John Sloan – författare

In a remarkable literary career, Andrew Lang challenged the increasing specialism that accompanied the advance of modernity and science in the last quarter of the nineteenth century, authoring an extraordinary body of rigorous, scholarly works in the fields of social anthropology, folklore, Homeric studies, history, and religion, while simultaneously turning out novels, poems for periodicals, and inexhaustible columns of prose journalism to make money. He was widely regarded as one of the most influential men of letters and reviewers of his day. He was a founding member and later President of the Folklore Society, and, with his wife, helped transform the taste in children's literature with their anthologized fairy stories for young people. G. K. Chesterton, paying tribute on Lang's death in 1912 to the scale and diversity of his legacy to the humanities, compared him to a 'kind of Indian god with a hundred hands'. Drawing on a wealth of unpublished correspondence and new sources of information, this first full biography of Lang documents in compelling detail his double existence as a scholar and journalist, the intellectual impact of his cross-disciplinary approach to learning and writing, and the critical controversies he courted as a writer and thinker to advance knowledge in the human sciences. The book also throws new light on Lang's personal life: on the uncomfortable legacy of his grandfather, whose notorious part in the Sutherland Clearances earlier in the century left its mark on the family; on the enduring influence on him of his early Scottish education and its generalist traditions of learning; and on his friendships with fellow writers, among them Robert Louis Stevenson, Henry James, Rider Haggard, Edmund Gosse, Rhoda Broughton, and William Henley. The result is a fascinating portrait of a man who lived one of the most productive lives in literature, sought to make knowledge available to everyone, and bridged, as no other, the university and the literary world, the proverbial 'Grub Street and the ivory tower'.

The first Selected Poems of John Davidson for 30 years, this new selection brings together the best of his work both from the 1890s and his later materialist phase. Davidson has lately been reassessed, and he is now generally recognized to be a poet of major status, a precursor of the modernist movement, and the best Scottish poet between Robert Burns and Hugh MacDiarmid. This edition demonstrates the quality and breadth of Davidson's work, and also contains selections from his letters and prose writings, which shed new light on his life and aims as a poet.Widely admired as an early modern, Davidson's fascination with urban experience and the new technologies supplied a precedent for the Modernist movement. John Sloan's edition brings together the popular poems of the 1890s such as 'In Romney Marsh', 'London' and 'Thirty Bob a Week', and the ambitious and highly celebrated poems of his later years such as 'The Crystal Palace' and 'London Bridge', with their ironic observations of the London crowds. Also included are `The Thames Embankmente' with its materialistic blending of urban and natural landscape, and the moving and scientific `Snow'.

'Wilde did not converse - he told tales.' Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. They have never lacked readers and admirers, George Orwell and W. B. Yeats among them. The stories give free rein to Wilde's originality, literary skill, and sophistication. They include poignant fairy-tales such as 'The Happy Prince' and 'The Selfish Giant', and the extravagant comedy and social observation of 'Lord Arthur Savile's Crime' and 'The Canterville Ghost'. They also encompass the daring narrative experiments of 'The Portrait of Mr. W. H.', Wilde's fictional investigation into the identity of the dedicatee of Shakespeare's sonnets, and the 'Poems in Prose', based on the Gospel stories.This edition demonstrates the centrality of Wilde's shorter fiction in his literary career, and his continuing development and experimentation with the short story format. Combining myth, romance, and irony, Wilde's stories enthral and challenge the reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Authors in Context examines the work of major writers in relation to their own time and to the present day. Combining history with lively literary discussion, each volume provides comprehensive insight into texts in their context.Wit, dandy, literary anarchist, self-publicist, and homosexual martyr: Wilde achieved fame and notoriety at a time when mass culture and communication promoted the 'new' in every area of British life - 'New Women', 'New Hedonism', 'New Journalism', 'New Imperialism'. His plays, tales, and critical writings questioned traditional attitudes to religion, sexuality, women and the home, crime and punishment, and the freedom of the individual. This book examines the rich interplay between Wilde's society and his writings and shows the remarkable recontextualizing of Wilde and his work on stage, in film and the media in the century that has followed his death. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Andrew Lang (1844–1912) made his name in the last quarter of the Victorian era in a remarkable number of literary and intellectual fields, as popular poet, influential literary critic, editor of the classic series of Fairy Books for the young, and as author of groundbreaking books on anthropology, Homeric scholarship, folklore and history. This is the first annotated edition of Lang’s poems, bringing together his books of verse and over 150 additional poems, many of them collected for the first time.John Sloan’s introduction provides a compelling account of Lang’s achievements as a poet whose first two books of verse, Ballads and Lyrics of Old France and Ballades in Blue China, were a harbinger of the English aesthetic movement. Lang helped to create an abiding interest in French poetry and to encourage a new spirit of literary cosmopolitanism in England. He also widened the appeal of poetry in an age of new knowledge, advancing literacy and the growth of the popular press. The authoritative text is accompanied by extensive notes identifying important allusions and significant connections between the poems and Lang’s other writings. In the headnote to each poem, the reader will find a record of publication history, textual variants and sources, including details of the original sources of Lang’s verse translations from the French, Greek and Latin.The edition offers an invaluable guide to the study of Lang’s poetry for students and scholars of nineteenth-century British poetry.

