Jill Suzanne Smith – författare
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8 produkter
8 produkter
Inbunden, Engelska, 2014
1 437 kr
Skickas inom 10-15 vardagar
During the late nineteenth century the city of Berlin developed such a reputation for lawlessness and sexual licentiousness that it came to be known as the "Whore of Babylon." Out of this reputation for debauchery grew an unusually rich discourse around prostitution. In Berlin Coquette, Jill Suzanne Smith shows how this discourse transcended the usual clichés about prostitutes and actually explored complex visions of alternative moralities or sexual countercultures including the "New Morality" articulated by feminist radicals, lesbian love, and the "New Woman."Combining extensive archival research with close readings of a broad spectrum of texts and images from the late Wilhelmine and Weimar periods, Smith recovers a surprising array of productive discussions about extramarital sexuality, women's financial autonomy, and respectability. She highlights in particular the figure of the cocotte (Kokotte), a specific type of prostitute who capitalized on the illusion of respectable or upstanding womanhood and therefore confounded easy categorization. By exploring the semantic connections between the figure of the cocotte and the act of flirtation (of being coquette), Smith's work presents flirtation as a type of social interaction through which both prostitutes and non-prostitutes in Imperial and Weimar Berlin could express extramarital sexual desire and agency.
Häftad, Engelska, 2014
451 kr
Skickas inom 10-15 vardagar
During the late nineteenth century the city of Berlin developed such a reputation for lawlessness and sexual licentiousness that it came to be known as the "Whore of Babylon." Out of this reputation for debauchery grew an unusually rich discourse around prostitution. In Berlin Coquette, Jill Suzanne Smith shows how this discourse transcended the usual clichés about prostitutes and actually explored complex visions of alternative moralities or sexual countercultures including the "New Morality" articulated by feminist radicals, lesbian love, and the "New Woman."Combining extensive archival research with close readings of a broad spectrum of texts and images from the late Wilhelmine and Weimar periods, Smith recovers a surprising array of productive discussions about extramarital sexuality, women's financial autonomy, and respectability. She highlights in particular the figure of the cocotte (Kokotte), a specific type of prostitute who capitalized on the illusion of respectable or upstanding womanhood and therefore confounded easy categorization. By exploring the semantic connections between the figure of the cocotte and the act of flirtation (of being coquette), Smith's work presents flirtation as a type of social interaction through which both prostitutes and non-prostitutes in Imperial and Weimar Berlin could express extramarital sexual desire and agency.
Häftad, Engelska, 2024
313 kr
Skickas inom 3-6 vardagar
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts—Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts—the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture.Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
Inbunden, Engelska, 2024
965 kr
Skickas inom 5-8 vardagar
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts—Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts—the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture.Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
E-bok
Engelska, 2024359 kr
Läs direkt efter köp
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture.Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
E-bok
PDF, Engelska, 2024359 kr
Läs direkt efter köp
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture.Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
Del 246 - Studies in German Literature Linguistics and Culture
Afterlives of Weimar Berlin
Twenty-First-Century Literature, Media, and Visual Culture
Inbunden, Engelska, 2024
1 243 kr
Skickas inom 5-8 vardagar
Explores the recent proliferation of cultural representations of Weimar Berlin in the German-speaking world, probing the connections between historical and contemporary texts, their contexts, and their creators.More than a century after its founding, there can be little doubt that Weimar is back. The recent proliferation of references to and portrayals of the Weimar Republic - Germany's first democracy, born out of the aftermath of the First World War and characterized by economic and political crisis - is not surprising given our crisis-filled present. That said, the Weimar era has been a consistent focus of scholarly work in both the German-speaking and the Anglo-American academic worlds since the 1970s, and yet depictions of this period in German literature and visual culture were few and far between until the beginning of the 21st century. This book traces this renewed fascination with Weimar - specifically its capital, Berlin - in contemporary German-language culture, providing both wide-angle and close-up views. While discussions of the time period in mainstream media and historiography tend to focus on Weimar as a warning against the dangers of economic and political instability, the novels and visual works produced by contemporary German writers and filmmakers in the last 15 years revive and reshape the cultural legacy of Weimar Berlin. The Afterlives of Weimar Berlin explores the creative interplay between contemporary and historical texts, their contexts, and their creators, tracing a cultural legacy that has the work of German Jews and women as its foundation.
Häftad, Engelska, 2023
284 kr
Skickas inom 5-8 vardagar
«Dr. Hammer’s account of lives of registered prostitutes illustrates the complexity of discourses on medical supervision and police control of sexuality in early twentieth-century Berlin. This English edition provides historians of sexuality with insight into medical experts’ role in producing social truth and how the women profiled resisted control.»(Deirdre McGowan, Head of Law, School of Social Sciences, Law, and Education, Technological University Dublin)«For anyone interested in the history of prostitution, retrieving the lives and voices of sex workers poses the greatest challenge. This makes Ten Life Histories of Berlin Prostitutes a particularly precious source. Jill Suzanne Smith’s and Stephen Carruthers’s engagingly written introductions adeptly situate Hammer’s study in the contexts of Imperial Germany around 1900 and Berlin’s role as a major center of sexual reform. The translation from the German is eminently readable. Thanks to the editors, English-speaking audiences finally have access to this major document on battles over prostitution at the height of the industrial age.»(Julia Roos, Associate Professor of History, Indiana University, Bloomington)This book is an annotated translation into English of Zehn Lebensläufe Berliner Kontollmädchen und zehn Beiträge zur Behandlung der geschlechtlichen Frage (1905) (Ten Life Histories of Berlin Prostitutes under Police Control and Ten Contributions to the Management of the Sexual Question) by Dr. Wilhelm Hammer (1879–1940(?)). The author worked as an assistant physician at the women’s ward at the Berlin municipal homeless shelter in the Fröbelstrasse, where he recorded Ten Life Histories. Dr. Hammer wrote Ten Life Histories as a contribution to the Großstadt-Dokumente [Metropolis Documents], a sociological work in fifty volumes edited by Hans Ostwald (1873–1940) published between 1904 and 1908. In addition to its interest for prostitution research, Ten Life Histories sheds valuable light on aspects of cultural and social life in the German Empire of this period, particularly on the school and welfare systems and, more generally, on women’s role in society at the time.