Jonathan Alexander – författare

From 9/11 to COVID-19, the twenty-first century looks increasingly dystopian—and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world.Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.

From 9/11 to COVID-19, the twenty-first century looks increasingly dystopian—and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world.Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.

This handbook brings together scholars from around the globe who here contribute to our understanding of how digital rhetoric is changing the landscape of writing. Increasingly, all of us must navigate networks of information, compose not just with computers but an array ofmobile devices, increase our technological literacy, and understand the changing dynamics of authoring, writing, reading, and publishing in a world of rich and complex texts. Given such changes, and given the diverse ways in which younger generations of college students are writing, communicating, and designing texts in multimediated, electronic environments, we need to consider how the very act of writing itself is undergoing potentially fundamental changes. These changes are being addressed increasingly by the emerging field of digital rhetoric, a field thatattempts to understand the rhetorical possibilities and affordances of writing, broadly defined, in a wide array of digital environments. Of interest to both researchers and students, this volume provides insights about the fields of rhetoric, writing, composition, digital media, literature, and multimodal studies.

The Routledge Handbook of Queer Rhetoric maps the ongoing becoming of queer rhetoric in the late twentieth and early twenty-first centuries, offering a dynamic overview of the history of and scholarly research in this field.The handbook features rhetorical scholarship that explicitly uses and extends insights from work in queer and trans theories to understand and critique intersections of rhetoric, gender, class, and sexuality. More important, chapters also attend to the intersections of constructs of queerness with race, class, ability, and neurodiversity. In so doing, the book acknowledges the many debts contemporary queer theory has to work by scholars of color, feminists, and activists, inside and outside the academy. The first book of its kind, the handbook traces and documents the emergence of this subfield within rhetorical studies while also pointing the way toward new lines of inquiry, new trajectories in scholarship, and new modalities and methods of analysis, critique, intervention, and speculation.This handbook is an invaluable resource for scholars, graduate students, and advanced undergraduate students studying rhetoric, communication, cultural studies, and queer studies.

The Routledge Handbook of Queer Rhetoric maps the ongoing becoming of queer rhetoric in the late twentieth and early twenty-first centuries, offering a dynamic overview of the history of and scholarly research in this field.The handbook features rhetorical scholarship that explicitly uses and extends insights from work in queer and trans theories to understand and critique intersections of rhetoric, gender, class, and sexuality. More important, chapters also attend to the intersections of constructs of queerness with race, class, ability, and neurodiversity. In so doing, the book acknowledges the many debts contemporary queer theory has to work by scholars of color, feminists, and activists, inside and outside the academy. The first book of its kind, the handbook traces and documents the emergence of this subfield within rhetorical studies while also pointing the way toward new lines of inquiry, new trajectories in scholarship, and new modalities and methods of analysis, critique, intervention, and speculation.This handbook is an invaluable resource for scholars, graduate students, and advanced undergraduate students studying rhetoric, communication, cultural studies, and queer studies.

According to David Halperin, sexuality in our time is typified by a "crisis in contemporary sexual definition". What is sexuality? What does it mean to have a sexual identity or orientation? What is the relationship between sexuality as a knowledge construct, on one hand, and the often messy flows of desire and practices of love, on the other? How and why are some sexual, erotic, and intimate practices normalized and others marginalized? Queer Theory has emerged in the West as one of the most provocative analytical tools in the humanities and social sciences. It scrutinizes identity and social structures that take heteronormativity for granted – that do not question the social construction of heterosexuality as normative in relation to its oppositional binary, homosexuality. At the same time, bisexuality is a practice, identity, and orientation that challenges the binary logic around which cultural notions of sexuality are organized. It is a portal to the imagination of a world of amorous expression beyond that divide.This provocative collection presents bisexuality and queer theory as two parallel thought collectives that have made significant contributions to cultural discourses about sexual and amorous practices since the onset of the AIDS era, and explores the ideas that circulate in these thought collectives today. We learn much about the construction and experience of sexuality, and the power it still holds throughout the contemporary Western world to shape identities and practices. This volume challenges our understanding of what it means to be sexual, to have a sexual identity, and to practise the arts of loving.This book was orginally published as a special issue of the Journal of Bisexuality.

