With a freshness and breadth of approach that sets Italian Renaissance art in its context, this book explores why works were created and who commissioned the palaces, cathedrals, paintings and sculptures. It covers Rome, Florence, Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino and Naples. Chapters are grouped into four chronological parts, allowing for sustained examination of individual cities in different periods. 'Contemporary Scene' boxes provide fascinating glimpses of daily life and 'Contemporary Voice' boxes quote from painters and writers of the time. Accessible and beautifully presented with over 700 mostly colour images, this book is a definitive work on a key period of western art and culture.

This book examines the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through to sixteenth centuries. Treating the city, its art, and its rituals, the contributors to this volume consider well-known objects, monuments, sites, and events in the vivifying context of a variety of spaces, which are here understood as a dimension of physical, psychological, religious, and political perceptions for the city of Florence during the Renaissance. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.

This book examines the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through to sixteenth centuries. Treating the city, its art, and its rituals, the contributors to this volume consider well-known objects, monuments, sites, and events in the vivifying context of a variety of spaces, which are here understood as a dimension of physical, psychological, religious, and political perceptions for the city of Florence during the Renaissance. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.

With a freshness and breadth of approach that sets Italian Renaissance art in its context, this book explores why works were created and who commissioned the palaces, cathedrals, paintings and sculptures. It covers Rome, Florence, Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino and Naples. Chapters are grouped into four chronological parts, allowing for sustained examination of individual cities in different periods. 'Contemporary Scene' boxes provide fascinating glimpses of daily life and 'Contemporary Voice' boxes quote from painters and writers of the time. Accessible and beautifully presented with over 700 mostly colour images, this book is a definitive work on a key period of western art and culture.

This book examines the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through to sixteenth centuries. Treating the city, its art, and its rituals, the contributors to this volume consider well-known objects, monuments, sites, and events in the vivifying context of a variety of spaces, which are here understood as a dimension of physical, psychological, religious, and political perceptions for the city of Florence during the Renaissance. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.

This book examines the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through to sixteenth centuries. Treating the city, its art, and its rituals, the contributors to this volume consider well-known objects, monuments, sites, and events in the vivifying context of a variety of spaces, which are here understood as a dimension of physical, psychological, religious, and political perceptions for the city of Florence during the Renaissance. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.