Roger J. Crum – författare

This book examines the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through to sixteenth centuries. Treating the city, its art, and its rituals, the contributors to this volume consider well-known objects, monuments, sites, and events in the vivifying context of a variety of spaces, which are here understood as a dimension of physical, psychological, religious, and political perceptions for the city of Florence during the Renaissance. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.

This book examines the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through to sixteenth centuries. Treating the city, its art, and its rituals, the contributors to this volume consider well-known objects, monuments, sites, and events in the vivifying context of a variety of spaces, which are here understood as a dimension of physical, psychological, religious, and political perceptions for the city of Florence during the Renaissance. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.

This ambitious collection treating the Italian Fascists' appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini's Italy. With contributions by art historians and classicists, literary and intellectual historians, Donatello among the Blackshirts demonstrates that the Fascist regime appropriated not only Italy's ancient Roman past but also the medieval, Renaissance, and even baroque eras, as well as its own recent history, in constructing a new myth of the nation. Every aspect of visual culture—from monumental architecture, sculpture, painting, and gardens to exhibitions, spectacles, films, medals, household items, and stamps—helped to link the past with modernity. As a result, Italy's artistic traditions became familiar to all social classes throughout the peninsula. While this richly illustrated book concerns Fascist Italy, at the same time it also shows how Italy's premodern artistic traditions have been passed down to the present through the filter of the Fascist era.