Expanding the scope of religious rhetoric/B>Over the past twenty-five years, the intersection of rhetoric and religion has become one of the most dynamic areas of inquiry in rhetoric and writing studies. One of few volumes to include multiple traditions in one conversation, Rhetoric and Religion in the Twenty-First Century engages with religious discourses and issues that continue to shape public life in the United States.This collection of essays centralizes the study of religious persuasion and pluralism, considers religion’s place in U.S. society, and expands the study of rhetoric and religion in generative ways. The volume showcases a wide range of religious traditions and challenges the very concepts of rhetoric and religion. The book’s eight essays explore African American, Buddhist, Christian, Indigenous, Islamic, and Jewish rhetoric and discuss the intersection of religion with feminism, race, and queer rhetoric—along with offering reflections on how to approach religious traditions through research and teaching. In addition, the volume includes seven short interludes in which some of the field’s most accomplished scholars recount their experiences engaging with religious rhetorics and invite readers to engage these exigent lines of inquiry.By featuring these diverse religious perspectives, Rhetoric and Religion in the Twenty-First Century complicates the field’s emphasis on Western, Hellenistic, and Christian ideologies. The collection also offers teachers of writing and rhetoric a range of valuable approaches for preparing today’s students for public citizenship in our religiously diverse global context.

Sexual rhetoric is the self-conscious and critical engagement with discourses of sexuality that exposes both their naturalization and their queering, their torquing to create different or counter-discourses, giving voice and agency to multiple and complex sexual experiences. This volume explores the intersection of rhetoric and sexuality through the varieties of methods available in the fields of rhetoric and writing studies, including case studies, theoretical questioning, ethnographies, or close (and distant) readings of "texts" that help us think through the rhetorical force of sexuality and the sexual force of rhetoric.

Winner, 2023 CCCC Exemplar Award | Honorable Mention, 2025 CCCC Outstanding Book AwardWriting and Desire is a sustained, multimovement exploration of how writers, particularly queer writers, think and feel through desire as central to their writing practice. In a time of political, social, global, and ecological unrest, how might we understand desire—the desire for things to be different, the desire for a better world—as a crucial dimension of contemporary human experience? What might such a recentering of desire offer us, personally and politically? And how is writing itself, as one of the primary ways through which we express and explore ourselves, central to the expression and exploration of desire? Drawing on recent theoretical work in queer theory and the new materialism, Jonathan Alexander studies a range of queer and trans writers and artists who center desire in their practice and argues that conceptualizing writing as desire allows us to reexperience both writing and our world as saturated with our dreams and wishes for change. In a book both elegant and unsettling, and by turns personal, analytic, and experimental, Alexander challenges us—and himself—to think about desire and writing as the deepest manifestation of our hopes for the future.

What forces bring ordinary people together in public to make their voices heard? What means do they use to break through impediments to democratic participation?Unruly Rhetorics is a collection of essays from scholars in rhetoric, communication, and writing studies inquiring into conditions for activism, political protest, and public assembly. An introduction drawing on Jacques Rancière and Judith Butler explores the conditions under which civil discourse cannot adequately redress suffering or injustice. The essays offer analyses of “unruliness” in case studies from both twenty-first-century and historical sites of social-justice protest. The collection concludes with an afterword highlighting and inviting further exploration of the ethical, political, and pedagogical questions unruly rhetorics raise. Examining multiple modes of expression – embodied, print, digital, and sonic – Unruly Rhetorics points to the possibility that unruliness, more than just one of many rhetorical strategies within political activity, is constitutive of the political itself.

An archive of personal trauma that addresses how a culture still toxic to queer people can reshape a bodyIn the summer of 2019, Jonathan Alexander had a minor stroke, what his doctors called an "eye stroke." A small bit of cholesterol came loose from a vein in his neck and instead of shooting into his brain and causing damage, it lodged itself in a branch artery of his retina, resulting in a permanent blindspot in his right eye. In Stroke Book, Alexander recounts both the immediate aftermath of his health crisis, which marked deeper health concerns, as well as his experiences as a queer person subject to medical intervention.A pressure that the queer ill contend with is feeling at fault for their condition, of having somehow chosen illness as punishment for their queerness, however subconsciously. Queer people often experience psychic and somatic pressures that not only decrease their overall quality of life but can also lead to shorter lifespans. Emerging out of a medical emergency and a need to think and feel that crisis through the author's sexuality, changing sense of dis/ability, and experience of time, Stroke Book invites readers on a personal journey of facing a health crisis while trying to understand how one's sexual identity affects and is affected by that crisis. Pieceing and stitching together his experience in a queered diary form, Alexander's lyrical prose documents his ongoing, unfolding experience in the aftermath of the stroke. Through the fracturing of his text, which almost mirrors his fractured sight post-stroke, the author grapples with his shifted experience of time, weaving in and out, while he tracks the aftermath of what he comes to call his "incident" and meditates on how a history of homophobic encounters can manifest in embodied forms.The book situates itself within a larger queer tradition of writing—first, about the body, then about the body unbecoming, and then, yet further, about the body ongoing, even in the shadow of death. Stroke Book also documents the complexities of critique and imagination while holding open a space for dreaming, pleasure, intimacy, and the unexpected.

