strand of neoliberal feminism.Examining figures like Kirstie Allsopp, Justine Roberts, Jen Gale, and anti-austerity blogger and cook Jack Monroe, Martin examines how each figure develops a distinct form of politicised domesticity. Their responses span the political spectrum—from Allsopp’s promotion of the ‘Big Society’ and conservative individualism to Roberts’ transformation of motherhood into parliamentary activism.Martin also considers how this nostalgic turn to domesticity intensified during the COVID-19 crisis, reinforcing narratives of white femininity, patriotic stoicism, and the so-called British blitz spirit, while helping to obscure the escalating inequalities of austerity-era Britain. Martin argues that the convergence of nostalgia and femininity has produced new discourses of performative thrift, feminized labour and aspirational domesticity which are key resources for the justification of austerity policy.

Scholars increasingly recognise that understanding the history of religion means understanding worship and devotion as well as doctrines and polemics. Early modern Christianity consisted of its lived experience. This collection and its companion volume (Worship and the Parish Church in Early Modern Britain, ed. Natalie Mears and Alec Ryrie) bring together an interdisciplinary range of scholars to discuss what that lived experience comprised, and what it meant. Private and domestic devotion - how early modern men and women practised their religion when they were not in church - is a vital and largely hidden subject. Here, historical, literary and theological scholars examine piety of conformist, non-conformist and Catholic early modern Christians, in a range of private and domestic settings, in both England and Scotland. The subjects under analysis include Bible-reading, the composition of prayers, the use of the psalms, the use of physical props for prayers, the pious interpretation of dreams, and the troubling question of what counted as religious solitude. The collection as a whole broadens and deepens our understanding of the patterns of early modern devotion, and of their meanings for early modern culture as a whole.

Utilizing a common set of objective institutional markers as a compass, this book guides readers through the terrain of various Christian institutions.The Christian higher education landscape confuses many people. Future students, parents, staff, and even faculty often do not understand the important subtleties and nuances. They need a guide that empirically explores the ways Christian universities operationalize their Christian identity. This book will guide them through the field of Christian higher education and introduce our Operationalizing Christian Identity Guide (OCIG), which identifies the major ways Christian colleges and universities use their Christian identity to make mission, marketing, membership, curriculum, cocurricular, and other decisions (an online spreadsheet of OCIG scores for all the Christian colleges and universities in North America updated in real-time will be available to readers). These markers are identifiable by anyone, no matter their religious or nonreligious background.The OCIG is then employed to provide readers a tour of Protestant, historically Black, Catholic, evangelical/multidenominational, and Eastern Orthodox institutions in the United States and Canada. Parents, students, staff, and faculty will be equipped to engage Christian higher education with a clearer understanding of these key elements and their importance to the mission and purposes of individual institutions and Christian higher education at large.

We live in a world that prizes gratification of desire. But what if this pressure to satisfy our wants instead makes us settle for lesser imitations? What if the problem with desire is not that we want what we can’t have, but that we don’t want it enough? What if desire itself - the gap between wanting and having - is the key to living well?Holiness and Desire explores these questions and the challenges they pose to modern living. Drawing on sources from the Bible to literature and social media, Jessica Martin considers what a distinctive holiness might look like within the distorting pressures of our highly sexualized modern culture.Nominated for the 2023 Michael Ramsey Prize.

What if the problem with desire is not that we want what we can’t have, but that we don’t want it enough? What if desire itself - the gap between wanting and having - is the key to living well? Holiness and Desire explores these questions, considering what a distinctive holiness might look like in our highly sexualized modern culture.

The Eucharist is common Sunday fare in most Anglican churches, and the point in ritual where God and humanity most closely meet. It nourishes the soul, deepens and extends community, reaches deeper than any other Christian practice. But collective worship has been in steep decline and Eucharistic practice has been further disrupted by the pandemic.In The Eucharist in Four Dimensions, Jessica Martin considers the place of the Eucharist today using four approaches:· The Point of the Eucharist – its essence, story and what it is for in contemporary culture; the divine value it gives to the weak and the broken;· Flat Eucharist – the meaning of the Eucharist in a world of written liturgy and screened worship;· The Eucharist as event - the role of physical gathering and communal eating in the Eucharistic drama of communal feast; how this works when we are physically absent;· The Eucharist in time – how memory brings together Jesus’s past physical present with the meetings and partings of our own lives.This is an essential guide to the Eucharist for all ministering in a world of streamed services and remote worship.

The Eucharist is common Sunday fare in most Anglican churches, and the point in ritual where God and humanity most closely meet. It nourishes the soul, deepens and extends community, reaches deeper than any other Christian practice. But collective worship has been in steep decline and Eucharistic practice has been further disrupted by the pandemic. In The Eucharist in Four Dimensions, Jessica Martin considers the place of the Eucharist today using four approaches: · The Point of the Eucharist – its essence, story and what it is for in contemporary culture; the divine value it gives to the weak and the broken; · Flat Eucharist – the meaning of the Eucharist in a world of written liturgy and screened worship; · The Eucharist as event - the role of physical gathering and communal eating in the Eucharistic drama of communal feast; how this works when we are physically absent; · The Eucharist in time – how memory brings together Jesus’s past physical present with the meetings and partings of our own lives. This is an essential guide to the Eucharist for all ministering in a world of streamed services and remote worship.

