Joseph Epstein – författare

Part of a series of highly entertaining books on the history of sinning.While each of the other six deadly sins area a guilty pleasure, 'the green-eyed monster', as it is often called, is no fun. Jacob Epstein considers what the experts have written about envy, schadenfreude, and resentment, and how it operates under different political systems. Why is it so powerful that it can so easily overpower sense and caution? Could it ever be wiped from the map of humankind's nastier emotions? The author bravely offers his own experiences of envy, and his prescription for removing it from one's psychic economy. This is a refreshingly honest and very entertaining account of a very old sin.

Ranging widely across many disciplines, this collection of essays demonstrates a distaste for intellectuals who "run with the intellectual mob", and a deep respect for those who maintain their integrity under great pressure. The collection includes an affectionate treatment of Leo Szilard, the physicist whose involvement with the development of the atomic bomb led him to work towards addressing its social consequences; a discussion of the educational philosophy of Robert Maynard Hutchins, the University of Chicago's fifth, and most controversial, president; an account of the Polish emigre Leopold Labedz's outspoken resistance to communism, and an essay on Indian writer Nirad Chaudhuri. Many of these essays have appeared in "The American Scholar", edited by Joseph Epstein, who introduces this volume with his own portrait of Edward Shils.

Ranging widely across many disciplines, this collection of essays demonstrates a distaste for intellectuals who "run with the intellectual mob", and a deep respect for those who maintain their integrity under great pressure. The collection includes an affectionate treatment of Leo Szilard, the physicist whose involvement with the development of the atomic bomb led him to work towards addressing its social consequences; a discussion of the educational philosophy of Robert Maynard Hutchins, the University of Chicago's fifth, and most controversial, president; an account of the Polish emigre Leopold Labedz's outspoken resistance to communism, and an essay on Indian writer Nirad Chaudhuri. Many of these essays have appeared in "The American Scholar", edited by Joseph Epstein, who introduces this volume with his own portrait of Edward Shils.

A portrait of America’s most graceful and elegant male dancer and how he came to represent the essence of style, suavity, and charmJoseph Epstein’s Fred Astaire investigates the great dancer’s magical talent, taking up the story of his life, his personality, his work habits, his modest pretensions, and above all his accomplishments. Written with the wit and grace the subject deserves, Fred Astaire provides a remarkable portrait of this extraordinary artist and how he came to embody for Americans a fantasy of easy elegance and, paradoxically, of democratic aristocracy.Tracing Astaire’s life from his birth in Omaha to his death in his late eighties in Hollywood, the book discusses his early days with his talented and outspoken sister Adele, his gifts as a singer (Irving Berlin, George Gershwin, and Jerome Kern all delighted in composing for Astaire), and his many movie dance partners, among them Cyd Charisse, Rita Hayworth, Eleanor Powell, and Betty Hutton. A key chapter of the book is devoted to Astaire’s somewhat unwilling partnership with Ginger Rogers, the woman with whom he danced most dazzlingly. What emerges from these pages is a fascinating view of an American era, seen through the accomplishments of Fred Astaire, an unassuming but uncompromising performer who transformed entertainment into art and gave America a new yet enduring standard for style.

"Ambition is not what it used to be," writes Joseph Epstein. The desire to get ahead no longer evokes the same admiration it once did—indeed, modern novelists seem hardly able to deal with ambition without a sneer. But is ambition necessarily synonymous with ruthless, narrow self-interest? Or, as Mr. Epstein suggests, is it "the fuel of achievement"—an honorable way to influence and advance civilization? Mr. Epstein’s sketches of eminent Americans—from Benjamin Franklin (that premier go-getter) to Henry Ford, Edith Wharton, F. Scott Fitzgerald, Adlai Stevenson, and the Rockefeller, Guggenheim, and Kennedy dynasties—and his pointed reconsideration of the ingredients of the American Dream (success, money, and power) form a fascinating social history, one that may change many readers’ attitudes toward their “secret passion.” "Should be must reading in executive suites as well as college classrooms."—Forbes. "Handled with a good amount of wit and with the clear, straightforward analysis of a man with a point of view. Like Samuel Johnson, [Epstein] reminds more often than he instructs."—Jack Richardson, New York Times. "To have so rich an intellectual fare so pleasurably served is rare. Read Ambition and feast."—Saturday Review.

