Julia Hillner – författare

In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena's story through her life's peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena's life course and in her commemoration--disruptions that were created by her nearest male relatives. Hillner shows that Helena's story was not just determined by the love of a son or the rise of Christianity. It was also--like that of many other late Roman women--defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.

In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena's story through her life's peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena's life course and in her commemoration--disruptions that were created by her nearest male relatives. Hillner shows that Helena's story was not just determined by the love of a son or the rise of Christianity. It was also--like that of many other late Roman women--defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.

In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena''s story through her life''s peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena''s life course and in her commemoration--disruptions that were created by her nearest male relatives. Hillner shows that Helena''s story was not just determined by the love of a son or the rise of Christianity. It was also--like that of many other late Roman women--defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.

In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena''s story through her life''s peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena''s life course and in her commemoration--disruptions that were created by her nearest male relatives. Hillner shows that Helena''s story was not just determined by the love of a son or the rise of Christianity. It was also--like that of many other late Roman women--defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.

Traces the central role played by aristocratic patronage in the transformation of the city of Rome at the end of antiquity. It moves away from privileging the administrative and institutional developments related to the rise of papal authority as the paramount theme in the city's post-classical history. Instead the focus shifts to the networks of reciprocity between patrons and their dependents. Using material culture and social theory to challenge traditional readings of the textual sources, the volume undermines the teleological picture of ecclesiastical sources such as the Liber Pontificalis, and presents the lay, clerical, and ascetic populations of the city of Rome at the end of antiquity as interacting in a fluid environment of alliance-building and status negotiation. By focusing on the city whose aristocracy is the best documented of any ancient population, the volume makes an important contribution to understanding the role played by elites across the end of antiquity.

This book traces the long-term genesis of the sixth-century Roman legal penalty of forced monastic penance. The late antique evidence on this penal institution runs counter to a scholarly consensus that Roman legal principle did not acknowledge the use of corrective punitive confinement. Dr Hillner argues that forced monastic penance was a product of a late Roman penal landscape that was more complex than previous models of Roman punishment have allowed. She focuses on invigoration of classical normative discourses around punishment as education through Christian concepts of penance, on social uses of corrective confinement that can be found in a vast range of public and private scenarios and spaces, as well as on a literary Christian tradition that gave the experience of punitive imprisonment a new meaning. The book makes an important contribution to recent debates about the interplay between penal strategies and penal practices in the late Roman world.

Traces the central role played by aristocratic patronage in the transformation of the city of Rome at the end of antiquity. It moves away from privileging the administrative and institutional developments related to the rise of papal authority as the paramount theme in the city's post-classical history. Instead the focus shifts to the networks of reciprocity between patrons and their dependents. Using material culture and social theory to challenge traditional readings of the textual sources, the volume undermines the teleological picture of ecclesiastical sources such as the Liber Pontificalis, and presents the lay, clerical, and ascetic populations of the city of Rome at the end of antiquity as interacting in a fluid environment of alliance-building and status negotiation. By focusing on the city whose aristocracy is the best documented of any ancient population, the volume makes an important contribution to understanding the role played by elites across the end of antiquity.

This book traces the long-term genesis of the sixth-century Roman legal penalty of forced monastic penance. The late antique evidence on this penal institution runs counter to a scholarly consensus that Roman legal principle did not acknowledge the use of corrective punitive confinement. Dr Hillner argues that forced monastic penance was a product of a late Roman penal landscape that was more complex than previous models of Roman punishment have allowed. She focuses on invigoration of classical normative discourses around punishment as education through Christian concepts of penance, on social uses of corrective confinement that can be found in a vast range of public and private scenarios and spaces, as well as on a literary Christian tradition that gave the experience of punitive imprisonment a new meaning. The book makes an important contribution to recent debates about the interplay between penal strategies and penal practices in the late Roman world.