Joanne Miyang Cho – författare

This volume surveys transnational encounters and entanglements between Germany and East Asia since 1945, a period that has witnessed unprecedented global connections between the two regions. It examines their sociopolitical and cultural connections through a variety of media. Since 1945, cultural flow between Germany and East Asia has increasingly become bidirectional, spurred by East Asian economies’ unprecedented growth. In exploring their dynamic and evolving relations, this volume emphasizes how they have negotiated their differences and have frequently cooperated toward common goals in meeting the challenges of the contemporary world. Given their long-standing historical differences, their post-1945 relations reveal a surprisingly high degree of affinity in many areas. To show how they have deeply shaped each other’s views, this volume presents 12 chapters by scholars from the fields of history, sinology, sociology, literature, music, and film. Topics include cultural topics, such as German and Swiss writers on East Asia (Enzensberg, Muschg, and Kreitz), Japanese writer on Germany (Tezuka and Tawada), German commemorative culture in Korea, Beethoven in China, metal music in Germany and Japan, diary films on Japan (Wenders), as well as sociopolitical topics, such as Sino– East German diplomacy, Germans and Korean democracy, and Japanes and Korean communities in Germany.

This volume surveys transnational encounters and entanglements between Germany and East Asia since 1945, a period that has witnessed unprecedented global connections between the two regions. It examines their sociopolitical and cultural connections through a variety of media. Since 1945, cultural flow between Germany and East Asia has increasingly become bidirectional, spurred by East Asian economies’ unprecedented growth. In exploring their dynamic and evolving relations, this volume emphasizes how they have negotiated their differences and have frequently cooperated toward common goals in meeting the challenges of the contemporary world. Given their long-standing historical differences, their post-1945 relations reveal a surprisingly high degree of affinity in many areas. To show how they have deeply shaped each other’s views, this volume presents 12 chapters by scholars from the fields of history, sinology, sociology, literature, music, and film. Topics include cultural topics, such as German and Swiss writers on East Asia (Enzensberg, Muschg, and Kreitz), Japanese writer on Germany (Tezuka and Tawada), German commemorative culture in Korea, Beethoven in China, metal music in Germany and Japan, diary films on Japan (Wenders), as well as sociopolitical topics, such as Sino– East German diplomacy, Germans and Korean democracy, and Japanes and Korean communities in Germany.

This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations’ cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children’s literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres—feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions.

This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations’ cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children’s literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres—feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions.

Contrary to the image of Korea as a largely self-contained country until its economy became global during the 1990s, this book shows that transnationalism has firmly been part of modern Korea’s national experience throughout its existence.

The volume portrays Korea’s frequent transnational entanglements with other nations in East Asia and the West from the start of its annexation into the Empire of Japan in 1910 to the present day. It explores how modern Korea negotiated its complicated colonial relations with imperial Japan and its political and economic relations with the West in meeting the challenges of the globalized world. Early chapters cover the origins of Korea’s democratic republicanism among Korean immigrants in the United States, the Royal-Dutch oil industry in Korea, and prisons in the Japanese empire. From the latter half of the twentieth century to the present, the book probes Cold War politics between Korea and Europe, transnational Korean communities in China, Japan, the Russian Far East, and the West, and ethnic Korean returnees from the Russian Far East.

With contributions from leading international scholars, this collection’s attention to modern Korean history, economy, gender studies, and migration is ideal for upper-level undergraduates and postgraduates.

Contrary to the image of Korea as a largely self-contained country until its economy became global during the 1990s, this book shows that transnationalism has firmly been part of modern Korea’s national experience throughout its existence.

The volume portrays Korea’s frequent transnational entanglements with other nations in East Asia and the West from the start of its annexation into the Empire of Japan in 1910 to the present day. It explores how modern Korea negotiated its complicated colonial relations with imperial Japan and its political and economic relations with the West in meeting the challenges of the globalized world. Early chapters cover the origins of Korea’s democratic republicanism among Korean immigrants in the United States, the Royal-Dutch oil industry in Korea, and prisons in the Japanese empire. From the latter half of the twentieth century to the present, the book probes Cold War politics between Korea and Europe, transnational Korean communities in China, Japan, the Russian Far East, and the West, and ethnic Korean returnees from the Russian Far East.

With contributions from leading international scholars, this collection’s attention to modern Korean history, economy, gender studies, and migration is ideal for upper-level undergraduates and postgraduates.

Although most perished, hundreds of thousands of Central European Jews escaped the Holocaust; tens of thousands of these Jewish refugees ended up in East Asia, Southeast Asia, or South Asia. Taking a global and transnational approach, this volume examines the cultural, political, and socioeconomic encounters among and between Asian and European states and empires, Central European Jews, and Asians between 1930 and 1950, offering important case studies that address the policies toward and experiences of German-speaking Jews across East Asia, Southeast Asia, and South Asia.

