John Bowen – författare

'Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.'Barchester Towers (1857) was the book that made Trollope's reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares 'War, war, internecine war!' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie?The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful 'La Signora Madeline Vesey Neroni'? Will the oily Mr Slope finally get his comeuppance? Trollope's matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Such great dialogue and action...a frisky murder story and terrific reading' John Self, The TimesTwo women. One baby. And a man in the septic tank. In their lovely Cotswolds village, Janet and Susan are known simply as ‘the girls’. Partners in love and work, proprietors of a picturesque shop, they lead an enviably peaceful life.But after one moment of surprising passion, the girls’ lives take a deeply unsettling turn.Part-dark comedy, part-crime thriller, part-cosy love story, The Girls will ensure you never look on Middle England quite so quaintly again.‘Startlingly offbeat’ Gore Vidal‘Absolutely wicked’ Armistead Maupin‘[For] those who feel Barbara Pym-ish on some days and Stephen King-ish on others . . . The Girls charms us as only certain tales ‘of village life’ can’ Washington Post

'If you want a picture of the future, imagine a boot stamping on a human face--forever.'1984 Nineteen Eighty-Four (1949), George Orwell's final novel, was completed in difficult conditions shortly before his early death. It is one of the most influential and widely-read novels of the post-war period, and has been a huge international bestseller over many decades. Continually in print, it has long been controversial, both in its immediate Cold War context and in later history.It is in some ways a realist novel, but in others is more akin to a work of science fiction, a dystopia or a satire. It also has strong affiliations to Gothic in its plotting, motifs and affective states. Full of horror and terror, it contains prophetic dreams and a central character who thinks of himself as a 'monster', a 'ghost' and 'already dead'. Like Frankenstein and Dracula, it is fascinated by the power of a documentary remnant addressed to an unknown reader.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls” - a fixture. Partners in love and work, co-proprietors of a picturesque shop specialising in the work of local artisans and farmers, they lead an enviable, enviably settled life.So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair. Nor is it any real threat when a kindly gay man named Alan lends Jan a hand in Sue’s absence, or when the two wind up sharing some wine and even a bunk for the night.If Jan turns out to be pregnant some weeks after Sue’s return to the nest, what’s that but cause for joy? And when Alan happens to come visiting, by and by, finding the delighted girls raising a beautiful baby boy, who can blame him for wanting to share in a small part of their bliss?Yes, theirs is an enviable, enviably settled life. And the girls will defend it with every tool at their disposal.

If you''d seen one Leaning Tower, you''d seen them all. Hetty had seen the leaning spire at Chesterfield: the tower of Pisa was nothing so special. She was in a picky mood and had been since the start of their trip in a made-over charabanc with time-expired tires, touring Tuscany with the Outhwaites and twenty-six Senior Citizen from the Blackburn/Darwen/Bolton area, all of whom already seemed to be confused by the persistent rain in sunny Italy.And what was happening to the Wainthropp Detective Agency with its founder gallivanting abroad? Could Geoffrey be trusted keep it ticking over? Thus Hetty fretted, not knowing that in a few short hours she would be plunged into mystery, excitement – and possible Mafia connection.

Sorting out a village shattered by a series of poison pen letters is just up Hetty Wainthropp''s street, as is a runaway couple, a blackmailing medium and finding out the betrayer at a refuge for battered wives.

Low-Cost Airline Carriers in Emerging Countries traces the development of low-cost carriers (LCCs) in Asia, Latin America, the Middle East and Africa, examining airlines that have become significant players in their home markets but little known at a global scale. The book maps the geography of the LCC phenomenon, explaining the starkly varying success of budget airlines, and assessing their current social, economic and environmental impacts. The book concludes with insights into the future potential of the LCC phenomenon along with its global ramifications.

Beginning with Southwest Airlines in the 1970s, low-cost carriers (LCCs) have democratized air travel around the world, fostering huge increases in airline traffic and transforming the airline industry. At the same time however, the ascent of these budget airlines has exacerbated aviation-related problems such as aircraft noise, airport congestion, greenhouse gas emissions and more. LCCs have been extensively studied in the US and Europe but not in emerging regions of the globe. Yet the impact of such airlines is greatest in low- and middle-income economies where only a small fraction of the population has ever flown, and where competition from alternative modes (road, rail) is weak.