This handbook brings together scholars from around the globe who here contribute to our understanding of how digital rhetoric is changing the landscape of writing. Increasingly, all of us must navigate networks of information, compose not just with computers but an array ofmobile devices, increase our technological literacy, and understand the changing dynamics of authoring, writing, reading, and publishing in a world of rich and complex texts. Given such changes, and given the diverse ways in which younger generations of college students are writing, communicating, and designing texts in multimediated, electronic environments, we need to consider how the very act of writing itself is undergoing potentially fundamental changes. These changes are being addressed increasingly by the emerging field of digital rhetoric, a field thatattempts to understand the rhetorical possibilities and affordances of writing, broadly defined, in a wide array of digital environments. Of interest to both researchers and students, this volume provides insights about the fields of rhetoric, writing, composition, digital media, literature, and multimodal studies.

According to David Halperin, sexuality in our time is typified by a "crisis in contemporary sexual definition". What is sexuality? What does it mean to have a sexual identity or orientation? What is the relationship between sexuality as a knowledge construct, on one hand, and the often messy flows of desire and practices of love, on the other? How and why are some sexual, erotic, and intimate practices normalized and others marginalized? Queer Theory has emerged in the West as one of the most provocative analytical tools in the humanities and social sciences. It scrutinizes identity and social structures that take heteronormativity for granted – that do not question the social construction of heterosexuality as normative in relation to its oppositional binary, homosexuality. At the same time, bisexuality is a practice, identity, and orientation that challenges the binary logic around which cultural notions of sexuality are organized. It is a portal to the imagination of a world of amorous expression beyond that divide.This provocative collection presents bisexuality and queer theory as two parallel thought collectives that have made significant contributions to cultural discourses about sexual and amorous practices since the onset of the AIDS era, and explores the ideas that circulate in these thought collectives today. We learn much about the construction and experience of sexuality, and the power it still holds throughout the contemporary Western world to shape identities and practices. This volume challenges our understanding of what it means to be sexual, to have a sexual identity, and to practise the arts of loving.This book was orginally published as a special issue of the Journal of Bisexuality.

Sexual rhetoric is the self-conscious and critical engagement with discourses of sexuality that exposes both their naturalization and their queering, their torquing to create different or counter-discourses, giving voice and agency to multiple and complex sexual experiences. This volume explores the intersection of rhetoric and sexuality through the varieties of methods available in the fields of rhetoric and writing studies, including case studies, theoretical questioning, ethnographies, or close (and distant) readings of "texts" that help us think through the rhetorical force of sexuality and the sexual force of rhetoric.

This book attempts to flesh out and share some of the ideas that are not well documented, written or otherwise available regarding metrics that can be used to analyze coders and software teams. We have thoughtful books and material on interviewing, skills-testing, project management and team management, and on Agile and other methodologies that make the development process more effective. But we have never had much discussion or exploration regarding a quantitative and analytical approach to understand the work of individual coders, and to help improve software teams.

Writing Youth: Young Adult Fiction as Literacy Sponsorship shows how many young adult novels model for young people ways to manage the various media tools that surround them. Jonathan Alexander examines not only young adult texts and their media ecologies but also young people’s multiliterate media making in response to their favorite texts and stories. As such, this book will be of interest to anyone concerned about young people’s literacies and the relationship between literacy development and the culture industries.

