John Wilmerding – författare

Frederic Church, the acclaimed Hudson River School artist, first traveled to Maine in 1850. Over the next decades Church ventured repeatedly from his New York State home, Olana, to explore the Maine coast and its rocky islands. He also frequently trekked inland to visit Mount Katahdin. Maine provided sensational sunsets, robust waves crashing on rocky shores, and an abundance of wilderness well suited to Church's artistic vision. Maine Sublime brings together all of the artwork in the Olana collection resulting from and inspired by Church's travels, from finished oil sketches that Church selected to mount, frame, and display at his home to pencil sketches and cartoons that he stored in portfolios. The subjects include such specific locations as Sunset Bar Harbor (1854) and works like Sunset (ca. 1852–65) and Twilight a Sketch (1858), which were inspired by dramatic Maine skies and are evocative of the region as a whole. Throughout his life, Church would continue to visit Maine, sketching, fishing, and hiking. In 1878 he bought land on Lake Millinocket with a view of Katahdin and built a simple cabin. After Church's marriage in 1860, his wife Isabel often joined his excursions to Maine. In a witty cartoon included in this catalog, Frederic and Isabel Church on Mount Desert Island, Church captures his wife's admiration of the scenery. Maine Sublime accompanies an exhibit of Church's Maine artwork that will be displayed at the Portland Museum of Art (Portland, Maine) from June to September, 2012; the Museum of Fine Arts, Houston from February to May 2013; and the Evelyn and Maurice Sharp Gallery at Olana (Hudson, New York) from July to October, 2013.

A reflection of American art's most iconic portraits that feature eyeglasses, and their significance to the artists--from Grant Wood to Alex Katz--through the lens of renowned art historian John Wilmerding.This book celebrates and interprets eyeglasses in American art through painting, prints, folk art, sculpture, and photography from the end of the eighteenth century to the present. Accompanying an exhibition at the Shelburne Museum in Vermont, the book includes eighty works by illustrious artists such as Mary Cassatt and Alice Neel.Though we know eyeglasses are for looking through, we often overlook their role in portraits and figure images. This survey looks at their appearance and uses in American art, from 1784 when Benjamin Franklin invented the bifocal, to the present day. Spectacles in artwork served as emblems of literacy, fashion, and self-identity; old age and wisdom; inner or psychological vision; and sometimes just contemplation. Contemporary works include bespectacled self-portraits by Chuck Close, Andy Warhol, and Keith Haring; and eyeglasses as pure design by Alex Katz and Wayne Thiebaud.