Examines the evolution of low cost carriers around the world, how established airlines react to their entry and the wide-ranging societal implications for individual countries and the world Places emerging countries' LCCs into a global context, comparing them to their US and European counterparts Offers original quantitative analysis of LCC networks at several spatial scales (global, regional, national, airport vs. airport) using global schedule data from OAG Includes professionally produced maps of representative airlines networks

Low-Cost Airline Carriers in Emerging Countries traces the development of low-cost carriers (LCCs) in Asia, Latin America, the Middle East and Africa, examining airlines that have become significant players in their home markets but little known at a global scale. The book maps the geography of the LCC phenomenon, explaining the starkly varying success of budget airlines, and assessing their current social, economic and environmental impacts. The book concludes with insights into the future potential of the LCC phenomenon along with its global ramifications.Beginning with Southwest Airlines in the 1970s, low-cost carriers (LCCs) have democratized air travel around the world, fostering huge increases in airline traffic and transforming the airline industry. At the same time however, the ascent of these budget airlines has exacerbated aviation-related problems such as aircraft noise, airport congestion, greenhouse gas emissions and more. LCCs have been extensively studied in the US and Europe but not in emerging regions of the globe. Yet the impact of such airlines is greatest in low- and middle-income economies where only a small fraction of the population has ever flown, and where competition from alternative modes (road, rail) is weak.- Examines the evolution of low cost carriers around the world, how established airlines react to their entry and the wide-ranging societal implications for individual countries and the world- Places emerging countries'' LCCs into a global context, comparing them to their US and European counterparts- Offers original quantitative analysis of LCC networks at several spatial scales (global, regional, national, airport vs. airport) using global schedule data from OAG- Includes professionally produced maps of representative airlines networks

'One of Dickens's most neglected, but most rewarding, novels' Peter AckroydSet against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.Edited with an Introduction and Notes by John Bowen

'One of Dickens's most neglected, but most rewarding, novels' Peter AckroydSet against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.Edited with an Introduction and Notes by John Bowen

''It is no good any longer having any opinion upon anything'' After the death of his wife, the handsome politician Phineas Finn returns from Ireland to the parliamentary fray. In his absence the political and social world has subtly changed, parties and policies no longer fixed and advancement dependent upon scheming and alliances. His private life lays him open to the scandal-mongering press, and the wild accusations of an unhinged rival; but much more than his reputation is at stake when he is accused of murdering a political opponent. Trollope shows a remarkably prescient sense of the importance of intrigue, bribery, and sexual scandal, and the power of the press to make or break a political career. He is equally skilled in portraying the complex nature of Phineas''s romantic entanglements with three powerful women: the mysterious Madame Max, the devoted Laura Kennedy, and the irrepressible Lady Glencora (now Duchess of Omnium). The fourth of Trollope''s Palliser novels, Phineas Redux is one of his most spellbinding achievements, and the first modern ''media'' novel. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''It is no good any longer having any opinion upon anything'' After the death of his wife, the handsome politician Phineas Finn returns from Ireland to the parliamentary fray. In his absence the political and social world has subtly changed, parties and policies no longer fixed and advancement dependent upon scheming and alliances. His private life lays him open to the scandal-mongering press, and the wild accusations of an unhinged rival; but much more than his reputation is at stake when he is accused of murdering a political opponent. Trollope shows a remarkably prescient sense of the importance of intrigue, bribery, and sexual scandal, and the power of the press to make or break a political career. He is equally skilled in portraying the complex nature of Phineas''s romantic entanglements with three powerful women: the mysterious Madame Max, the devoted Laura Kennedy, and the irrepressible Lady Glencora (now Duchess of Omnium). The fourth of Trollope''s Palliser novels, Phineas Redux is one of his most spellbinding achievements, and the first modern ''media'' novel. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.''Barchester Towers (1857) was the book that made Trollope''s reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares ''War, war, internecine war!'' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie?The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful ''La Signora Madeline Vesey Neroni''? Will the oily Mr Slope finally get his comeuppance? Trollope''s matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.''Barchester Towers (1857) was the book that made Trollope''s reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares ''War, war, internecine war!'' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie?The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful ''La Signora Madeline Vesey Neroni''? Will the oily Mr Slope finally get his comeuppance? Trollope''s matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''If you want a picture of the future, imagine a boot stamping on a human face—forever.''1984 Nineteen Eighty-Four (1949), George Orwell''s final novel, was completed in difficult conditions shortly before his early death. It is one of the most influential and widely-read novels of the post-war period, and has been a huge international bestseller over many decades. Continually in print, it has long been controversial, both in its immediate Cold War context and in later history.It is in some ways a realist novel, but in others is more akin to a work of science fiction, a dystopia or a satire. It also has strong affiliations to Gothic in its plotting, motifs and affective states. Full of horror and terror, it contains prophetic dreams and a central character who thinks of himself as a ''monster'', a ''ghost'' and ''already dead''. Like Frankenstein and Dracula, it is fascinated by the power of a documentary remnant addressed to an unknownreader.