An archive of personal trauma that addresses how a culture still toxic to queer people can reshape a bodyIn the summer of 2019, Jonathan Alexander had a minor stroke, what his doctors called an "eye stroke." A small bit of cholesterol came loose from a vein in his neck and instead of shooting into his brain and causing damage, it lodged itself in a branch artery of his retina, resulting in a permanent blindspot in his right eye. In Stroke Book, Alexander recounts both the immediate aftermath of his health crisis, which marked deeper health concerns, as well as his experiences as a queer person subject to medical intervention.A pressure that the queer ill contend with is feeling at fault for their condition, of having somehow chosen illness as punishment for their queerness, however subconsciously. Queer people often experience psychic and somatic pressures that not only decrease their overall quality of life but can also lead to shorter lifespans. Emerging out of a medical emergency and a need to think and feel that crisis through the author's sexuality, changing sense of dis/ability, and experience of time, Stroke Book invites readers on a personal journey of facing a health crisis while trying to understand how one's sexual identity affects and is affected by that crisis. Pieceing and stitching together his experience in a queered diary form, Alexander's lyrical prose documents his ongoing, unfolding experience in the aftermath of the stroke. Through the fracturing of his text, which almost mirrors his fractured sight post-stroke, the author grapples with his shifted experience of time, weaving in and out, while he tracks the aftermath of what he comes to call his "incident" and meditates on how a history of homophobic encounters can manifest in embodied forms.The book situates itself within a larger queer tradition of writing—first, about the body, then about the body unbecoming, and then, yet further, about the body ongoing, even in the shadow of death. Stroke Book also documents the complexities of critique and imagination while holding open a space for dreaming, pleasure, intimacy, and the unexpected.

A personal, critical guide to seeing queer art’s wounds and possibilitiesDamage asks how to look at images marked by queer pain without turning that pain into shock or pretending it isn’t there. Writer and critic Jonathan Alexander answers by pairing close looking with lived experience. The result is intimate and analytic at once, a book that stays with hard feelings while still making room for possibility.Damage blends personal story with cultural criticism. Here, first-person stories advance the ideas. Alexander uses scenes from his life to test claims about seeing, care, and repair. The "I" works as a method that keeps theory accountable to bodies and communities, to the facts of illness, stigma, racism, and homophobia. Across five artists, Alexander traces how damage becomes material for art and a spur to rela­tion. With Hervé Guibert, he considers self-imaging in the AIDS era as testimony and technique. With Mark Morrisroe, he follows Polaroids and punk intimacy to find a grammar of tenderness inside grit. Laura Aguilar anchors a practice of self-portraiture that scales from a solitary body to community, land, and kinship. Carlos Martiel turns performance into a register of how nations write on bodies through race, migration, and discipline. Catherine Opie models an ethic of looking that includes self-portrait and community portrait, attending to the marks of pleasure and hurt while asking what repair might involve.Damage is compact and teachable. Each chapter opens with a scene of looking and moves to ideas readers can use. An interlude asks how beauty persists amid harm. A closing "Aftermath" offers practical ways to stay with difficult images without going numb. The prose is precise and direct. The claims are careful. The aim is not to cure pain, but to help readers recognize it, live with it, and act in its wake.

Explore the common groundand the important differencesbetween bisexuality and transgenderism! This book, guaranteed to provoke debate and discussion of sexuality and gender, is the first devoted exclusively to the relationship between transgenderism and bisexuality. Combining the work of scholars and activists, professional writers and lay people, Bisexuality and Transgenderism: InterSEXions of the Others proesents ideas, thoughts, feelings, and insights from a variety of contributors who are committed to understandingand deepening our understanding ofgender and sexuality. You’ll find scholarly essays, narratives, poetry, and a revealing interview with four male-to-female transsexuals, two of whom are married to women who also participate in the discussion. In addition, the book includes insightful chapters by well-known advocates of transgenderism, including Jamison James Green, Coralee Drechsler, and Matthew Kailey. The editors of Bisexuality and Transgenderism: InterSEXions of the Others make the provocative but crucial claim that the larger queer community looks at B and T lives as mere add-ons to L and G. In this book they focus attention on bisexuality and transgenderismmoving the margins to center stage and exploring how sexuality, gender, desire, and intimacy are constructed and circulate in our society. The book’s inclusion of voices and scholarship from Eastern cultures challenges our understanding of sexuality and gender constructions all the more, giving this collection a global scope. Here is a sample of what Bisexuality and Transgenderism: InterSEXions of the Others examines:biphobia and transphobia within the United States’ gay and lesbian community the bi/trans and subversive aspects of the works and images of cultural icons Angelina Jolie and Sandra Bernhardt how bisexual and transgendered identities are socially constructed through relationships the false promise of pomosexual playwhy the concepts of postmodern sexuality fail to rewrite the construction of gender why swingers who practice bisexual and transgender behavior are often disdained and marginalized by other GLBT people suicidal thoughts and other mental health concerns of bisexual males and females, as well as transgender people Eastern perspectives on sexual/gender identitieswith revealing chapters on gender identity in Japan and Indonesia

