Joan Passey – författare

A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the woods near St. Ives, only to wonder whether it was he himself who committed the crime. Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the region in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. With stories by Gothic luminaries such as Bram Stoker and Edgar Allan Poe, this new collection also features chilling yarns of the haunted peninsula from a host of underappreciated writers from the past two centuries.

As the storm booms out in the bay and the waves smash against the rocks, the masts of a cursed and spectral vessel are drawing near. As the mists roll over Bodmin moor, the moonlight reveals a night alive with spirits.Welcoming a fresh roster of seaside spectres, tin-mine terrors and holiday haunters, this return to the bountiful fold of Cornish horror fiction features more lost classics from Victorian periodicals alongside atmospheric tales from the great twentieth-century writers of the Cornish weird such as Mary Williams, Mary Butts and Sabine Baring-Gould.

The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.

The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson''s work in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson''s Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson''s oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.

The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson''s work in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson''s Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson''s oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.

The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.

This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.

This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.

This book provides an exciting and informed overview of new, emerging, and radical approaches to the long ghost story tradition. Interrogating established canons and recurring modes of ghost story analysis, New Directions explores where academic criticism of the genre stands today, and where it might be heading next. The first substantial project of its kind in the field, this two-volume set consists of thirty-three essays presented across two volumes, and presents fresh explorations of the forms, histories, meanings, and media of the ghost story. Volume 1 is comprised of seventeen chapters organised around two areas of enquiry: “Part I: Tradition, Theory and Genre” and “Part II: Space, Place, and the Ecospectral”.

This book provides an exciting and informed overview of new, emerging, and radical approaches to the long ghost story tradition. Interrogating established canons and recurring modes of ghost story analysis, New Directions explores where academic criticism of the genre stands today, and where it might be heading next. The first substantial project of its kind in the field, this two-volume set consists of thirty-three essays presented across two volumes, and presents fresh explorations of the forms, histories, meanings, and media of the ghost story. Volume 1 is comprised of seventeen chapters organised around two areas of enquiry: “Part I: Tradition, Theory and Genre” and “Part II: Space, Place, and the Ecospectral”.

Volume II of New Directions in The Ghost Story provides a further sixteen essays interrogating and reconsidering established canons in the ghost story tradition and recurring modes of analysis. Focusing on folklore, legends, historiography, and story telling across a range of media and genres, this volume covers topics from Arthurian Romances to haunted toilets, “superphysical” werewolves to the music of Kate Bush.

'The sea that night sang rather than chanted; all along the far-running shore a rising tide dropped thick foam, and the waves, white-crested, came steadily in with the swing of a deliberate purpose.'From foreboding cliffs and lonely lighthouses to rumbling shingles and silted estuaries, the coasts of the British Isles have stoked the imaginations of storytellers for millennia, lending a rich literary significance to these spaces between land and sea. For those who choose to explore these shores, generations of ghosts, sea-spirits, fairies and tentacled monsters come and go with the tide. This new collection of fifteen short stories, six folk tales and four poems ranging from 1789 to 1933 offers a chilling literary tour of the coasts of Great Britain, Ireland and the Isle of Man, including haunting pieces by Frances Hodgson Burnett, Bram Stoker and Charlotte Riddell.