Judith Harris – författare

C. G. Jung (1875-1961) was a preeminent thinker of the modern era. In seeking to establish an interdisciplinary science of analytical psychology, he studied psychiatry, religion, mysticism, literature, physics, biology, education, and criminology. He introduced the concepts of extraversion and introversion, and terms such as complex, archetype, individuation, and the collective unconscious. He stressed the primacy of finding meaning in our lives. The Quotable Jung is the single most comprehensive collection of Jung quotations ever assembled. It is the essential introduction for anyone new to Jung and the Jungian tradition. It will also inspire those familiar with Jung to view him in an entirely new way. The Quotable Jung presents hundreds of the most representative selections from the vast array of Jung's books, essays, correspondence, lectures, seminars, and interviews, as well as the celebrated Red Book, in which Jung describes his own fearsome confrontation with the unconscious.Organized thematically, this collection covers such topics as the psyche, the symbolic life, dreams, the analytic process, good and evil, creativity, alchemical transformation, death and rebirth, the problem of the opposites, and more. The quotations are arranged so that the reader can follow the thread of Jung's thought on these topics while gaining an invaluable perspective on his writings as a whole. Succinct and accessible, The Quotable Jung also features a preface by Judith Harris and a detailed chronology of Jung's life and work. * The single most comprehensive collection of Jung quotations ever assembled* Features hundreds of quotes* Covers such topics as the psyche, dreams, good and evil, death and rebirth, and more* Includes a detailed chronology of Jung's life and work* Serves as the ideal introduction to Jung and the Jungian tradition

The definitive one-volume collection of Jung quotationsC. G. Jung (1875–1961) was a preeminent thinker of the modern era. In seeking to establish an interdisciplinary science of analytical psychology, he studied psychiatry, religion, mysticism, literature, physics, biology, education, and criminology. He introduced the concepts of extraversion and introversion, and terms such as complex, archetype, individuation, and the collective unconscious. He stressed the primacy of finding meaning in our lives.The Quotable Jung is the single most comprehensive collection of Jung quotations ever assembled. It is the essential introduction for anyone new to Jung and the Jungian tradition. It will also inspire those familiar with Jung to view him in an entirely new way. The Quotable Jung presents hundreds of the most representative selections from the vast array of Jung's books, essays, correspondence, lectures, seminars, and interviews, as well as the celebrated Red Book, in which Jung describes his own fearsome confrontation with the unconscious. Organized thematically, this collection covers such topics as the psyche, the symbolic life, dreams, the analytic process, good and evil, creativity, alchemical transformation, death and rebirth, the problem of the opposites, and more. The quotations are arranged so that the reader can follow the thread of Jung’s thought on these topics while gaining an invaluable perspective on his writings as a whole.Succinct and accessible, The Quotable Jung also features a preface by Judith Harris and a detailed chronology of Jung’s life and work.The single most comprehensive collection of Jung quotations ever assembledFeatures hundreds of quotesCovers such topics as the psyche, dreams, good and evil, death and rebirth, and moreIncludes a detailed chronology of Jung’s life and workServes as the ideal introduction to Jung and the Jungian tradition

