John J. Thompson - Böcker

This volume gathers the contributions of senior and junior scholars—all indebted to the pathbreaking work of Derek Pearsall—to showcase new research prompted by his rich and ongoing legacy as a literary critic, editor, and seminal founder of Middle English manuscript studies. The contributors aim both to honor Pearsall's work in the field he established and to introduce the complexities of interdisciplinary manuscript studies to students already familiar with medieval literature.The contributors explore a range of issues, from the study of medieval literary manuscripts to the history of medieval books, libraries, literacy, censorship, and the social classes who used the books and manuscripts—nobles, children, schoolmasters, priests, merchants, and more. In addressing reading practices, essays provide a wealth of information on marginal commentaries, images and interpretive methods, international transmission, and early print and editorial methods. Contributors: Sarah Baechle, Julia Boffey, Peter Brown, Katie Ann-Marie Bugyis, Christopher Cannon, A. I. Doyle, Martha W. Driver, Siân Echard, Nicole Eddy, A. S. G. Edwards, Hilary E. Fox, Karrie Fuller, Maura Giles-Watson, Phillipa Hardman, Kathryn Kerby-Fulton, Jill Mann, William Marx, Sarah McNamer, Carol M. Meale, Linne Mooney, Melinda Nielsen, Theresa O'Byrne, Stephen Partridge, Oliver Pickering, Susan Powell, Elizabeth Scala, A. C. Spearing, John J. Thompson, Edward Wheatley, Jocelyn Wogan-Browne, Hannah Zdansky, Nicolette Zeeman.

The expression of cultural differences in medieval courtly literature explored.Cultural differences in medieval European literary practice are reflected in many different ways, as this volume illustrates. The essays cover a whole range of courtly topics, in particular questions of context, genre and poetic voice. The five sections explore contexts for courtliness, especially the position of the vernacular poet at or near the court; the ways in which courtly values and political aspirations are reflected in the work of medieval chronicle and romance writers; questions of register, convention, gender, and narrative technique; problems of literary production and reception, particularly the transmission of courtly and quasi-courtly texts among widely differing medieval audiences; and broader issues such as the clues to the courtly mentality provided by peripheral narrative details, the blurring of conventional courtly boundaries, and the perennial fascination of tales with strong folklore or fabliau elements.Dr EVELYN MULLALLY and Dr JOHN THOMPSON are Senior Lecturers at the Queen's University of Belfast.Contributors: GEAROID MAC EOIN, NOLLAIG O MURA-LE, RUPERT T. PICKENS, FRANÇOISE LE SAUX, CATHERINE LÉGLU, BARBARA N. SARGENT-BAUR, AD PUTTER, MICHEL ZINK, DONALD MADDOX, JEANBLACKER, SARA STURM-MADDOX, MICHELLE SZKIILNIK, THEA SUMMERFIELD, HELEN COOPER JOHN SCATTERGOOD, JUNE HALL MCCASH, JOAN BRUMLIK, LESLIE C. BROOKMAUREEN BOULTON, JESSICA COOKE, DIANE M. WRIGHT, G. KOOLEMANS BEYNEN, LORI J. WALTERS, SYLVIA WRIGHT, FRANK BRANDSMA, CARTER REVARD, A S G EDWARDS, HEATHER COLLIER, TERENCE SCULLY, CHRISTOPHER KLEINHENZ, SARA I. JAMES, WILLIAM MACBAIN, SARA I. JAMES, MARY B. SPEER, YASMINA FOEHR-JANSSENS, CAROL J. HARVEY, BART BESAMUSCA, KEITH BUSBY

'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).'This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue.Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.