Joanna Walsh - Böcker

Some smiles are sun smiles, run for miles smiles But no one's smile is wider, brighter, than my mum's smile. Follow two little tiger cubs as they enjoy a fun-filled day with their loving mum.

A cute little dinosaur has a wonderful day playing, cycling and cooking with his Dad. They make card houses, tell stories and go for walks in the park. And at night, snuggled up in bed, the little dinosaur is excited to think about all the things he will do with his dad tomorrow.Affectionate, funny and joyful - the perfect book for little ones and their dads to share.

There are hugs for wrigglers, And hugs for gigglers. Hugs that are tickly, And hugs that are prickly . . . I'm out to find the PERFECT kind. This fabulous feel-good padded board book is simply bursting with the cuddliest, snuggliest, most perfect hugs. Dive in and grab a hug for yourself!

There are hugs for wrigglers, And hugs for gigglers. Hugs that are tickly, And hugs that are prickly . . . I'm out to find the PERFECT kind.This feel-good picture book is bursting with the cuddliest, snuggliest, most perfect hugs, and you can join in with your very own hugging pandas!

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy…hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies—the spaces and things that make up these modern sites of gathering and alienation, hotels.Object Lessons is published in partnership with an essay series in The Atlantic.

The unwritten contract of the internet, that a user is what is used, extends from the well-examined issue of data privacy and consent to the very selves women are encouraged to create in order to appear. Invited to self-construct as 'girls online', vloggers, bloggers and influencers sign a devil's bargain: a platform on the condition they commodify themselves, eternally youthful, cute and responsibility-free, hiding offline domestic, professional and emotional labour while paying for their online presence with 'accounts' of personal 'experience'. Can a Girl Online use these platforms not only to escape meatspace oppressions, but as spaces for survival, creativity and resistance?Told via the arresting personal narrative of one woman negotiating the (cyber)space between her identities as girl, mother, writer, and commodified online persona, Girl Online is written in a plethora of the online styles, from programming language to the blog/diary, from tweets to lyric prose, taking in selfies, social media, celebrity and Cyberfeminism.

Since the nineties, platforms have invited users to create in return for connection. From blogs to vlogs, tweets to memes: for the first time in history, making art became the fundamental form of communication.What started as fun soon became currency, something vital to finding friends, work, and love. Then, as 'meatspace' job security eroded, online creativity became work itself. Now an internet presence is no longer optional, platforms increasingly charge users. Whatever it is we're creating online, it isn't amateur anymore. But is it art?In this scintillating philosophical history of the internet, Joanna Walsh, author of Girl Online, examines how and why creativity became the price of digital existence.

Kisses on noses KIsses on toes-es Sudden kisses when you least supposes. Who likes to kiss? I do, I do! Even the shy do, Why not try, too? Everyone needs kisses - so what could be better than a book that is full of them? From kisses with lipstick to sleepy goodnight kisses, there's a kiss here for everyone. Find out whether worms kiss underground, with the soil all around, or whether fish kiss like this - splosh, splash, splish. And find out which kiss is the best kiss of all in this fabulous feel-good book that is full of wamth and humour.

There are hugs for wrigglers, And hugs for gigglers. Hugs that are tickly, And hugs that are prickly . . . I'm out to find the PERFECT kind. This fabulous feel-good picture book is simply bursting with the cuddliest, snuggliest, most perfect hugs. Dive in and grab a hug for yourself! An adorable follow-up to The Biggest Kiss.

Have you ever sped past in such a hurry that everything you passed was soft and blurry? And did you ever squeeze your eyes so tight that you saw lots of dots of coloured light? In Did You Ever See? Joanna Walsh vividly illustrates the world through the eyes of a small child looking at things for the first time, inviting children and adults to playfull explore the sense of sight. Pondering how things can look tiny from above, enormous from below, backwards in a mirror, wobbly through water, and blurry from a distance, Did You Ever See? appeals immediately to the senses of young readers and puts into words a variety of visual experiences. Children will be inspired to take notice of both what and how they see the world around them, gaining new perspectives as they do.

This is a woman as a mother, daughter, wife, spectator, lover, mistress. Observer and commentator. Actor and reactor. Dressed up bright as a child or submerged in the grey elegance of Paris, she shifts readily between roles, countries, and languages. Skilled and successful, she controls how much she cares.Yet as every new woman emerges and every new story is told, each with a sharper, more deadpan, more aching simplicity, the calm surfaces of Joanna Walsh’s Vertigo shatter, pulling us deep into the panic that underlies everyday life.

The much-anticipated fiction follow-up to Vertigo, this collection cements Joanna Walsh's reputation as one of the sharpest writers of this century. Wearing her learning lightly, Walsh's stories make us see the world afresh while showing us she has read the world. In 'Like a Fish Needs a ...' - perhaps the funniest, most freewheeling story ever written about cycling (and Freud and and and ...) you read shenanigans worthy of Flann O'Brien. Meanwhile, in 'Worlds from the Word's End', Walsh conjures up a country in which words themselves fall out of fashion - something that will never happen wherever Walsh is read.