Joan Booth – författare

Ovid’s three books of personal love elegies are arguably his most attractive work. In this acclaimed edition of Amores Book II, Joan Booth offers a Latin text with parallel prose translation and on each poem, or pair of poems, a critical essay written especially for the reader with little or no Latin. For the more advanced scholars she also provides a traditional line by line commentary on the Latin text and a generously select apparatus criticus.

This text offers an introduction, Latin text, translation and literary commentary on seventeen poems by Catullus, Propertius, Tibullus and Ovid. It is intended for students who are approaching the genre of Latin love elegy for the first time - both those who have a knowledge of Latin and those who may wish to study the genre in translation. The poems have been selected to represent each author's particular qualities; while the commentary aims to bring out their literary qualities and invites comparison and contrast between them. Revised from a previous edition - "Reading Latin Love Elegy" - which contained no text, this book includes translations of Catullus, Propertious and Ovid by Guy Lee; and versions of Tibullus by Joan Booth, who also provides the introduction and commentary.

Latin poets and prose writers of the classical period and later used - and withheld - names subtly and to important effect. Here, in eleven new essays, an eminent international cast explore themes which include 'speaking' names, often involving bilingual Latin/Greek play; the ways in which persons and objects are named in contexts of invective or endearment; the significant suppression or changing of names; the religious and historical significances of names; the uses of names in literary catalogues; names as devices to structure a group of shorter poems.

Eight new essays, from a distinguished international cast, examine the techniques of Cicero's verbal aggression. Analysis includes political and forensic context but also Cicero's own formal theory of rhetoric and his debts to other genres, literary and dramatic.