The definitive one-volume collection of Jung quotationsC. G. Jung (1875–1961) was a preeminent thinker of the modern era. In seeking to establish an interdisciplinary science of analytical psychology, he studied psychiatry, religion, mysticism, literature, physics, biology, education, and criminology. He introduced the concepts of extraversion and introversion, and terms such as complex, archetype, individuation, and the collective unconscious. He stressed the primacy of finding meaning in our lives.The Quotable Jung is the single most comprehensive collection of Jung quotations ever assembled. It is the essential introduction for anyone new to Jung and the Jungian tradition. It will also inspire those familiar with Jung to view him in an entirely new way. The Quotable Jung presents hundreds of the most representative selections from the vast array of Jung's books, essays, correspondence, lectures, seminars, and interviews, as well as the celebrated Red Book, in which Jung describes his own fearsome confrontation with the unconscious. Organized thematically, this collection covers such topics as the psyche, the symbolic life, dreams, the analytic process, good and evil, creativity, alchemical transformation, death and rebirth, the problem of the opposites, and more. The quotations are arranged so that the reader can follow the thread of Jung’s thought on these topics while gaining an invaluable perspective on his writings as a whole.Succinct and accessible, The Quotable Jung also features a preface by Judith Harris and a detailed chronology of Jung’s life and work.The single most comprehensive collection of Jung quotations ever assembledFeatures hundreds of quotesCovers such topics as the psyche, dreams, good and evil, death and rebirth, and moreIncludes a detailed chronology of Jung’s life and workServes as the ideal introduction to Jung and the Jungian tradition

Explores the therapeutic uses and effects of writing in a post-Freudian age.A deeply personal yet universal work, Signifying Pain applies the principles of therapeutic writing to such painful life experiences as mental illness, suicide, racism, domestic abuse, and even genocide. Probing deep into the bedrock of literary imagination, Judith Harris traces the odyssey of a diverse group of writers-John Keats, Derek Walcott, Jane Kenyon, Michael S. Harper, Robert Lowell, and Ai, as well as student writers-who have used their writing to work through and past such personal traumas. Drawing on her own experience as a poet and teacher, Harris shows how the process can be long and arduous, but that when exercised within the spirit of one's own personal compassion, the results can be limitless. Signifying Pain will be of interest not only to teachers of creative and therapeutic writing, but also to those with a critical interest in autobiographical or confessional writing more generally.

Explores the therapeutic uses and effects of writing in a post-Freudian age.A deeply personal yet universal work, Signifying Pain applies the principles of therapeutic writing to such painful life experiences as mental illness, suicide, racism, domestic abuse, and even genocide. Probing deep into the bedrock of literary imagination, Judith Harris traces the odyssey of a diverse group of writers-John Keats, Derek Walcott, Jane Kenyon, Michael S. Harper, Robert Lowell, and Ai, as well as student writers-who have used their writing to work through and past such personal traumas. Drawing on her own experience as a poet and teacher, Harris shows how the process can be long and arduous, but that when exercised within the spirit of one's own personal compassion, the results can be limitless. Signifying Pain will be of interest not only to teachers of creative and therapeutic writing, but also to those with a critical interest in autobiographical or confessional writing more generally.

The Bad Secret takes readers on a dark yet sometimes comic sojourn through the undercurrents of a life suddenly unmoored by grief, and then to the subsequent rise of the spirit to recovery. Tough-minded and intellectual, Judith Harris's poems are also distinguished by brilliant images close to metaphysical. They reflect on childhood, nature, mental and physical illness, the loss of a mother, and the levity of being simply human. In a voice entirely her own, Harris confronts life's secrets with their hidden meanings inspired by guilt and redemption, offering a music of tenderness and hope. ""I watch it gutter down, over the pine's edge, over the pink and orange sunset, diving into the abyss, with its wings perpendicular to the ravine. By now, I have broken off from the rest, pretending I'm an orphan -- my eyes fixed on the unseeable destruction of my ghost in that suicidal machine. ""Hush,"" I say, as if hatred was a sound, as if I could make the negative positive, but nature itself has given up on the picture of my happy family, and pretends not to look at the box with the rolled-up Kodak film tumbling over the ledge gathering more weight and velocity.""- My Father Throws His Camera Down the Grand Canyon, 1968

