John Whalen-Bridge – författare

Norman Mailer s Later Fiction considers five works - Ancient Evenings (1983), Tough Guys Don t Dance (1984), Harlot's Ghost (1991), The Gospel According to the Son (1997), The Castle in the Forest (2007) - to examine, for the first time in a full volume, Mailer s literary maturity. Essays from esteemed scholars, Mailer's wife, andeditor, discuss Mailer s modes of cultural critique, connecting his political, theological, sexual, and aesthetic insights. This book will be essential reading for all Mailer scholars and offers provocative insights in such areas as postmodern American writing, masculinity studies, and the developing interface of literary and religious studies.

Examining political novels that have achieved (or been denied) canonicalstatus, John Whalen-Bridge demonstrates how Herman Melville, Jack London,Norman Mailer, Ralph Ellison, Toni Morrison, and Margaret Atwood havegrappled with the problem of balancing radicalism and art. He shows thatsome books are more political than others, that some political novelistsare more skillful than others, and that readers must allow for basic workingdistinctions between politics and aesthetics if we are to make usefuljudgments about which political novels to read, and why."Whalen-Bridge demonstrates with clarity and power that the Americanpolitical novel should not be ostracized but celebrated as a genre equalor superior to poetic and aesthetic ones." -- Tobin Siebers, authorof Cold War Criticism and the Politics of Skepticism

Using Kenneth Burke''s concept of dramatism as a way of exploring multiple motivations in symbolic expression, Tibet on Fire examines the Tibetan self-immolation movement of 2011-2015. The volume asserts that the self-immolation act is an affirmation of Tibetan identity in the face of cultural genocide.

Using Kenneth Burke's concept of dramatism as a way of exploring multiple motivations in symbolic expression, Tibet on Fire examines the Tibetan self-immolation movement of 2011-2015. The volume asserts that the self-immolation act is an affirmation of Tibetan identity in the face of cultural genocide.

Looks at Buddhist influences in American literature and how literature has shaped the reception of Buddhism in North America.The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.

Explores a range of Buddhist perspectives in a distinctly American context.The US seems to be becoming a Buddhist country. Celebrity converts, the popularity of the Dalai Lama, motifs in popular movies, and mala beads at the mall indicate an increasing inculcation of Buddhism into the American consciousness, even if a relatively small percentage of the population actually describe themselves as Buddhists. This book looks beyond the trendier manifestations of Buddhism in America to look at distinctly American Buddhist ways of life-ways of perceiving and understanding. John Whalen-Bridge and Gary Storhoff have organized this unique collection in accordance with the Buddhist concept of the Three Jewels: the Buddha, the Dharma, and the Sangha. The Buddha section discusses the two key teachers who popularized Buddhism in America: Alan Watts and D. T. Suzuki and the particular kinds of spirituality they proclaimed. The Dharma section deals with how Buddhism can enlighten current public debates and a consideration of our national past with explorations of bioethics, abortion, end-of-life decisions, and consciousness in late capitalism. The final section on the Sangha, or community of believers, discusses how Buddhist communities both formal and informal have affected American society with chapters on family life, Nisei Buddhists, gay liberation, and Zen gardens.

Explores the prevalence of Buddhist ideas in American literature since the 1970s.This timely book explores how Buddhist-inflected thought has enriched contemporary American literature. Continuing the work begun in The Emergence of Buddhist American Literature, editors John Whalen-Bridge and Gary Storhoff and the volume's contributors turn to the most recent developments, revealing how mid-1970s through early twenty-first-century literature has employed Buddhist texts, principles, and genres. Just as Buddhism underwent indigenization when it moved from India to Tibet, to China, and to Japan, it is now undergoing that process in the United States. While some will find literary creativity in this process, others lament a loss of authenticity. The book begins with a look at the American reception of Zen and at the approaches to Dharma developed by African Americans. The work of consciously Buddhist and Buddhist-influenced writers such as Don DeLillo, Gary Snyder, and Jackson Mac Low is analyzed, and a final section of the volume contains interviews and discussions with contemporary Buddhist writers. These include an interview with Gary Snyder; a discussion with Maxine Hong Kingston and Charles Johnson; and discussions of competing American and Asian values at the Beat- and Buddhist-inspired writing program at Naropa University with poets Joanne Kyger, Reed Bye, Keith Abbott, Andrew Schelling, and Elizabeth Robinson.

