For centuries following the fall of Rome, Western Europe was backward and benighted, locked into the Dark Ages and barely able to tell the time of day. Arab culture, however, was thriving, and had become a powerhouse of intellectual exploration and discussion that dazzled the likes of British adventurer Adelard of Bath. The Arabs could measure the earth's circumference (a feat not matched in the West for eight hundred years); they discovered algebra; were adept at astronomy and navigation, developed the astrolabe, translated all the Greek scientific and philosophical texts including, importantly, those of Aristotle. Without them, and the knowledge that travelers like Adelard brought back to the West, Europe would have been a very different place over the last millennium. Jonathan Lyons restores credit to the Arab thinkers of the past in this riveting history of science - from its earliest and most thrilling days.

Despite the West's growing involvement in Muslim societies, conflicts, and cultures, its inability to understand or analyze the Islamic world threatens any prospect for East-West rapprochement. Impelled by one thousand years of anti-Muslim ideas and images, the West has failed to engage in any meaningful or productive way with the world of Islam. Formulated in the medieval halls of the Roman Curia and courts of the European Crusaders and perfected in the newsrooms of Fox News and CNN, this anti-Islamic discourse determines what can and cannot be said about Muslims and their religion, trapping the West in a dangerous, dead-end politics that it cannot afford. In Islam Through Western Eyes, Jonathan Lyons unpacks Western habits of thinking and writing about Islam, conducting a careful analysis of the West's grand totalizing narrative across one thousand years of history. He observes the discourse's corrosive effects on the social sciences, including sociology, politics, philosophy, theology, international relations, security studies, and human rights scholarship.He follows its influence on research, speeches, political strategy, and government policy, preventing the West from responding effectively to its most significant twenty-first-century challenges: the rise of Islamic power, the emergence of religious violence, and the growing tension between established social values and multicultural rights among Muslim immigrant populations. Through the intellectual "archaeology" of Michel Foucault, Lyons reveals the workings of this discourse and its underlying impact on our social, intellectual, and political lives. He then addresses issues of deep concern to Western readers-Islam and modernity, Islam and violence, and Islam and women-and proposes new ways of thinking about the Western relationship to the Islamic world.

Despite the West's growing involvement in Muslim societies, conflicts, and cultures, its inability to understand or analyze the Islamic world threatens any prospect for East-West rapprochement. Impelled by one thousand years of anti-Muslim ideas and images, the West has failed to engage in any meaningful or productive way with the world of Islam. Formulated in the medieval halls of the Roman Curia and courts of the European Crusaders and perfected in the newsrooms of Fox News and CNN, this anti-Islamic discourse determines what can and cannot be said about Muslims and their religion, trapping the West in a dangerous, dead-end politics that it cannot afford. In Islam Through Western Eyes, Jonathan Lyons unpacks Western habits of thinking and writing about Islam, conducting a careful analysis of the West's grand totalizing narrative across one thousand years of history. He observes the discourse's corrosive effects on the social sciences, including sociology, politics, philosophy, theology, international relations, security studies, and human rights scholarship.He follows its influence on research, speeches, political strategy, and government policy, preventing the West from responding effectively to its most significant twenty-first-century challenges: the rise of Islamic power, the emergence of religious violence, and the growing tension between established social values and multicultural rights among Muslim immigrant populations. Through the intellectual "archaeology" of Michel Foucault, Lyons reveals the workings of this discourse and its underlying impact on our social, intellectual, and political lives. He then addresses issues of deep concern to Western readers-Islam and modernity, Islam and violence, and Islam and women-and proposes new ways of thinking about the Western relationship to the Islamic world.

While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!

While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing!

Explanation of comedic archetypes and devices will both inspire and inform your creative choices

Exploration of various modes of storytelling allows you to give the right context for your story and characters

Tips for creating worlds, scenarios, and casts for your characters to flourish in

Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com!

Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!

While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing!

Explanation of comedic archetypes and devices will both inspire and inform your creative choices

Exploration of various modes of storytelling allows you to give the right context for your story and characters

Tips for creating worlds, scenarios, and casts for your characters to flourish in

Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com!

Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!

The fascinating story of how an English scholar brought Arab learning to the West and rescued it from the Dark Ages''A wonderful and important book which for the first time presents the Western debt to medieval Arabic learning in a clear, accessible manner. From the azimuth to the zenith, from algebra to the zero, so much of what the West takes for granted came to us from the Arab world . . . A fascinating book'' William Dalrymple''Lyons tells the story of the House of Wisdom, the caliphs who supported it and the people who worked there, at a riveting, breakneck pace'' The TimesFor centuries following the fall of Rome, Western Europe was backward and benighted, locked into the Dark Ages and barely able to tell the time of day. Arab culture, however, was thriving, and had become a powerhouse of intellectual exploration and discussion that dazzled the likes of British adventurer Adelard of Bath.The Arabs could measure the earth''s circumference (a feat not matched in the West for eight hundred years); they discovered algebra; were adept at astronomy and navigation, developed the astrolabe, translated all the Greek scientific and philosophical texts including, importantly, those of Aristotle. Without them, and the knowledge that travelers like Adelard brought back to the West, Europe would have been a very different place over the last millennium.Jonathan Lyons restores credit to the Arab thinkers of the past in this riveting history of science - from its earliest and most thrilling days.

