Jim McCarthy – författare

Directly from the Mission District in San Francisco, the explosive fusion of Latin, salsa and rock is chronicled from a writer who has followed the music and the musicians for over 30 years. The book covers the stories of prominent Latin rock bands including Santana and Malo, examining in detail the pioneering records and the ways in which both reflect a wide spectrum of Latin influences. It highlights the cast of characters and emerging period in the US during the late '60s, with all the cultural background events including the Summer of Love, Woodstock, political activism, and the record label expansion. Legendary figures such as Bill Graham, Clive Davis and the Escovedos family play crucial roles in the development of this sound. As Latin music continues to become more mainstream, the interest in its musical roots grows. This book sheds light on these musical pioneers, and is gorgeously illustrated with over 800 B&W photos by Jim Marshall, Rudy Rodgriguez, Joan Chase and others, plus artwork of dozens of rare album covers.

The Spanish Civil War was a time of repression and political conflict, the art of the theatre suffering with other art mediums and the Spanish people as a whole. This text draws upon rare and previously unpublished material in order to study this subject.

From the creators of , The Sex Pistols Graphic Novel, Godspeed: The Kurt Cobain Graphic and Eminem: In My Skin comes an explosive new graphic novel about The Ramones.The Ramones were the archetypal American punk band and this is their story, from their beginnings in Queens in 1974, through the burgeoning punk scene at CBGB's, the excitement of their first album, their brush with the unhinged genius of Phil Spector and the endless touring that saw them perform 2,263 concerts over a 22 year period. Set against a backdrop of New York facing bankruptcy and terrorised by Son of Sam, The Ramones tale takes in endless inter-band fighting and finally the tragic deaths of three of the founding members: Joey, Johnny and Dee Dee. Yet their influence has proved immense, with their early British tours having a profound impact on bands like The Pistols and The Clash, and the band finally receiving due recognition when they were induced into the Rock and Roll Hall of Fame and later won a Grammy Lifetime Achievement Award. All of this is perfectly captured by Jim McCarthy's insightful script and Brian Williamson's extraordinary artwork.

In the pantheon of rock history - The Move have been overlooked but no longer. How do you describe The Move - one of the greatest British bands to come out the 1960s beat boom? Who incorporated the hippest, pop rock and mod soul influences. All in a unique dazzling fashion. Their residency at The Marquee in London's Soho. Marked them out immediately, as a formidable live outfit. Few (if any) bands on the fertile scene, could follow an incendiary Move set. They also had an emerging uber-talent in songwriter Roy Wood. A fast-developing songwriter. Wood under pressure, composed four top ten hits for the five-piece original band. And a later run of singles that charted until 1972.Like all great acts - the seeds of destruction may have been gestating from day one. Energy and talent was spread across the five charismatic, young men. An edgy, combustible combination.This overdue book examines their event-filled career including their crowning and most damning moment: Being sued by Harold Wilson; the extant British Prime Minister. 'Flowers In The Rain' sprouted all the way to the Number 2 spot in the charts. The catchy single, followed an edgy and careless publicity stunt by manager Tony Secunda. A limited-edition postcard - pushed through the door of Number 10 Downing Street. Depicting the PM with Marcia Falkender in an intimate moment. The "scandalous" image - brought the fury of the UK establishment down on The Move. Including surveillance by MI5, Britain's homeland Secret Intelligence ServiceLike The Sex Pistols furore, ten years later. The Move were punk forerunners in attitude and outrage. This book will examine in detail the High Court case. Plus, the machinations leading to Roy Wood losing all the royalties from the 'Flowers In The Rain' single.Along with Rob Caiger, the main archivist of The Move and their history, Jim McCarthy provides a detailed and illuminating reading experience.

The study of W algebras began in 1985 in the context of two-dimensional conf- mal field theories, the aim being to explore higher-spin extensions of the Virasoro algebra. Given the simultaneous growth in the understanding of two-dimensional metric gravity inspired by analyses of string models, it was inevitable that these algebras would be applied to give analogues of putative higher-spin gravity t- ories. This book is an exposition of the past few years of our work on such an application for the algebra: in particular, the BRST quantization of the n- critical 4D string. We calculate the physical spectrum as a problem in BRST cohomology. The corresponding operator cohomology forms a BV algebra, for which we provide a geometrical model. The algebra has one further generator, of spin three, in addition to the (spin two) energy-momentum tensor which generates the Virasoro algebra. C- trary to the Virasoro algebra, it is an algebra defined by nonlinear relations. In deriving our understanding of the resulting gravity theories we have had to - velop a number of results on the representation theory of W algebras, to replace the standard techniques that were so successful in treating linear algebras.