The strength of this volume lies not only in its efforts to include multiple theoretical perspectives, which integrate German, Jewish, Asian, and Migration Studies, but also in the original empirical research on which it is based. Engaging directly with the rich and growing historiography on the origins, course, and consequences of the Holocaust in East, Southeast, and South Asia, this volume provides a framework in which we can better understand how global traditions of empire and colonialism matter in our efforts to understand the Holocaust, while indicating that Asian states and peoples were keenly aware of the so-called “Jewish Question” and made efforts, though widely differentiated, to provide shelter from the Nazi storm.

German-Speaking Jewish Refugees in Asia, 1930–1950 will appeal to students and scholars alike interested in the history of Jewish refugees in the twentieth century, as well as all those interested in the modern history of German-speaking Central Europe and Asia.

Although most perished, hundreds of thousands of Central European Jews escaped the Holocaust; tens of thousands of these Jewish refugees ended up in East Asia, Southeast Asia, or South Asia. Taking a global and transnational approach, this volume examines the cultural, political, and socioeconomic encounters among and between Asian and European states and empires, Central European Jews, and Asians between 1930 and 1950, offering important case studies that address the policies toward and experiences of German-speaking Jews across East Asia, Southeast Asia, and South Asia.

The strength of this volume lies not only in its efforts to include multiple theoretical perspectives, which integrate German, Jewish, Asian, and Migration Studies, but also in the original empirical research on which it is based. Engaging directly with the rich and growing historiography on the origins, course, and consequences of the Holocaust in East, Southeast, and South Asia, this volume provides a framework in which we can better understand how global traditions of empire and colonialism matter in our efforts to understand the Holocaust, while indicating that Asian states and peoples were keenly aware of the so-called “Jewish Question” and made efforts, though widely differentiated, to provide shelter from the Nazi storm.

German-Speaking Jewish Refugees in Asia, 1930–1950 will appeal to students and scholars alike interested in the history of Jewish refugees in the twentieth century, as well as all those interested in the modern history of German-speaking Central Europe and Asia.

Since the late 1990s, South Korean cultural products such as pop music, TV drama, and film have shaped the country’s image around the world. This book explores these three internationally best-known media of the Korean Wave global phenomenon, along with a less commonly featured aspect, K-literature.

Iconic images of South Korea today include stylish music groups like BTS and Blackpink, appealing dramas, and a range of films and digital comics (manhwa). Alongside associations with glitz and glamor are darker impressions: continuing political division, malaise over a war that never really ended. Korean Culture in the Global Age focuses on these and other facets of South Korea’s constantly changing international image to show how it has come to command worldwide attention. In recent years, readers in a growing number of languages have discovered the talent of South Korean authors through the efforts of countless translators. Showing developments in and occasional connections between themes in K-pop, K-drama, K-film, and K-literature, the book provides a more comprehensive view of contemporary South Korean culture.

This volume will interest researchers and students of Korean Studies, Asian Studies, Asian American Studies, popular music, film studies, migration and diaspora studies, and world literature.

Since the late 1990s, South Korean cultural products such as pop music, TV drama, and film have shaped the country’s image around the world. This book explores these three internationally best-known media of the Korean Wave global phenomenon, along with a less commonly featured aspect, K-literature.

Iconic images of South Korea today include stylish music groups like BTS and Blackpink, appealing dramas, and a range of films and digital comics (manhwa). Alongside associations with glitz and glamor are darker impressions: continuing political division, malaise over a war that never really ended. Korean Culture in the Global Age focuses on these and other facets of South Korea’s constantly changing international image to show how it has come to command worldwide attention. In recent years, readers in a growing number of languages have discovered the talent of South Korean authors through the efforts of countless translators. Showing developments in and occasional connections between themes in K-pop, K-drama, K-film, and K-literature, the book provides a more comprehensive view of contemporary South Korean culture.

This volume will interest researchers and students of Korean Studies, Asian Studies, Asian American Studies, popular music, film studies, migration and diaspora studies, and world literature.

Showcasing moments of convergence between the German and Japanese cultures towards common points of interest over the last one hundred fifty years, the chapters in this book cover such topics as culture, diplomacy, geography, history, law, literature, philosophy, politics, and sports. From the creation of two similar modern nation-states, to the aggressive struggle for national supremacy and subsequent total defeat in 1945, the necessity of coping with their earlier militarism and parallel economic miracles in the postwar era, Germans and Japanese look back on a remarkably similar past.

This volume contributes to an emerging field of Asian German Studies by bringing together cutting-edge scholarship from international scholars working in a variety of disciplines. The chapters survey transnational encounters between Germany and East Asia since 1900. By rejecting traditional dichotomies between the East and the West or the colonizer and the colonized, these essays highlight connectedness and hybridity. They show how closely Germany and East Asia cooperated and negotiated the challenges of modernity in a range of topics, such as politics, history, literature, religion, environment, architecture, sexology, migration, and sports.