Julian Thomas – författare

The Neolithic in Britain was a period of fundamental change: human communities were transformed, collectively owning domesticated plants and animals, and inhabiting a richer world of material things: timber houses and halls, pottery vessels, polished flint and stone axes, and massive monuments of earth and stone. Equally important was the development of a suite of new social practices, and an emphasis on descent, continuity and inheritance. These innovations set in train social processes that culminated with the construction of Stonehenge, the most remarkable surviving structure from prehistoric Europe.Neolithic Britain provides an up to date, concise introduction to the period of British prehistory from c. 4000-2200 BCE. Written on the basis of a new appreciation of the chronology of the period, the result reflects both on the way that archaeologists write narratives of the Neolithic, and how Neolithic people constructed histories of their own. Incorporating new insights from the extraordinary pace of archaeological discoveries in recent years, a world emerges which is unfamiliar, complex and challenging, and yet played a decisive role in forging the landscape of contemporary Britain.Important recent developments have resulted in a dual realisation: firstly, highly focused research into individual site chronologies can indicate precise and particular time narratives; and secondly, this new awareness of time implies original insights about the fabric of Neolithic society, embracing matters of inheritance, kinship and social ties, and the 'descent' of cultural practices.Moreover, our understanding of Neolithic society has been radically affected by individual discoveries and investigative projects, whether in the Stonehenge area, on mainland Orkney, or in less well-known localities across the British Isles. The new perspective provided in this volume stems from a greater awareness of the ways in which unfolding events and transformations in societies depend upon the changing relations between individuals and groups, mediated by objects and architecture.This concise panorama into Neolithic Britain offers new conclusions and an academically-stimulating but accessible overview. It covers key material and social developments, and reflects on the nature of cultural practices, tradition, genealogy, and society across nearly two millennia.

The Neolithic in Britain was a period of fundamental change: human communities were transformed, collectively owning domesticated plants and animals, and inhabiting a richer world of material things: timber houses and halls, pottery vessels, polished flint and stone axes, and massive monuments of earth and stone. Equally important was the development of a suite of new social practices, with an emphasis on descent, continuity and inheritance. These innovations set in train social processes that culminated with the construction of Stonehenge, the most remarkable surviving structure from prehistoric Europe. Neolithic Britain provides an up-to-date, concise introduction to the period of British prehistory from c. 4000-2200 BCE. Written on the basis of a new appreciation of the chronology of the period, the result reflects both on the way that archaeologists write narratives of the Neolithic, and how Neolithic people constructed histories of their own. Incorporating new insights from the extraordinary pace of archaeological discoveries in recent years, a world emerges which is unfamiliar, complex and challenging, and yet played a decisive role in forging the landscape of contemporary Britain. Important recent developments have resulted in a dual realisation: firstly, highly focused research into individual site chronologies can indicate precise and particular time narratives; and secondly, this new awareness of time implies original insights about the fabric of Neolithic society, embracing matters of inheritance, kinship and social ties, and the 'descent' of cultural practices. Moreover, our understanding of Neolithic society has been radically affected by individual discoveries and investigative projects, whether in the Stonehenge area, on mainland Orkney, or in less well-known localities across the British Isles. The new perspective provided in this volume stems from a greater awareness of the ways in which unfolding events and transformations in societies depend upon the changing relations between individuals and groups, mediated by objects and architecture. This concise panorama into Neolithic Britain offers new conclusions and an academically-stimulating but accessible overview. It covers key material and social developments, and reflects on the nature of cultural practices, tradition, genealogy, and society across nearly two millennia.

