This volume explores several recurring topics in Romance phonetics and phonology, with a special focus on the segment, syllable, word, and phrase levels of analysis. An international team of experts and junior researchers present research that ranges from the low-level mechanical processes involved in speech production and perception to high-level representation and computation, based on data from across the Romance language family, including from varieties that areless widely studied.The book is divided into five parts. In the first, chapters present acoustic studies, examining topics such as Italian anaphonesis and voiceless fricative sibilants in Galician, while chapters in part two turn to articulatory studies of features including three-consonant onsets in Romanian and rhotic variation in Tuscan Italian. The focus of the third part is perception, and includes studies of perceived phrasing in French and perceptual cues for individual voice quality, while part fourexamines phonological issues such as Galician mid-vowel reduction and sibilant voicing in Spanish. Chapters in the final part of the volume look at the effects of production and perception on issues in language acquisition. The book draws on a range of experimental and methodological approaches and will beof interest not only to scholars of Romance linguistics but also to all those working in phonetics and phonology from graduate level upwards.

This volume explores several recurring topics in Romance phonetics and phonology, with a special focus on the segment, syllable, word, and phrase levels of analysis. An international team of experts and junior researchers present research that ranges from the low-level mechanical processes involved in speech production and perception to high-level representation and computation, based on data from across the Romance language family, including from varieties that are less widely studied.The book is divided into five parts. In the first, chapters present acoustic studies, examining topics such as Italian anaphonesis and voiceless fricative sibilants in Galician, while chapters in part two turn to articulatory studies of features including three-consonant onsets in Romanian and rhotic variation in Tuscan Italian. The focus of the third part is perception, and includes studies of perceived phrasing in French and perceptual cues for individual voice quality, while part four examines phonological issues such as Galician mid-vowel reduction and sibilant voicing in Spanish. Chapters in the final part of the volume look at the effects of production and perception on issues in language acquisition. The book draws on a range of experimental and methodological approaches and will be of interest not only to scholars of Romance linguistics but also to all those working in phonetics and phonology from graduate level upwards.

The discovery of 'linguistic universals' - the properties that all languages have in common - is a fundamental goal of linguistic research. Linguists face the task of accounting for why languages, which apparently differ so greatly from one another on the surface, display striking similarities in their underlying structure. This volume brings together a team of leading experts to show how different linguistic theories have approached this challenge. Drawing on work from both formal and functional perspectives, it provides a comprehensive overview of the most notable work on linguistic universals - with chapters on syntax, semantics, phonology, morphology and typology - and explores a range of central issues, such as the relationship between linguistic universals and the language faculty, and what linguistic universals can tell us about our biological make-up and cognitive abilities. Clear and succinct, it will be invaluable to anyone seeking a greater understanding of the phenomenon that is human language.

This volume explores several recurring topics in Romance phonetics and phonology, with a special focus on the segment, syllable, word, and phrase levels of analysis. An international team of experts and junior researchers present research that ranges from the low-level mechanical processes involved in speech production and perception to high-level representation and computation, based on data from across the Romance language family, including from varieties that areless widely studied.The book is divided into five parts. In the first, chapters present acoustic studies, examining topics such as Italian anaphonesis and voiceless fricative sibilants in Galician, while chapters in part two turn to articulatory studies of features including three-consonant onsets in Romanian and rhotic variation in Tuscan Italian. The focus of the third part is perception, and includes studies of perceived phrasing in French and perceptual cues for individual voice quality, while part fourexamines phonological issues such as Galician mid-vowel reduction and sibilant voicing in Spanish. Chapters in the final part of the volume look at the effects of production and perception on issues in language acquisition. The book draws on a range of experimental and methodological approaches and will beof interest not only to scholars of Romance linguistics but also to all those working in phonetics and phonology from graduate level upwards.

This volume explores several recurring topics in Romance phonetics and phonology, with a special focus on the segment, syllable, word, and phrase levels of analysis. An international team of experts and junior researchers present research that ranges from the low-level mechanical processes involved in speech production and perception to high-level representation and computation, based on data from across the Romance language family, including from varieties that are less widely studied.The book is divided into five parts. In the first, chapters present acoustic studies, examining topics such as Italian anaphonesis and voiceless fricative sibilants in Galician, while chapters in part two turn to articulatory studies of features including three-consonant onsets in Romanian and rhotic variation in Tuscan Italian. The focus of the third part is perception, and includes studies of perceived phrasing in French and perceptual cues for individual voice quality, while part four examines phonological issues such as Galician mid-vowel reduction and sibilant voicing in Spanish. Chapters in the final part of the volume look at the effects of production and perception on issues in language acquisition. The book draws on a range of experimental and methodological approaches and will be of interest not only to scholars of Romance linguistics but also to all those working in phonetics and phonology from graduate level upwards.

The discovery of 'linguistic universals' - the properties that all languages have in common - is a fundamental goal of linguistic research. Linguists face the task of accounting for why languages, which apparently differ so greatly from one another on the surface, display striking similarities in their underlying structure. This volume brings together a team of leading experts to show how different linguistic theories have approached this challenge. Drawing on work from both formal and functional perspectives, it provides a comprehensive overview of the most notable work on linguistic universals - with chapters on syntax, semantics, phonology, morphology and typology - and explores a range of central issues, such as the relationship between linguistic universals and the language faculty, and what linguistic universals can tell us about our biological make-up and cognitive abilities. Clear and succinct, it will be invaluable to anyone seeking a greater understanding of the phenomenon that is human language.