Explores how religious travel in India is transforming religious identities and self-constructions.In an increasingly global world where convenient modes of travel have opened the door to international and intraregional tourism and brought together people from different religious and ethnic communities, religious journeying in India has become the site of evolving and often paradoxical forms of self-construction. Through ethnographic reflections, the contributors to this volume explore religious and nonreligious motivations for religious travel in India and show how pilgrimages, missionary travel, the exportation of cultural art forms, and leisure travel among coreligionists are transforming not only religious but also regional, national, transnational, and personal identities. The volume engages with central themes in South Asian studies such as gender, exile, and spirituality; a variety of religions, including Sikhism, Islam, Buddhism, and Christianity; and understudied regions and emerging places of pilgrimage such as Manipur and Maharashtra.

Explores how religious travel in India is transforming religious identities and self-constructions.In an increasingly global world where convenient modes of travel have opened the door to international and intraregional tourism and brought together people from different religious and ethnic communities, religious journeying in India has become the site of evolving and often paradoxical forms of self-construction. Through ethnographic reflections, the contributors to this volume explore religious and nonreligious motivations for religious travel in India and show how pilgrimages, missionary travel, the exportation of cultural art forms, and leisure travel among coreligionists are transforming not only religious but also regional, national, transnational, and personal identities. The volume engages with central themes in South Asian studies such as gender, exile, and spirituality; a variety of religions, including Sikhism, Islam, Buddhism, and Christianity; and understudied regions and emerging places of pilgrimage such as Manipur and Maharashtra.

Explores the significance of Dewey's thought on democracy for the contemporary world.Using a multidisciplinary approach, contributors to this volume explore the significance of John Dewey's Pragmatism for the contemporary world. They examine such issues as whether Classical Pragmatism justifies global democracy, whether Dewey's idea of democracy-so intimately linked to American culture-has any relevance for other cultures, and whether democracy can take other forms than those found in Europe and America. Contributors focus on Dewey's cross-cultural experience and affinities with Descartes and modern Neo-Confucians to provide a glimpse of how Dewey's influence outside America has stimulated other cultures, heralding a new stage in the growth of Pragmatism.

Explores the significance of Dewey's thought on democracy for the contemporary world.Using a multidisciplinary approach, contributors to this volume explore the significance of John Dewey's Pragmatism for the contemporary world. They examine such issues as whether Classical Pragmatism justifies global democracy, whether Dewey's idea of democracy-so intimately linked to American culture-has any relevance for other cultures, and whether democracy can take other forms than those found in Europe and America. Contributors focus on Dewey's cross-cultural experience and affinities with Descartes and modern Neo-Confucians to provide a glimpse of how Dewey's influence outside America has stimulated other cultures, heralding a new stage in the growth of Pragmatism.

Looks at Buddhist influences in American literature and how literature has shaped the reception of Buddhism in North America.The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.

Explores a range of Buddhist perspectives in a distinctly American context.The US seems to be becoming a Buddhist country. Celebrity converts, the popularity of the Dalai Lama, motifs in popular movies, and mala beads at the mall indicate an increasing inculcation of Buddhism into the American consciousness, even if a relatively small percentage of the population actually describe themselves as Buddhists. This book looks beyond the trendier manifestations of Buddhism in America to look at distinctly American Buddhist ways of life-ways of perceiving and understanding. John Whalen-Bridge and Gary Storhoff have organized this unique collection in accordance with the Buddhist concept of the Three Jewels: the Buddha, the Dharma, and the Sangha. The Buddha section discusses the two key teachers who popularized Buddhism in America: Alan Watts and D. T. Suzuki and the particular kinds of spirituality they proclaimed. The Dharma section deals with how Buddhism can enlighten current public debates and a consideration of our national past with explorations of bioethics, abortion, end-of-life decisions, and consciousness in late capitalism. The final section on the Sangha, or community of believers, discusses how Buddhist communities both formal and informal have affected American society with chapters on family life, Nisei Buddhists, gay liberation, and Zen gardens.

