John R. Williams – författare

Originally published in 1987, this is a thorough and lucid introduction and commentary to the whole of Goethe’s Faust. It gives the student of German and European literature valuable insights into the most important work of Germany’s foremost poet. German quotations are translated or paraphrased in English and a detailed knowledge of German literature is not assumed. The book traces Goethe’s work on the play over 60 years of his creative career and surveys its critical reception over the 200 years since its first appearance. Part One is analysed as a mimetic tragedy, Part Two as an historical and cultural profile of Goethe’s own times. The commentary guides the reader carefully through its subtleties and multi-layered references and provides a broad and coherent structure for the overall understanding of the work. It suggests provocative interpretations of some figures and episodes in Part Two and places renewed emphasis on parts of the work that often receive relatively little attention. An appendix surveys the metres and verse forms of the play.

Originally published in 1987, this is a thorough and lucid introduction and commentary to the whole of Goethe’s Faust. It gives the student of German and European literature valuable insights into the most important work of Germany’s foremost poet. German quotations are translated or paraphrased in English and a detailed knowledge of German literature is not assumed. The book traces Goethe’s work on the play over 60 years of his creative career and surveys its critical reception over the 200 years since its first appearance. Part One is analysed as a mimetic tragedy, Part Two as an historical and cultural profile of Goethe’s own times. The commentary guides the reader carefully through its subtleties and multi-layered references and provides a broad and coherent structure for the overall understanding of the work. It suggests provocative interpretations of some figures and episodes in Part Two and places renewed emphasis on parts of the work that often receive relatively little attention. An appendix surveys the metres and verse forms of the play.

This book provides a glimpse into 17th-century Zhuāngzǐ (莊子; ca. 4th through 3rd century BCE) studies by introducing the works of Hānshān Déqīng (憨山德清; 1546–1623), Wáng Fūzhī (王夫之; 1619–1692), and Lín Yúnmíng (林雲銘; 1628–1697), which give a sense of diverse approaches to Zhuāngzǐ during this period.

The three commentators represent three distinct orientations as reflected by their respective roles, with Hānshān Déqīng being a Buddhist monk, Wáng Fūzhī a philosopher, and Lín Yúnmíng a literary critic. Their understanding of "carefree wandering" (逍遙遊) is spelled out, followed by a complete translation of the Péng–bird 鵬 passage through their eyes. The author concludes how this amounts to a conception of human flourishing.

This is the first monograph on Zhuāngzǐ studies of any of these three thinkers in English. General readers or specialists of ancient Chinese philosophy can gain insight into how Zhuāngzǐ was read in culturally relevant contexts.

This book provides a glimpse into 17th-century Zhuāngzǐ (莊子; ca. 4th through 3rd century BCE) studies by introducing the works of Hānshān Déqīng (憨山德清; 1546–1623), Wáng Fūzhī (王夫之; 1619–1692), and Lín Yúnmíng (林雲銘; 1628–1697), which give a sense of diverse approaches to Zhuāngzǐ during this period.

The three commentators represent three distinct orientations as reflected by their respective roles, with Hānshān Déqīng being a Buddhist monk, Wáng Fūzhī a philosopher, and Lín Yúnmíng a literary critic. Their understanding of "carefree wandering" (逍遙遊) is spelled out, followed by a complete translation of the Péng–bird 鵬 passage through their eyes. The author concludes how this amounts to a conception of human flourishing.

This is the first monograph on Zhuāngzǐ studies of any of these three thinkers in English. General readers or specialists of ancient Chinese philosophy can gain insight into how Zhuāngzǐ was read in culturally relevant contexts.