The beginning of the Neolithic in Britain is a topic of perennial interest in archaeology, marking the end of a hunter-gatherer way of life with the introduction of domesticated plants and animals, pottery, polished stone tools, and a range of new kinds of monuments, including earthen long barrows and megalithic tombs. Every year, numerous new articles are published on different aspects of the topic, ranging from diet and subsistence economy to population movement, architecture, and seafaring. Thomas offers a treatment that synthesizes all of this material, presenting a coherent argument to explain the process of transition between the Mesolithic-Neolithic periods. Necessarily, the developments in Britain are put into the context of broader debates about the origins of agriculture in Europe, and the diversity of processes of change in different parts of the continent are explored. These are followed by a historiographic treatment of debates on the transition in Britain. Chapters cover the Mesolithic background, processes of contact and interaction, monumental architecture and timber halls, portable artefacts, and plants and animals. The concluding argument is that developments in the economy and material culture must be understood as being related to fundamental social transformations.

Time, Culture and Identity questions the modern western distinctions between:* nature and culture* mind and body* object and subject.Drawing on the philosophy of Martin Heidegger, Julian Thomas develops a way of writing about the past in which time is seen as central to the emergence of the identities of people and objects.

This book employs contemporary theoretical perspectives to investigate the Neolithic period in southern britain. It is a fully reworked edition of the author's Rethinking the Neolithic (1991).

This book employs contemporary theoretical perspectives to investigate the Neolithic period in southern britain. It is a fully reworked edition of the author's Rethinking the Neolithic (1991).

This is the first book-length study to explore the relationship between archaeology and modern thought, showing how philosophical ideas that developed in the seventeenth to nineteenth centuries still dominate our approach to the material remains of ancient societies. Addressing current debates from a new viewpoint, Archaeology and Modernity discusses the modern emphasis on method rather than ethics or meaning, our understanding of change in history and nature, the role of the nation-state in forming our views of the past, and contemporary notions of human individuality, the mind, and materiality.

This is the first book-length study to explore the relationship between archaeology and modern thought, showing how philosophical ideas that developed in the seventeenth to nineteenth centuries still dominate our approach to the material remains of ancient societies. Addressing current debates from a new viewpoint, Archaeology and Modernity discusses the modern emphasis on method rather than ethics or meaning, our understanding of change in history and nature, the role of the nation-state in forming our views of the past, and contemporary notions of human individuality, the mind, and materiality.

The rise of Web 2.0 has pushed the amateur to the forefront of public discourse, public policy and media scholarship. Typically non-salaried, non-specialist and untrained in media production, amateur producers are now seen as key drivers of the creative economy. But how do the activities of citizen journalists, fan fiction writers and bedroom musicians connect with longer traditions of extra-institutional media production? This edited collection provides a much-needed interdisciplinary contextualisation of amateur media before and after Web 2.0. Surveying the institutional, economic and legal construction of the amateur media producer via a series of case studies, it features contributions from experts in the fields of law, economics and media studies based in the UK, Europe and Singapore. Each section of the book contains a detailed case study on a selected topic, followed by two further pieces providing additional analysis and commentary. Using an extraordinary array of case studies and examples, from YouTube to online games, from subtitling communities to reality TV, the book is neither a celebration of amateur production nor a denunciation of the demise of professional media industries. Rather, this book presents a critical dialogue across law and the humanities, exploring the dynamic tensions and interdependencies between amateur and professional creative production. This book will appeal to both academics and students of intellectual property and media law, as well as to scholars and students of economics, media, cultural and internet studies.

The rise of Web 2.0 has pushed the amateur to the forefront of public discourse, public policy and media scholarship. Typically non-salaried, non-specialist and untrained in media production, amateur producers are now seen as key drivers of the creative economy. But how do the activities of citizen journalists, fan fiction writers and bedroom musicians connect with longer traditions of extra-institutional media production? This edited collection provides a much-needed interdisciplinary contextualisation of amateur media before and after Web 2.0. Surveying the institutional, economic and legal construction of the amateur media producer via a series of case studies, it features contributions from experts in the fields of law, economics and media studies based in the UK, Europe and Singapore. Each section of the book contains a detailed case study on a selected topic, followed by two further pieces providing additional analysis and commentary. Using an extraordinary array of case studies and examples, from YouTube to online games, from subtitling communities to reality TV, the book is neither a celebration of amateur production nor a denunciation of the demise of professional media industries. Rather, this book presents a critical dialogue across law and the humanities, exploring the dynamic tensions and interdependencies between amateur and professional creative production. This book will appeal to both academics and students of intellectual property and media law, as well as to scholars and students of economics, media, cultural and internet studies.