This collection features five peer-reviewed literature reviews on ensuring animal welfare during transport and slaughter.The first chapter examines the impact of transport on beef and dairy cattle, as well as the effects of transport on carcass quality issues, such as bruising and dark cutting beef. It details how conditions can be optimised to ensure the welfare needs of the animal are met during all stages of transport.The second chapter reviews the legislation and codes of practice surrounding the transport and slaughter of cows to be culled as a result of disease or the development of health conditions such as lameness.The third chapter considers the effects of transport, handling and slaughter practices on pigs as well as physiological effects on carcass and meat quality.The fourth chapter explores current approaches used to stun poultry before slaughter, including electrical stunning and controlled atmosphere stunning. The chapter reviews the associated risks and benefits of each approach to overall bird health and welfare.The final chapter reviews the main welfare issues associated with management of sheep once they leave the farm, including transport by road and sea, use of holding facilities as well as handling and stunning of sheep at abattoirs.

The traditional landscape of Anglican parish ministry is irrevocably changing. Priests have traditionally understood themselves as maintaining centres of prayer and spiritual care for people in a particular place, but urgent pressures on parish ministry are changing this. For God's Sake seeks to discern what priests are called to do in the new shape the church is taking. It looks for signs of God’s kingdom in today’s signs of the times, and ways of being both faithful and creative in the face of an uncertain future. A range of contributors explore first-hand the contradictions and paradoxes of a priest’s daily life, reflecting on how the wisdom of the past and the new initiatives of evangelization are shaping their vocation to prayer, study and speaking the good news of Jesus Christ.

A range of contributors explore the contradictions and paradoxes of a priest''s daily life, focusing on presence and prayer.

Als Inhaber und Geschäftsführer des Gipfelstürmer lebt Jordan für den exklusiven BDSM-Club, in dem er jede freie Minute verbringt. Die Mitglieder schätzen seinen Einsatz sehr, trotzdem gerät der Club unverschuldet in finanzielle Schieflage. Jordans oberste Priorität ist die Rettung seines Herzprojekts. Für Gefühlsdinge hat er eigentlich keine Zeit. Zudem ist er ein Switch mit eher ungewöhnlichen Kinks. Doch dann verguckt er sich sowohl in den Little und Sub Ferris, als auch in seinen Koch Henno, der obendrein ein Daddydom ist. Da beide Männer sein Interesse erwidern, stürzen sie sich in ein aufregendes Abenteuer zu dritt. Je mehr Zeit sie jedoch miteinander verbringen, desto intensiver werden die Gefühle, während die Bedrohung für den Club immer weiter zunimmt. Als Jordan erfährt, wer hinter dem Angriff auf das Gipfelstürmer steckt, muss er sich entscheiden, was wirklich das Wichtigste in seinem Leben ist...

Nach einer erneuten Trennung hat Nico die Hoffnung auf den Partner seiner Träume so gut wie aufgegeben. Vielleicht verlangt er auch zu viel von einem Mann, der sowohl liebevoller Daddy als auch strenger Dom sein soll. Nicos Stiefmutter hat schließlich schon immer gesagt, dass er zu viel Aufmerksamkeit benötigt.Doch dann trifft er Daddy Maxwell, den Besitzer des kleinen Cafés im Erdgeschoss seines neuen Wohnhauses, und dessen besten Freund Edward, ein angesehener Dom des exklusiven Privatclubs Gipfelstürmer. Die beiden dominanten Männer haben mehr Trennungen und Versöhnungen hinter sich, als sie zugeben wollen, und doch können sie einfach nicht die Finger voneinander lassen.Als Eifersucht und eine doppelte Portion Dominanz auf einen eifrigen Sub treffen, knistert es gewaltig.Doch kann eine Beziehung zu dritt wirklich funktionieren und können Edward und Maxwell Nico beweisen, dass seine Stiefmutter unrecht hat?

Ein Besuch bei der Familie ist für Juri schon immer ein Spießrutenlauf gewesen. Dieses Mal kommt er jedoch nicht nur mit einer großen Portion Frust im Bauch, sondern auch noch krank und obendrein mit gebrochener Hand zurück. Verzweifelt bittet er seinen Kumpel Niels um Unterstützung, dem es als Daddy im Blut liegt, anderen zu helfen.Juri schwärmt schon eine Weile heftig für ihn, auch wenn die Vergangenheit ihn gelehrt hat, Doms grundsätzlich nicht zu vertrauen, und er nicht nachvollziehen kann, was Niels an BDSM und insbesondere an Ageplay reizt.Als sie sich tatsächlich näherkommen, setzt Juri alles daran, ihre Liebe zu schützen, auch wenn das bedeutet, Niels etwas vorzuspielen, was er nicht ist.Alles scheint perfekt zu sein, bis Juris Vorurteile BDSM gegenüber ihn einholen und er sich entscheiden muss: Will er daran festhalten oder hört er auf das, was sein Herz ihm schon lange rät?