Joe Cribb - Böcker

This is a new study of the history, archaeology and numismatics of Central Asia, an area of great significance for our understanding of the ancient and early medieval world. This vast, land-locked region, with its extreme continental climate, was a centre of civilization with great metropolises. Its cosmopolitan population followed different religions (Zoroastrianism, Christianity, Buddhism), and traded extensively with China, India, the Middle East, and Europe. The millennium from the overthrow of the first world empire of Achaemenian Persians by Alexander the Great to the arrival of the Arabs and Islam was a period of considerable change and conflict.The volume focuses on recent investigations in Uzbekistan and Turkmenistan. It provides a complex analysis of the symbiosis between the city life based on oases, and the nomadic peoples grazing their animals in the surrounding semi-deserts. Other topics include the influence of the Greek colonists on military architecture, and the major impact of the Great Kushans on the spread of Buddhism and on the development of the Central Asian metropolis. And although written documents rarely survive, coinage has provided essential evidence for the political and cultural history of the region.These essays will be of interest to the scholar, the student, and the armchair traveller

Eric Gill (1882–1940) is one of the twentieth century’s most controversial artists. This illustrated introduction focuses on the clarity of Gill’s drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishment’s favourite artists, with his patrons including the Catholic Church, the Lord Chancellor’s office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gill’s fascinating life and art.