In the first half of his career, Dickens wrote some of the most important novels of the nineteenth century, including The Pickwick Papers, Oliver Twist, and Martin Chuzzlewit. They are exorbitant and transgressive books, with an inventive comic force unprecedented in the English novel. In this, the first full-length study for thirty years, John Bowen blends contemporary theory and historical awareness to argue that they are radical in both political and fictional terms. With a tactful use of contemporary critical theory, he shows how their often uncanny power disturbs and transforms our ways of understanding Dickens's work and his place in the history of the novel.

In the first half of his career, Dickens wrote some of the most important novels of the nineteenth century, including The Pickwick Papers, Oliver Twist, and Martin Chuzzlewit. They are exorbitant and transgressive books, with an inventive comic force unprecedented in the English novel. In this, the first full-length study for thirty years, John Bowen blends contemporary theory and historical awareness to argue that they are radical in both political and fictional terms. With a tactful use of contemporary critical theory, he shows how their often uncanny power disturbs and transforms our ways of understanding Dickens's work and his place in the history of the novel.

'It is no good any longer having any opinion upon anything'After the death of his wife, the handsome politician Phineas Finn returns from Ireland to the parliamentary fray. In his absence the political and social world has subtly changed, parties and policies no longer fixed and advancement dependent upon scheming and alliances. His private life lays him open to the scandal-mongering press, and the wild accusations of an unhinged rival; but much more than his reputation is at stake when he is accused of murdering a political opponent.Trollope shows a remarkably prescient sense of the importance of intrigue, bribery, and sexual scandal, and the power of the press to make or break a political career. He is equally skilled in portraying the complex nature of Phineas's romantic entanglements with three powerful women: the mysterious Madame Max, the devoted Laura Kennedy, and the irrepressible Lady Glencora (now Duchess of Omnium). The fourth of Trollope's Palliser novels, Phineas Redux is one of his most spellbinding achievements, and the first modern 'media' novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Leading anthropologists and political scientists are brought together in this volume to debate the problem of comparison, taking up a variety of topics from nationalist violence and labour strikes to ritual forms and religious practices. The contributors criticise conventional forms of comparative method, and introduce new comparative strategies, ranging from abstract model building to ethnographically based methods. They represent a wide variety of theoretical positions, from rational choice theory to interpretivism, and the issues are clarified in the cut and thrust of debate. This will be an excellent case book for courses on comparison across the social sciences.

Leading anthropologists and political scientists are brought together in this volume to debate the problem of comparison, taking up a variety of topics from nationalist violence and labour strikes to ritual forms and religious practices. The contributors criticise conventional forms of comparative method, and introduce new comparative strategies, ranging from abstract model building to ethnographically based methods. They represent a wide variety of theoretical positions, from rational choice theory to interpretivism, and the issues are clarified in the cut and thrust of debate. This will be an excellent case book for courses on comparison across the social sciences.

First published in 1958 After the Rain was described by Angus Wilson as a 'cataclysmic novel . . . as exciting as any deluge you can hope to find; but if you think deluges are too trivial, John Bowen has a surprise for you: his novel turns out to be satire of the first order.'Beginning in the basement of Foyle's bookshop in the Charing Cross Road in London and moving to rainmaking in Texas, love in Chew Magna, a camp in the Mendips, a storm at sea, sharks, sunstroke, a giant squid and a fight to the death on a raft, After the Rain is an adventure story that will keep you gripped to the very last page.An exhilarating, brilliantly conceived, sharply intelligent and often-funny story, it is a compassionate and well-imagined fable that makes a serious comment on the human situation and established John Bowen as a novelist of depth and skill, drawing comparisons with George Orwell and William Golding.

In John Bowen's The Birdcage Peter Ash and Norah Palmer have been living together for nine years. Having never seen the point in getting married they are the epitome of a modern successful career-oriented couple; Peter is the compere for a series of 'art' films and Norah is the Script Editor for the Drama Department of a commercial television company. Why then when holidaying in Venice does Peter decide to break up their long-lasting relationship? What happens to their order and sense of self when he succeeds? By turns wildly funny and frightening The Birdcage is a novel about the end of a love affair, the repercussions and the emotional fallout. A host of brilliantly created characters people the book, including Bunty Bates the policewoman, and Edward Laverick, a playwright who finds himself the object of a hunt. Bowen creates a world that his readers can relate to and analyses the social and psychological end of a relationship. At times comical and tragic The Birdcage remains an original and exciting novel 44 years after its first publication in 1964.