Explores the prevalence of Buddhist ideas in American literature since the 1970s.This timely book explores how Buddhist-inflected thought has enriched contemporary American literature. Continuing the work begun in The Emergence of Buddhist American Literature, editors John Whalen-Bridge and Gary Storhoff and the volume's contributors turn to the most recent developments, revealing how mid-1970s through early twenty-first-century literature has employed Buddhist texts, principles, and genres. Just as Buddhism underwent indigenization when it moved from India to Tibet, to China, and to Japan, it is now undergoing that process in the United States. While some will find literary creativity in this process, others lament a loss of authenticity. The book begins with a look at the American reception of Zen and at the approaches to Dharma developed by African Americans. The work of consciously Buddhist and Buddhist-influenced writers such as Don DeLillo, Gary Snyder, and Jackson Mac Low is analyzed, and a final section of the volume contains interviews and discussions with contemporary Buddhist writers. These include an interview with Gary Snyder; a discussion with Maxine Hong Kingston and Charles Johnson; and discussions of competing American and Asian values at the Beat- and Buddhist-inspired writing program at Naropa University with poets Joanne Kyger, Reed Bye, Keith Abbott, Andrew Schelling, and Elizabeth Robinson.

A wide-ranging scholarly consideration of the martial arts.This landmark work provides a wide-ranging scholarly consideration of the traditional Asian martial arts. Most of the contributors to the volume are practitioners of the martial arts, and all are keenly aware that these traditions now exist in a transnational context. The book's cutting-edge research includes ethnography and approaches from film, literature, performance, and theater studies.Three central aspects emerge from this book: martial arts as embodied fantasy, as a culturally embedded form of self-cultivation, and as a continuous process of identity formation. Contributors explore several popular and highbrow cultural considerations, including the career of Bruce Lee, Chinese wuxia films, and Don DeLillo's novel Running Dog. Ethnographies explored describe how the social body trains in martial arts and how martial arts are constructed in transnational training. Ultimately, this academic study of martial arts offers a focal point for new understandings of cultural and social beliefs and of practice and agency.

A wide-ranging scholarly consideration of the martial arts.This landmark work provides a wide-ranging scholarly consideration of the traditional Asian martial arts. Most of the contributors to the volume are practitioners of the martial arts, and all are keenly aware that these traditions now exist in a transnational context. The book's cutting-edge research includes ethnography and approaches from film, literature, performance, and theater studies.Three central aspects emerge from this book: martial arts as embodied fantasy, as a culturally embedded form of self-cultivation, and as a continuous process of identity formation. Contributors explore several popular and highbrow cultural considerations, including the career of Bruce Lee, Chinese wuxia films, and Don DeLillo's novel Running Dog. Ethnographies explored describe how the social body trains in martial arts and how martial arts are constructed in transnational training. Ultimately, this academic study of martial arts offers a focal point for new understandings of cultural and social beliefs and of practice and agency.

Discusses both depictions of Buddhism in film and Buddhist takes on a variety of films.In 1989, the same year the Dalai Lama was awarded the Nobel Peace Prize, a decade-long boom of films dedicated to Buddhist people, history, and culture began. Offering the first scholarly treatment of Buddhism and cinema, the editors advise that there are two kinds of Buddhist film: those that are about Buddhists and those that are not. Focusing on contemporary American offerings, the contributors extend a two-pronged approach, discussing how Buddhism has been captured by directors and presenting Buddhist-oriented critiques of the worlds represented in films that would seem to have no connection with Buddhism. Films discussed range from those set in Tibet, such as Kundun and Lost Horizon, to those set well outside of any Buddhist milieu, such as Groundhog Day and The Matrix. The contributors explain the Buddhist theoretical concepts that emerge in these works, including karma, the bardo, and reincarnation, and consider them in relation to interpretive strategies that include feminism, postcolonialism, and contemplative psychological approaches.