In this collection, his twenty-fifth book, Joseph Epstein departs from writing about literature and culture to indulge his fondness for the world of sport in all its forms. In these essays and stories on such subjects as saving Joe DiMaggio’s reputation from the clutches of an iconoclastic biographer, marveling at the skills of Michael Jordan, shaking free of an addiction to radio sports talk shows, or contemplating the changing nature of the games he grew up with and played as a boy, Epstein turns writing about sports into an art at once penetrating and highly amusing.

The estimable Joseph Epstein—essayist, past editor of The American Scholar, and recipient of the 2003 National Humanities Medal along with Hal Holbrook and John Updike—brings together twenty short stories in his first such collection since 2010. Most, though not all, of the stories are set in Epstein’s hometown of Chicago, but otherwise they have a variety of subjects: among the titles are "Dad's Gay," "The Casanova of LaSalle Street," "JDate," "Adultery," "Widow's Pique," "Race Relations," "The Man on Whom Everything Was Lost," "My Five Husbands," and "Second Family." Most are stories about family and friendships.

Joseph Epstein takes on that most enchanting (and, alas, increasingly rare) of human gifts, charm. “Almost everyone will recognize when he or she is in the presence of charm,” he writes. “Charm is magic of a kind; it casts a spell. In the presence of charm the world seems lighter and lovelier. A charming person can cause you to forget your problems, at least temporarily, to hold the world’s dreariness at bay. Charm is a reminder that the world is filled with jolly prospects and delightful possibilities. Watching Fred Astaire dance, or listening to Blossom Dearie sing, or reading the poems of C.P. Cavafy, or merely looking at Rita Hayworth or Ava Gardner, one recalls that the world can be a pretty damn fine place.”

Who is the greatest living essayist writing in English? Joseph Epstein would surely be at the top of anybody's list. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. Joseph Epstein's Wind Sprints: Shorter Essays is the third volume of essays from Axios Press following the much acclaimed Essays in Biography, 2012 and A Literary Education and Other Essays, 2014. It contains 142 short essays, literary sprints rather than marathons. Subjects range from domestic life to current social trends to an appraisal of "contemporary nuttiness." After reading Epstein, we see life with a fresh eye. We also see ourselves a little more clearly. This is what Plutarch intended: life teaching by example, but with a wry smile and such a sure hand that we hardly notice the instruction. It is just pure pleasure.

In this brief but highly engaging book Joseph Epstein argues for the primacy of fiction, and specifically of the novel, among all intellectual endeavors that seek to describe the behavior of human beings. Reading superior fiction, he holds, arouses the mind in a way that nothing else quite does. He shows how the novel at its best operates above the level of ideas in favor of taking up the truths of the heart. No other form probes so deeply into that eternal mystery of mysteries, human nature, than does the novel. Along the way, Epstein recounts how we read fiction differently than much else we read. He sets out how memory works differently in the reading of fiction than in that of other works. He notes that certain novels are best read at certain ages, and suggests that novels, like movies, might do well to carry ratings, with some novels best read no later than one’s early twenties, others not to be read before the age of forty.The knowledge one acquires from reading novels differs from all other kinds of knowledge, for the subject of all superior fiction is human existence itself, in all its variousness and often humbling confusion. The spirit of the novel entails questioning much that others consider home truths. This is demonstrated by the fact that so many important philosophers, social scientists, jurists, and other intellectuals have been devoted readers of fiction, among them Oliver Wendell Holmes, Jr., Michael Oakeshott, Edward Shils, and Clifford Geertz.The Novel, Who Needs It? takes up those current elements in the culture that militate against the production of first-rate fiction. Prominent among them are the rise of online reading, the expansion of creative writing programs, the artistically discouraging effects of political correctness, and the pervasiveness of therapeutic thinking throughout contemporary culture. As for the title, The Novel, Who Needs It?, Joseph Epstein’s answer is that we all do.