Joseph Masco – författare

The Nuclear Borderlands explores the sociocultural fallout of twentieth-century America's premier technoscientific project--the atomic bomb. Joseph Masco offers the first anthropological study of the long-term consequences of the Manhattan Project for the people that live in and around Los Alamos, New Mexico, where the first atomic bomb, and the majority of weapons in the current U.S. nuclear arsenal, were designed. Masco examines how diverse groups--weapons scientists at Los Alamos National Laboratory, neighboring Pueblo Indian Nations and Nuevomexicano communities, and antinuclear activists--have engaged the U.S. nuclear weapons project in the post-Cold War period, mobilizing to debate and redefine what constitutes "national security." In a pathbreaking ethnographic analysis, Masco argues that the U.S. focus on potential nuclear apocalypse during the Cold War obscured the broader effects of the nuclear complex on American society. The atomic bomb, he demonstrates, is not just the engine of American technoscientific modernity; it has produced a new cognitive orientation toward everyday life, provoking cross-cultural experiences of what Masco calls a "nuclear uncanny."Revealing how the bomb has reconfigured concepts of time, nature, race, and citizenship, the book provides new theoretical perspectives on the origin and logic of U.S. national security culture. The Nuclear Borderlands ultimately assesses the efforts of the nuclear security state to reinvent itself in a post-Cold War world, and in so doing exposes the nuclear logic supporting the twenty-first-century U.S. war on terrorism.

How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats-real, imagined, and emergent.

How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats-real, imagined, and emergent.

In The Future of Fallout, and Other Episodes in Radioactive World-Making Joseph Masco examines the strange American intimacy with and commitment to existential danger. Tracking the simultaneous production of nuclear emergency and climate disruption since 1945, he focuses on the psychosocial accommodations as well as the technological revolutions that have produced these linked planetary-scale disasters. Masco assesses the memory practices, visual culture, concepts of danger, and toxic practices that, in combination, have generated a U.S. national security culture that promises ever more safety and comfort in everyday life but does so only by generating and deferring a vast range of violences into the collective future. Interrogating how this existential lag (i.e., the material and conceptual fallout of the twentieth century in the form of nuclear weapons and petrochemical capitalism) informs life in the twenty-first century, Masco identifies key moments when other futures were still possible and seeks to activate an alternative, postnational security political imaginary in support of collective life today.

In The Future of Fallout, and Other Episodes in Radioactive World-Making Joseph Masco examines the strange American intimacy with and commitment to existential danger. Tracking the simultaneous production of nuclear emergency and climate disruption since 1945, he focuses on the psychosocial accommodations as well as the technological revolutions that have produced these linked planetary-scale disasters. Masco assesses the memory practices, visual culture, concepts of danger, and toxic practices that, in combination, have generated a U.S. national security culture that promises ever more safety and comfort in everyday life but does so only by generating and deferring a vast range of violences into the collective future. Interrogating how this existential lag (i.e., the material and conceptual fallout of the twentieth century in the form of nuclear weapons and petrochemical capitalism) informs life in the twenty-first century, Masco identifies key moments when other futures were still possible and seeks to activate an alternative, postnational security political imaginary in support of collective life today.

Sovereignty Unhinged theorizes sovereignty beyond the typical understandings of action, control, and the nation-state. Rather than engaging with the geopolitical realities of the present, the contributors consider sovereignty from the perspective of how it is lived and enacted in everyday practice and how it reflects people’s aspirations for new futures. In a series of ethnographic case studies ranging from the Americas to the Middle East to South Asia, they examine the means of avoiding the political and historical capture that make one complicit with sovereign authority rather than creating the conditions of possibility to confront it. The contributors attend to the affective dimensions of these practices of world-building to illuminate the epistemological, ontological, and transnational entanglements that produce a sense of what is possible. They also trace how sovereignty is activated and deactivated over the course of a lifetime within the struggle of the everyday. In so doing, they outline how individuals create and enact forms of sovereignty that allow them to endure fast and slow forms of violence while embracing endless opportunities for building new worlds.Contributors. Alex Blanchette, Yarimar Bonilla, Jessica Cattelino, MarÍa Elena GarcÍa, Akhil Gupta, Lochlann Jain, Purnima Mankekar, Joseph Masco, Michael Ralph, Danilyn Rutherford, Arjun Shankar, Kristen L. Simmons, Deborah A. Thomas, Leniqueca A. Welcome, Kaya Naomi Williams, Jessica Winegar