The Poetry of Loss: Romantic and Contemporary Elegies presents a renewed look at elegy as a long-standing tradition in the literature of loss, exploring recent shifts in the continuum of these memorial poems. This volume investigates the tensions arising in elegiac formulations of grief through detailed analyses of seminal poets, including Wordsworth, Keats, and Plath, using psychoanalytic precepts to reconceptualize consolation through poetic strategies of inner representation and what it might mean for personal and collective experiences of loss. Tracing the development of elegy beyond extant readings, this volume addresses contemporary constructs of mourning and their attendant polemics within the wider culture as extensions of elegiac longings and the tendency to refuse consolation and cede to the endlessness of grief. Furthermore, this book concludes that contemporary elegies break with conventions of poetic structure and expression; rather than the poets seeking resolution to grief through compensation, they often find themselves dwelling within the loss rather than externalizing and transcending it. The Poetry of Loss: Romantic and Contemporary Elegies examines these developing psychoanalytic concepts pertaining to a poetics of loss, providing readers with a new appreciation of mourning culture and contemporary attitudes towards grief.

The Poetry of Loss: Romantic and Contemporary Elegies presents a renewed look at elegy as a long-standing tradition in the literature of loss, exploring recent shifts in the continuum of these memorial poems. This volume investigates the tensions arising in elegiac formulations of grief through detailed analyses of seminal poets, including Wordsworth, Keats, and Plath, using psychoanalytic precepts to reconceptualize consolation through poetic strategies of inner representation and what it might mean for personal and collective experiences of loss. Tracing the development of elegy beyond extant readings, this volume addresses contemporary constructs of mourning and their attendant polemics within the wider culture as extensions of elegiac longings and the tendency to refuse consolation and cede to the endlessness of grief. Furthermore, this book concludes that contemporary elegies break with conventions of poetic structure and expression; rather than the poets seeking resolution to grief through compensation, they often find themselves dwelling within the loss rather than externalizing and transcending it. The Poetry of Loss: Romantic and Contemporary Elegies examines these developing psychoanalytic concepts pertaining to a poetics of loss, providing readers with a new appreciation of mourning culture and contemporary attitudes towards grief.

The rediscovery of the Roman cities overwhelmed by the rage of Vesuvius is one of history's most extraordinary adventure stories. Pompeii Awakened revels in that adventure, and tells of the re-emergence of a long-vanished cosmopolis which profoundly inspired a later age - from its arts and architecture to its science, sex and religion. When Herculaneum, Pompeii' s sister in disaster, was located in 1709, that first discovery launched a frenzied scramble for buried treasure. Then in 1755 Pompeii too rose from its crust of volcanic rock, and the science of archaeology was born. Whereas Herculaneum had artistic, political and philosophical impact, the later discoveries at Pompeii spoke rather of domesticity - of cuisine and household architecture, tools, gardens and religion. To this day it is the only site to show what daily life was like in antiquity. However, the full story of Pompeii consists not just in its uniquely preserved classical villas and votives, but in the powerful response it evoked in the European cultural imagination. Here are the English, whose wealth, wet weather and classical education fostered a passion for Naples and its rediscovered cities.We read of Sir William Hamilton discussing priapic cults with his near neighbour, the dilettante Richard Payne Knight, and of how the famous love affair of Emma Hamilton and Admiral Nelson saved the Heculaneum papyri from the French. Here too are the hosts who arrived from across Europe, and then from America - engineers and artists, dreamers and poets, photographers and cinematographers, whose reconstructions and remembrances of Pompeii have never ceased to resonate. Judith Harris brings the doomed city vibrantly to life. Pompeii breathes again through her account of the diverse people who sifted through its remains to catch a glimpse of themselves in the past. From the poetic souls who found a majestic melancholy in Pompeii's shatttered walls , to the tub-thumping Victorian preachers who denounced the city as akin to Sodom and Gomorrah, Pompeii Awakened uncovers many fascinating stories - of sex, science, love and death. The author has spoken to experts on three continents, flown over Pompeii in a hot-air balloon, delved into ancient diaries and descended deep underground to assess the latest discoveries of a lost world .As the sleeping city re-awakens in her hands, Pompeii casts its spell once more, bewitching those who seek to unearth its buried secrets.