John J Bukowczyk – författare

The next volume in the Common Threads book series, Immigrant Identity and the Politics of Citizenship assembles fourteen articles from the Journal of American Ethnic History . The chapters discuss the divisions and hierarchies confronted by immigrants to the United States, and how these immigrants shape, and are shaped by, the social and cultural worlds they enter. Drawing on scholarship of ethnic groups from around the globe, the articles illuminate the often fraught journey many migrants undertake from mistrusted Other to sometimes welcomed citizen. Contributors: James R. Barrett, Douglas C. Baynton, Vibha Bhalla, Julio CapÓ, Jr., Robert Fleegler, GunlÖg Fur, Hidetaka Hirota, Karen Leonard, Willow Lung-Amam, Raymond A. Mohl, Mark Overmyer-VelÁzquez, Lara Putnam, David Reimers, David Roediger, and Allison Varzally.

The next volume in the Common Threads book series, Immigrant Identity and the Politics of Citizenship assembles fourteen articles from the Journal of American Ethnic History . The chapters discuss the divisions and hierarchies confronted by immigrants to the United States, and how these immigrants shape, and are shaped by, the social and cultural worlds they enter. Drawing on scholarship of ethnic groups from around the globe, the articles illuminate the often fraught journey many migrants undertake from mistrusted Other to sometimes welcomed citizen. Contributors: James R. Barrett, Douglas C. Baynton, Vibha Bhalla, Julio Capó, Jr., Robert Fleegler, Gunlög Fur, Hidetaka Hirota, Karen Leonard, Willow Lung-Amam, Raymond A. Mohl, Mark Overmyer-Velázquez, Lara Putnam, David Reimers, David Roediger, and Allison Varzally.

A retrospective survey of Bruce Harkness’s striking social documentary photographs and an invaluable historical record that bears witness to irrevocably lost swaths of Detroit’s social and urban fabric.In 1980, the cities of Detroit and Hamtramck, Michigan, exercised eminent domain to develop nearly five hundred acres of land for a new industrial park and General Motors assembly plant. But the land was not vacant. Some thirty-five hundred people lived there in Poletown-some of them for their entire lives. They attended neighborhood schools and churches, worked for and patronized small businesses, walked the sidewalks, drove the streets, and tended to lawns and gardens. Harkness began photographing the area in February 1981. He recorded street scenes, intersections, panoramic views, homes, businesses, churches, and people. Ten months, ninety visits, and six hundred photographs later, it all disappeared forever.The Poletown series established Harkness as a major Detroit documentarian. It came on the heels of late-1970s projects located in and around the city’s skid row: Cass Corridor. The images include gritty streetscapes, a portrait series depicting residents living in a crumbling apartment building, and the lively cultural milieu of a local gay and transgender bar. Most of this old portion of inner-city Detroit since has been supplanted by urban redevelopment and gentrification.During the late 1980s, Harkness collaborated with urban historian John J. Bukowczyk on a major documentary project, Urban Interiors. While the Poletown project had documented the exteriors of buildings and streetscapes on Detroit’s East Side, Urban Interiors captured the insides of inner-city Detroit homes and businesses and included extended oral history interviews.While Harkness has always found human dignity and resilience in his subjects, the tone of his work brightened in the 1990s alongside Detroit’s revival. Photographs from this era include blues musicians performing in clubs and at outdoor concerts and the distinctive, robust youth culture that flourished in Dearborn’s now-defunct Zone Coffee House.Featuring images from these and other projects, Photographs from Detroit, 1975–2019 includes Harkness’s extensive notes, which describe and contextualize the encounters he shared with the people and places he photographed, and offer insight into his working methods and equipment. The volume and quality of Harkness’s work merits him recognition as one of Detroit’s most important documentary photographers during this pivotal, transitional era in the city’s history.Harkness’s images depict the struggles and resilience of ordinary individuals and families in working-class communities who together have indelibly shaped the spirit of Detroit. This book is a must-have for Detroiters past and present as well as historians, anthropologists, social documentary advocates, and photobook collectors everywhere.

Pole/Jew brings together a group of scholars-about half of them Jewish, about half of them ethnic Poles-from the United States, Poland, the United Kingdom, and Canada and enlists their diverse methodological and generational perspectives to push debates over Polish-Jewish relations beyond entrenched and reductive positions. At the core of the volume are the following questions:–What impact has the Holocaust had on Polish history and Polish literature?–How has the Holocaust affected Polish-Jewish-and Polish-identity?–What future is there for relations between Poland’s small Jewish minority and the country’s overwhelming ethnic Polish majority? Between Poland and Israel? Between Jews of the diaspora and ethnic Poles abroad?–Which research areas have yet to be addressed or revisited and reexamined?–Are there ways to move beyond the reductive notion of 1989 (i.e., the fall of the communist regime in Poland) as wall and fulcrum?By addressing these compelling questions, this volume offers fresh perspectives and encourages a nuanced understanding of Polish-Jewish relations.Contributors:M. B. B. BiskupskiRobert BlobaumJohn J. BukowczykPatrice M. DabrowskiHalina FilipowiczAgnieszka JeżykBożena KarwowskaKamil KijekKate KoryckiElżbieta KossewskaGrażyna J. KozaczkaStanisław KrajewskiAdam LipszycWiktor MarzecAlina MolisakStanisław ObirekBenjamin PaloffAntony PolonskyBrian Porter-SzűcsPiotr PuchalskiRoma SendykaDariusz StolaKatarzyna ZechenterJoshua D. ZimmermanGeneviève ZubrzyckiSławomir Jacek Żurek