First published in 1959 The Centre of the Green is John Bowen's third novel. The story centres around the Baker family: the father Justin is a retired Colonel; the mother, Teresa, is over-possessive and refuses to admit that her sons have grown-up; the sons Julian and Charles - one is a married advertising copywriter with a penchant for extra-marital affairs while the other is withdrawn and suicidal, desperately looking for human contact in the vast anonymity of London.It is Julian's involvement with a seventeen-year-old girl that sparks the chain of events that eventually encompasses the whole family. The scene shifts between Devonshire, London and Majorca as each member of the family searches for a resolution to the impasse into which they have drifted and struggle to regain the family ties that they once had. A subtle, intelligent and compassionate novel The Centre of the Green was commended by the Observer for its 'admirable vitality', while the Spectator described it as 'a series of expertly managed shocks'.

Set in the world of a large advertising company Storyboard focuses on the decision by the agency's clients, Hoppness, Silch & Co. ('the soap people') to destroy one of their competitor's products. Into this scheme are thrust copyeditor Sophia Last and her boss Hugh Grover, as well as over-conscientious Account Executive Keith Bates, his wife Sylvia and their son Stephen. Also caught up in these events is Ralph Cavell, a young research graduate turned journalist. Storyboard is not primarily a novel about advertising. It is an exploration of how people can be corrupted, and ultimately destroyed, by their desire for money and power and how even those people who start out with good intentions can be misled from their original purpose. It is also a critique of powerful corporations that are controlled and organised by the greed of those who operate them.An absorbing and adult novel, Storyboard cemented John Bowen's reputation as a mature and intelligent novelist when it was first published in 1960.

First published in 1958 After the Rain was described by Angus Wilson as a 'cataclysmic novel . . . as exciting as any deluge you can hope to find; but if you think deluges are too trivial, John Bowen has a surprise for you: his novel turns out to be satire of the first order.'Beginning in the basement of Foyle's bookshop in the Charing Cross Road in London and moving to rainmaking in Texas, love in Chew Magna, a camp in the Mendips, a storm at sea, sharks, sunstroke, a giant squid and a fight to the death on a raft, After the Rain is an adventure story that will keep you gripped to the very last page.An exhilarating, brilliantly conceived, sharply intelligent and often-funny story, it is a compassionate and well-imagined fable that makes a serious comment on the human situation and established John Bowen as a novelist of depth and skill, drawing comparisons with George Orwell and William Golding.

In John Bowen's The Birdcage Peter Ash and Norah Palmer have been living together for nine years. Having never seen the point in getting married they are the epitome of a modern successful career-oriented couple; Peter is the compere for a series of 'art' films and Norah is the Script Editor for the Drama Department of a commercial television company. Why then when holidaying in Venice does Peter decide to break up their long-lasting relationship? What happens to their order and sense of self when he succeeds? By turns wildly funny and frightening The Birdcage is a novel about the end of a love affair, the repercussions and the emotional fallout. A host of brilliantly created characters people the book, including Bunty Bates the policewoman, and Edward Laverick, a playwright who finds himself the object of a hunt. Bowen creates a world that his readers can relate to and analyses the social and psychological end of a relationship. At times comical and tragic The Birdcage remains an original and exciting novel 44 years after its first publication in 1964.

First published in 1959 The Centre of the Green is John Bowen's third novel. The story centres around the Baker family: the father Justin is a retired Colonel; the mother, Teresa, is over-possessive and refuses to admit that her sons have grown-up; the sons Julian and Charles - one is a married advertising copywriter with a penchant for extra-marital affairs while the other is withdrawn and suicidal, desperately looking for human contact in the vast anonymity of London.It is Julian's involvement with a seventeen-year-old girl that sparks the chain of events that eventually encompasses the whole family. The scene shifts between Devonshire, London and Majorca as each member of the family searches for a resolution to the impasse into which they have drifted and struggle to regain the family ties that they once had. A subtle, intelligent and compassionate novel The Centre of the Green was commended by the Observer for its 'admirable vitality', while the Spectator described it as 'a series of expertly managed shocks'.

Set in the world of a large advertising company Storyboard focuses on the decision by the agency's clients, Hoppness, Silch & Co. ('the soap people') to destroy one of their competitor's products. Into this scheme are thrust copyeditor Sophia Last and her boss Hugh Grover, as well as over-conscientious Account Executive Keith Bates, his wife Sylvia and their son Stephen. Also caught up in these events is Ralph Cavell, a young research graduate turned journalist. Storyboard is not primarily a novel about advertising. It is an exploration of how people can be corrupted, and ultimately destroyed, by their desire for money and power and how even those people who start out with good intentions can be misled from their original purpose. It is also a critique of powerful corporations that are controlled and organised by the greed of those who operate them.An absorbing and adult novel, Storyboard cemented John Bowen's reputation as a mature and intelligent novelist when it was first published in 1960.