John Horgan – författare

This book provides a unique insight into the ethical issues and dilemmas facing practitioners and researchers of terrorism and counterterrorism.

Ethics play a central if, largely, unrecognised role in most, if not all, issues relevant to terrorism and political violence. These are often most noticeable regarding counterterrorism controversies, while often virtually absent from discussions about academic research practice. At a minimum, ethical issues as they relate to terrorism have rarely been explicitly addressed in a direct or comprehensive manner. The chapters in this edited volume draws on the experience of both practitioners and researchers to explore how a regard to ethical issues might influence and determine research and practice in counter terrorism, and in our understanding of terrorism.

Ethics and Terrorism recognizes that there are conflicting and often irreconcilable perspectives from which to view terrorism and terrorism research. In calling for greater attention to these issues, the goal is not to resolve problems, but to explore and clarify the assumptions and dilemmas that underpin our understanding of the personal, institutional and societal ethical boundaries and constraints around terrorism and responses to it. This book will be of value to practitioners and researchers, and to policy makers and the broader interested community.

The chapters in this book were originally published as a special issue of the journal Terrorism and Political Violence.

This book provides a unique insight into the ethical issues and dilemmas facing practitioners and researchers of terrorism and counterterrorism.

Ethics play a central if, largely, unrecognised role in most, if not all, issues relevant to terrorism and political violence. These are often most noticeable regarding counterterrorism controversies, while often virtually absent from discussions about academic research practice. At a minimum, ethical issues as they relate to terrorism have rarely been explicitly addressed in a direct or comprehensive manner. The chapters in this edited volume draws on the experience of both practitioners and researchers to explore how a regard to ethical issues might influence and determine research and practice in counter terrorism, and in our understanding of terrorism.

Ethics and Terrorism recognizes that there are conflicting and often irreconcilable perspectives from which to view terrorism and terrorism research. In calling for greater attention to these issues, the goal is not to resolve problems, but to explore and clarify the assumptions and dilemmas that underpin our understanding of the personal, institutional and societal ethical boundaries and constraints around terrorism and responses to it. This book will be of value to practitioners and researchers, and to policy makers and the broader interested community.

The chapters in this book were originally published as a special issue of the journal Terrorism and Political Violence.

Irish Media: A Critical History maps the landscape of media in Ireland from the foundation of the modern state in 1922 to the present. Covering all principal media forms, print and electronic, in the Republic and in Northern Ireland, John Horgan shows how Irish history and politics have shaped the media of Ireland and, in turn, have been shaped by them.Beginning in a country ravaged by civil war, it traces the complexities of wartime censorship and details the history of media technology, from the development of radio to the inauguration of television in the 1950s and 1960s. It covers the birth, development and - sometimes - the death of major Irish media during this period, examining the reasons for failure and success, and government attempts to regulate and respond to change. Finally, it addresses questions of media globalisation, ownership and control, and looks at issues of key significance for the future.Horgan demonstrates why, in a country whose political divisions and economic development have given it a place on the world stage out of all proportion to its size, the media have been and remain key players in Irish history.

Irish Media: A Critical History maps the landscape of media in Ireland from the foundation of the modern state in 1922 to the present. Covering all principal media forms, print and electronic, in the Republic and in Northern Ireland, John Horgan shows how Irish history and politics have shaped the media of Ireland and, in turn, have been shaped by them.Beginning in a country ravaged by civil war, it traces the complexities of wartime censorship and details the history of media technology, from the development of radio to the inauguration of television in the 1950s and 1960s. It covers the birth, development and - sometimes - the death of major Irish media during this period, examining the reasons for failure and success, and government attempts to regulate and respond to change. Finally, it addresses questions of media globalisation, ownership and control, and looks at issues of key significance for the future.Horgan demonstrates why, in a country whose political divisions and economic development have given it a place on the world stage out of all proportion to its size, the media have been and remain key players in Irish history.

What would it feel like to wake up inside the head of someone who writes about science for a living? John Horgan, acclaimed author of the bestseller The End of Science, answers that question in his genre-bending new book Pay Attention, a stream-of-consciousness account of a day in the life of his alter ego, Eamon Toole—a blogger, college professor, and divorced father.

This work of fact-based fiction, or “faction,” follows Toole as he wakes up in his rented apartment in upstate New York, meditates with the mantra “Duh,” commutes via train and subway to an engineering school in New Jersey, teaches a William James essay on consciousness to freshmen, squabbles about Thomas Kuhn with colleagues over lunch, takes a ferry to Manhattan and spends the evening with his bossy, Tarot-reading girlfriend, Emily, on whom he plans to spring a big question. Throughout the day, Toole struggles to be rational while buffeted by fears and yearnings. Thoughts of sex and death keep intruding on his ruminations over quantum spookiness, the neural code, the Singularity and free will. Pay Attention is a profane, profound meditation on the entanglements of our inner and outer worlds and the elusiveness of truth.