Johan Jansson – författare

Markus Berger är som före detta elitsoldat van vid mardrömslika scenarier. Men när mardrömmen blir verklighet för hans egen dotter hittar han inget sätt att rädda henne när det visar sig att mannen bakom hennes helvete har mäktiga kontakter. Inte bara i den hänsynslösa ryska maffian, utan även högt upp i Sveriges  politiska ledning.Efter att Markus vädjat till alla tänkbara instanser, inklusive den centrala statsledningen, vilket lett till upprepade mordförsök på honom själv, fattar han ett beslut. Giftet i samhället har spridit sig för djupt och detenda som återstår är att rycka upp roten till det infekterade. Att kapa ormens huvud.På andra sidan står Patrik – Markus vän från militärtiden och numera livvakt vid Säkerhetspolisen – vars jobb det är att, om nödvändigt, dö för att skydda människorna Markus svurit att förgöra. Detta blir upptakten till en jakt på liv och död där den högsta tänkbara insatsen står på spel.Hela landets framtid.Jägaren är en medryckande och driven thriller om hämnd, hemligheter och det politiska spelets mörka sidor – och vad det gör med människor.

This book nuances our understanding of the contemporary creative economy by engaging with a set of three key tensions which emerged over the course of eight European Colloquiums on Culture, Creativity and Economy (CCE): 1) the tension between individual and collaborative creative practices, 2) the tension between tradition and innovation, and 3) the tension between isolated and interconnected spaces of creativity.Rather than focusing on specific processes, such as production, industries or locations, the tensions acknowledge and engage with the messy and restless nature of the creative economy. Individual chapters offer insights into poorly understood practices, locations and contexts such as co-working spaces in Berlin and rural Spain, creative businesses in Leicester and the role and importance of cultural intermediaries in creative economies within Africa. Others examine the nature of trans-local cultural flows, the evolving "field" of fashion, and the implications of social media and crowdfunding platforms.This book will be of interest to students, scholars and professionals researching the creative economy, as well as specific cultural and creative industries, across the humanities and social sciences.

This book nuances our understanding of the contemporary creative economy by engaging with a set of three key tensions which emerged over the course of eight European Colloquiums on Culture, Creativity and Economy (CCE): 1) the tension between individual and collaborative creative practices, 2) the tension between tradition and innovation, and 3) the tension between isolated and interconnected spaces of creativity.Rather than focusing on specific processes, such as production, industries or locations, the tensions acknowledge and engage with the messy and restless nature of the creative economy. Individual chapters offer insights into poorly understood practices, locations and contexts such as co-working spaces in Berlin and rural Spain, creative businesses in Leicester and the role and importance of cultural intermediaries in creative economies within Africa. Others examine the nature of trans-local cultural flows, the evolving "field" of fashion, and the implications of social media and crowdfunding platforms.This book will be of interest to students, scholars and professionals researching the creative economy, as well as specific cultural and creative industries, across the humanities and social sciences.