Explore the common groundand the important differencesbetween bisexuality and transgenderism! This book, guaranteed to provoke debate and discussion of sexuality and gender, is the first devoted exclusively to the relationship between transgenderism and bisexuality. Combining the work of scholars and activists, professional writers and lay people, Bisexuality and Transgenderism: InterSEXions of the Others proesents ideas, thoughts, feelings, and insights from a variety of contributors who are committed to understandingand deepening our understanding ofgender and sexuality. You’ll find scholarly essays, narratives, poetry, and a revealing interview with four male-to-female transsexuals, two of whom are married to women who also participate in the discussion. In addition, the book includes insightful chapters by well-known advocates of transgenderism, including Jamison James Green, Coralee Drechsler, and Matthew Kailey. The editors of Bisexuality and Transgenderism: InterSEXions of the Others make the provocative but crucial claim that the larger queer community looks at B and T lives as mere add-ons to L and G. In this book they focus attention on bisexuality and transgenderismmoving the margins to center stage and exploring how sexuality, gender, desire, and intimacy are constructed and circulate in our society. The book’s inclusion of voices and scholarship from Eastern cultures challenges our understanding of sexuality and gender constructions all the more, giving this collection a global scope. Here is a sample of what Bisexuality and Transgenderism: InterSEXions of the Others examines:biphobia and transphobia within the United States’ gay and lesbian community the bi/trans and subversive aspects of the works and images of cultural icons Angelina Jolie and Sandra Bernhardt how bisexual and transgendered identities are socially constructed through relationships the false promise of pomosexual playwhy the concepts of postmodern sexuality fail to rewrite the construction of gender why swingers who practice bisexual and transgender behavior are often disdained and marginalized by other GLBT people suicidal thoughts and other mental health concerns of bisexual males and females, as well as transgender people Eastern perspectives on sexual/gender identitieswith revealing chapters on gender identity in Japan and Indonesia

In this book the author argues that many youth are using the Web to experiment with and deploy a number of surprising rhetorical strategies that tell us much about their vision for the new communications technologies and the emerging literacy practices they are using to engage that technology. Such literacy practices foreshadow potential changes in rhetorical and literacy practices. It offers a complex and telling portrait of the future use of communications technologies, particularly the Web, and the kinds of literacies that some youth are developing with those technologies.

In this book the author argues that many youth are using the Web to experiment with and deploy a number of surprising rhetorical strategies that tell us much about their vision for the new communications technologies and the emerging literacy practices they are using to engage that technology. Such literacy practices foreshadow potential changes in rhetorical and literacy practices. It offers a complex and telling portrait of the future use of communications technologies, particularly the Web, and the kinds of literacies that some youth are developing with those technologies.

This book focuses on the development of new theories and pedagogies of distance learning in the English class. It is a serious discussion of the development of effective means of conveying information, developing knowledge and perfecting skills. Through scholarly analyses it shows how distance learning calls instructors of English to different roles in the performance of their duties.

This book focuses on the development of new theories and pedagogies of distance learning in the English class. It is a serious discussion of the development of effective means of conveying information, developing knowledge and perfecting skills. Through scholarly analyses it shows how distance learning calls instructors of English to different roles in the performance of their duties.

The author is Professor at the Institute of Fine Arts at New York University, and a noted authority on Italian medieval and Renaissance manuscript illumination. His numerous publications include Medieval Illuminators and Their Methods of Work, and he recently organized the exhibition The Painted Page: Italian Renaissance Book Illumination 1450-1550 at the Royal Academy of London. The present volume presents a comprehensive selection of Professor Alexander's papers on Italian manuscript illumination, from the medieval period through the Renaissance. These feature some of the most celebrated works of one of the great ages of book production. A paper on marginal illustrations in Italian manuscripts is published here for the first time, and the older studies have been extensively revised and updated. There is a comprehensive index, and a new introduction by the author.

The author is Professor at the Institute of Fine Arts at New York University, and a noted authority on Italian medieval and Renaissance manuscript illumination. His numerous publications include Medieval Illuminators and Their Methods of Work, and he recently organized the exhibition The Painted Page: Italian Renaissance Book Illumination 1450-1550 at the Royal Academy of London. The present volume presents a comprehensive selection of Professor Alexander's papers on Italian manuscript illumination, from the medieval period through the Renaissance. These feature some of the most celebrated works of one of the great ages of book production. A paper on marginal illustrations in Italian manuscripts is published here for the first time, and the older studies have been extensively revised and updated. There is a comprehensive index, and a new introduction by the author.