Joseph Fichtelberg – författare

The essays in this collection explore new directions in autobiography studies. Examining a wide range of texts, from narratives of suicide survivors, cross-dressers, and people with HIV/AIDS to self-representations in the visual arts, the collection demonstrates how writers have used the postmodern experience fragmentation to forge new kinds of identities.Postmodern selves, the essayists argue, are relational selves, constructed from the acute need to find identity through collaboration with others. Postmodern autobiography emerges as a search, amid shocks to the stable self, for wider patterns of significance. Of interest to researchers and scholars in autobiography, world literature, and psychology.

"As a number of recent studies have shown, the north European commercial world made the precise calculation of risk a central concern of the intellectual project of exploration, trade, and colonization. The great merit of Fichtelberg's book is systematizing the imaged world of dangers, and charting the various kinds of ritual and discursive performances marshaled to deal with the pressure of the unspeakable in early America from the 17th into the early 19th century. The readings of texts are invariably careful, and the points made, persuasive." ---David Shields, University of South Carolina Risk Culture is the first scholarly book to explore how strategies of performance shaped American responses to modernity. By examining a variety of early American authors and cultural figures, from John Smith and the Salem witches to Phillis Wheatley, Susanna Rowson, and Aaron Burr, Joseph Fichtelberg shows how early Americans created and resisted a dangerously liberating new world. The texts surveyed confront change through a variety of performances designed both to imagine and deter menaces ranging from Smith's hostile Indians, to Wheatley's experience of slavery, to Rowson's fear of exposure in the public sphere. Fichtelberg combines a variety of scholarly approaches, including anthropology, history, cultural studies, and literary criticism, to offer a unique synthesis of literary close reading and sociological theory in the service of cultural analysis. Joseph Fichtelberg is Professor of English and Chair of the English Department at Hofstra University.

In The Complex Image, Joseph Fichtelberg takes a twofold approach to the role of revision in significant American autobiographies. He reexamines the problem of the autobiographical subject from a poststructuralist perspective, and he places that problem in the context of American culture. As a framework for his unique study, he offers a reading of Ecce Homo that argues that Nietzsche's autobiographical "I" is both buried in and created by the text itself. Only by revising his text, by retelling his life to himself, can Nietzsche arrive at self-knowledge. Ultimately, Nietzsche finds himself in all literature everywhere. He becomes a universal soul.Fichtelberg demonstrates that Nietzsche's complex ideas about where subject and language meet in a text can be used to understand the dominant millennial impulse evident in American autobiographies. Thomas Shepard cast the American portion of his autobiography as a compendium of colonial triumphs; John Woolman rearranged his Journal to make a vision of Christian unity its climax; and Walt Whitman fashioned Specimen Days to highlight his late tour of the west during which he realized an earlier poetic vision of national unity. In the nineteenth century, this easy faith in millennial union began to collapse, and Fichtelberg contends that it remained only in the autobiographies of such "marginal" groups as those represented by Frederick Douglass arid Gertrude Stein. He offers a close analysis of their autobiographies and, in a concluding chapter, examines the work of four recent writers: W. E. B. DuBois, Lillian Hellman, Mary McCarthy, and Maya Angelou.The Complex Image will interest scholars and students of American history and literature.

This book is an interdisciplinary study of antebellum American literature and the problem of political emergency.