For centuries following the fall of Rome, Western Europe was backward and benighted, locked into the Dark Ages and barely able to tell the time of day. Arab culture, however, was thriving, and had become a powerhouse of intellectual exploration and discussion that dazzled the likes of British adventurer Adelard of Bath. The Arabs could measure the earth's circumference (a feat not matched in the West for eight hundred years); they discovered algebra; were adept at astronomy and navigation, developed the astrolabe, translated all the Greek scientific and philosophical texts including, importantly, those of Aristotle. Without them, and the knowledge that travelers like Adelard brought back to the West, Europe would have been a very different place over the last millennium. Jonathan Lyons restores credit to the Arab thinkers of the past in this riveting history of science - from its earliest and most thrilling days.

Despite the West's growing involvement in Muslim societies, conflicts, and cultures, its inability to understand or analyze the Islamic world threatens any prospect for East-West rapprochement. Impelled by one thousand years of anti-Muslim ideas and images, the West has failed to engage in any meaningful or productive way with the world of Islam. Formulated in the medieval halls of the Roman Curia and courts of the European Crusaders and perfected in the newsrooms of Fox News and CNN, this anti-Islamic discourse determines what can and cannot be said about Muslims and their religion, trapping the West in a dangerous, dead-end politics that it cannot afford. In Islam Through Western Eyes, Jonathan Lyons unpacks Western habits of thinking and writing about Islam, conducting a careful analysis of the West's grand totalizing narrative across one thousand years of history. He observes the discourse's corrosive effects on the social sciences, including sociology, politics, philosophy, theology, international relations, security studies, and human rights scholarship.He follows its influence on research, speeches, political strategy, and government policy, preventing the West from responding effectively to its most significant twenty-first-century challenges: the rise of Islamic power, the emergence of religious violence, and the growing tension between established social values and multicultural rights among Muslim immigrant populations. Through the intellectual "archaeology" of Michel Foucault, Lyons reveals the workings of this discourse and its underlying impact on our social, intellectual, and political lives. He then addresses issues of deep concern to Western readers-Islam and modernity, Islam and violence, and Islam and women-and proposes new ways of thinking about the Western relationship to the Islamic world.

Despite the West's growing involvement in Muslim societies, conflicts, and cultures, its inability to understand or analyze the Islamic world threatens any prospect for East-West rapprochement. Impelled by one thousand years of anti-Muslim ideas and images, the West has failed to engage in any meaningful or productive way with the world of Islam. Formulated in the medieval halls of the Roman Curia and courts of the European Crusaders and perfected in the newsrooms of Fox News and CNN, this anti-Islamic discourse determines what can and cannot be said about Muslims and their religion, trapping the West in a dangerous, dead-end politics that it cannot afford. In Islam Through Western Eyes, Jonathan Lyons unpacks Western habits of thinking and writing about Islam, conducting a careful analysis of the West's grand totalizing narrative across one thousand years of history. He observes the discourse's corrosive effects on the social sciences, including sociology, politics, philosophy, theology, international relations, security studies, and human rights scholarship.He follows its influence on research, speeches, political strategy, and government policy, preventing the West from responding effectively to its most significant twenty-first-century challenges: the rise of Islamic power, the emergence of religious violence, and the growing tension between established social values and multicultural rights among Muslim immigrant populations. Through the intellectual "archaeology" of Michel Foucault, Lyons reveals the workings of this discourse and its underlying impact on our social, intellectual, and political lives. He then addresses issues of deep concern to Western readers-Islam and modernity, Islam and violence, and Islam and women-and proposes new ways of thinking about the Western relationship to the Islamic world.

While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!

While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing!

Explanation of comedic archetypes and devices will both inspire and inform your creative choices

Exploration of various modes of storytelling allows you to give the right context for your story and characters

Tips for creating worlds, scenarios, and casts for your characters to flourish in

Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com!

Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!

While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing!

Explanation of comedic archetypes and devices will both inspire and inform your creative choices

Exploration of various modes of storytelling allows you to give the right context for your story and characters

Tips for creating worlds, scenarios, and casts for your characters to flourish in

Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com!

Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!

The fascinating story of how an English scholar brought Arab learning to the West and rescued it from the Dark Ages''A wonderful and important book which for the first time presents the Western debt to medieval Arabic learning in a clear, accessible manner. From the azimuth to the zenith, from algebra to the zero, so much of what the West takes for granted came to us from the Arab world . . . A fascinating book'' William Dalrymple''Lyons tells the story of the House of Wisdom, the caliphs who supported it and the people who worked there, at a riveting, breakneck pace'' The TimesFor centuries following the fall of Rome, Western Europe was backward and benighted, locked into the Dark Ages and barely able to tell the time of day. Arab culture, however, was thriving, and had become a powerhouse of intellectual exploration and discussion that dazzled the likes of British adventurer Adelard of Bath.The Arabs could measure the earth''s circumference (a feat not matched in the West for eight hundred years); they discovered algebra; were adept at astronomy and navigation, developed the astrolabe, translated all the Greek scientific and philosophical texts including, importantly, those of Aristotle. Without them, and the knowledge that travelers like Adelard brought back to the West, Europe would have been a very different place over the last millennium.Jonathan Lyons restores credit to the Arab thinkers of the past in this riveting history of science - from its earliest and most thrilling days.