In an era of intensified information warfare, ranging from global disinformation campaigns to individual attention hacks, what are the compelling terms for political judgment? How are we to build the knowledge needed to recognize and address important forms of harm when critical information is either not to be trusted or kept hidden? Rather than approach conspiratorial narrative as an irrational response to an obviously decipherable reality, Conspiracy/Theory identifies important affinities between conspiracy theory and critical theory. It recognizes the motivation people have-in their capacities as experts, theorists, and ordinary citizens-to search for patterns in events, to uncover what is covert and attend to dimensions of life that might be hiding in plain sight. If it seems strange that so many find themselves living in incommensurable, disorienting realities, the multidisciplinary contributors to Conspiracy/Theory explore how and why that came to be. Across history and geography, contributors inquire into the affects and imaginaries of political mobilization, tracking counterrevolutionary projects while acknowledging collective futures that demand conspiratorial engagement.Contributors. Nadia Abu El-Haj, Hussein Ali Agrama, Kathleen Belew, Elizabeth Anne Davis, Joseph Dumit, Faith Hillis, Lochlann Jain, Demetra Kasimis, Susan Lepselter, Darryl Li, Louisa Lombard, Joseph Masco, Robert Meister, Timothy Melley, Rosalind C. Morris, George Shulman, Lisa Wedeen

In an era of intensified information warfare, ranging from global disinformation campaigns to individual attention hacks, what are the compelling terms for political judgment? How are we to build the knowledge needed to recognize and address important forms of harm when critical information is either not to be trusted or kept hidden? Rather than approach conspiratorial narrative as an irrational response to an obviously decipherable reality, Conspiracy/Theory identifies important affinities between conspiracy theory and critical theory. It recognizes the motivation people have-in their capacities as experts, theorists, and ordinary citizens-to search for patterns in events, to uncover what is covert and attend to dimensions of life that might be hiding in plain sight. If it seems strange that so many find themselves living in incommensurable, disorienting realities, the multidisciplinary contributors to Conspiracy/Theory explore how and why that came to be. Across history and geography, contributors inquire into the affects and imaginaries of political mobilization, tracking counterrevolutionary projects while acknowledging collective futures that demand conspiratorial engagement.Contributors. Nadia Abu El-Haj, Hussein Ali Agrama, Kathleen Belew, Elizabeth Anne Davis, Joseph Dumit, Faith Hillis, Lochlann Jain, Demetra Kasimis, Susan Lepselter, Darryl Li, Louisa Lombard, Joseph Masco, Robert Meister, Timothy Melley, Rosalind C. Morris, George Shulman, Lisa Wedeen

Fear of a Dead White Planet asks: how does one study when the planet is on fire? The More Worlds Collective challenges the contemporary rush to planetary technofixes for environmental emergency. Instead they track how such planetary science frames are enmeshed in the longstanding projects of white supremacy, settler colonialism, and epistemological violence. Calling for unlearning and joined-up study, the collective reclaims terraforming from off-earth engineering schemes to instead think through how our more modest efforts to study differently are also world-making and world-breaking. In orienting toward terra and formation, the collective commits to a place-based, non-universal study scaled at levels both intimate and massive. Through its serious but unruly methods, Fear of a Dead White Planet invites readers to recognize and conjure alternate worlds in and around the university.