One of "The Eight" a major group in the history of American painting John Sloan was also an illustrator and cartoonist. Sloan kept an almost daily diary for eight years, for the most part to entertain his first wife, Dolly. Sloan's second wife and widow, Helen Fan Sloan, turned over the diaries and his letters, as well as notes and drawings to Bruce St. John of the Delaware Art Center, which houses the Sloan collection.John Sloan was interested in every social issue that went on around him: the people across the street, the people in the parks, and the policies of his country. He and Dolly entertained almost every night, though they were so poor that often the only dish was spaghetti, and their guests included Robert Henri (Sloan's mentor) and Walt Kuhn, Walter Pach, Rollin Kirby, Stuart Davis (and his father), Alexander Calder (and his father), Rockwell Kent, John Butler Yeats, William Glackens, and George Luks.Even if John Sloan had not been such an important figure in the American art world, these diaries would be splendid reading: they reveal a perceptive man and the city that fascinated him during one of its most interesting epochs. The editor writes that Sloan "was a direct and honest man, not afraid of expressing his opinions." This fascinating, unique, first-person view of New York City is a masterpiece. This edition includes a new introduction by Herbert I. London, providing insight into the social and political vision that animated Sloan's art.

One of "The Eight"—a major group in the history of American painting—John Sloan was also an illustrator and cartoonist. Sloan kept an almost daily diary for eight years, for the most part to entertain his first wife, Dolly. Sloan's second wife and widow, Helen Fan Sloan, turned over the diaries and his letters, as well as notes and drawings to Bruce St. John of the Delaware Art Center, which houses the Sloan collection.John Sloan was interested in every social issue that went on around him: the people across the street, the people in the parks, and the policies of his country. He and Dolly entertained almost every night, though they were so poor that often the only dish was spaghetti, and their guests included Robert Henri (Sloan's mentor) and Walt Kuhn, Walter Pach, Rollin Kirby, Stuart Davis (and his father), Alexander Calder (and his father), Rockwell Kent, John Butler Yeats, William Glackens, and George Luks.Even if John Sloan had not been such an important figure in the American art world, these diaries would be splendid reading: they reveal a perceptive man and the city that fascinated him during one of its most interesting epochs. The editor writes that Sloan "was a direct and honest man, not afraid of expressing his opinions." This fascinating, unique, first-person view of New York City is a masterpiece. This edition includes a new introduction by Herbert I. London, providing insight into the social and political vision that animated Sloan's art.

What's worse than the failure of the health care system to adequately care for seniors? The fact that it's actually doing them harm. In A Bitter Pill, Dr. John Sloan investigates the reasons why the medical community is unable to provide lasting health to seniors, concluding that incorrect assumptions have led to the current health crisis among the elderly. In a remarkable argument, Sloan contends that medical measures based in prevention actually do seniors more harm than good, diminishing their current quality of life in the hopes of preventing future disease. Sloan maintains that we must understand what those in poor health really need -- a way to enjoy the final stages of their lives. A valuable resource for caregivers, nurses, doctors, and children of the elderly, this book may just turn the tide of medical misconception that has plagued the senior community.