Vigorous public debate about intellectual property has a long history. In this assessment of the shifting relationships between the law and the economic, social and cultural sources of creativity and innovation during the long-nineteenth century, Megan Richardson and Julian Thomas examine the 'fashioning' of the law by focusing on emblematic cases, key legislative changes and broader debates. Along the way, the authors highlight how, in 'the age of journalism', the press shaped, and was shaped by, the idea of intellectual property as a protective crucible for improvements in knowledge and progress in the arts and sciences. The engagement in our own time between intellectual property and the creative industries remains volatile and unsettled. As the authors conclude, the fresh opportunities for artistic diversity, expression and communication offered by new media could see the place of intellectual property in the scheme of law being reinvented once again.

How are “grey market” imports changing media industries? What is the role of piracy in developing new markets for movies and TV shows? How do jailbroken iPhones drive innovation?  The Informal Media Economy provides a vivid, original, and genuinely transnational account of contemporary media, by showing how the interactions between formal and informal media systems are a feature of all nations – rich and poor, large and small.  Shifting the focus away from the formal businesses and public enterprises that have long occupied media researchers, this book charts a parallel world of cultural intermediaries driving global media production and circulation. It shows how unlicensed, untaxed, or unregulated networks, which operate across the boundaries of established media markets, have been a driving force of media industry transformation. The book opens up new insights on a range of topical issues in media studies, from the creative disruptions of digitisation to amateur production, piracy and cybercrime.

How are “grey market” imports changing media industries? What is the role of piracy in developing new markets for movies and TV shows? How do jailbroken iPhones drive innovation?  The Informal Media Economy provides a vivid, original, and genuinely transnational account of contemporary media, by showing how the interactions between formal and informal media systems are a feature of all nations – rich and poor, large and small.  Shifting the focus away from the formal businesses and public enterprises that have long occupied media researchers, this book charts a parallel world of cultural intermediaries driving global media production and circulation. It shows how unlicensed, untaxed, or unregulated networks, which operate across the boundaries of established media markets, have been a driving force of media industry transformation. The book opens up new insights on a range of topical issues in media studies, from the creative disruptions of digitisation to amateur production, piracy and cybercrime.

From café culture to home schooling, remote community networks, and smart cities, Wi-Fi is an invisible but fundamental element of contemporary life. Loosely regulated, low-cost, and largely overlooked by researchers, this technology has driven the rise of the smartphone and broadband internet, and is a vital element in the next wave of automation.Thomas, Wilken, and Rennie provide the first comprehensive account of the social and cultural consequences of Wi-Fi, highlighting the ways in which it has changed our homes, communities, and cities. They discuss its origins as an experimental technology, the conflicts generated around its ownership and control, and the ideas and expectations attached to it by technologists, activists, and entrepreneurs. The authors reveal the ways in which Wi-Fi is an inherently social and political technology, animated by conflicting aspirations for local, public, and community control, and defined by private and corporate interests. As this book shows, Wi-Fi has extended and intensified our online lives while also promising a more inclusive internet.Wi-Fi is essential reading for students and scholars of media and communication, as well as anyone who wants a better understanding of this ubiquitous and influential technology.

From café culture to home schooling, remote community networks, and smart cities, Wi-Fi is an invisible but fundamental element of contemporary life. Loosely regulated, low-cost, and largely overlooked by researchers, this technology has driven the rise of the smartphone and broadband internet, and is a vital element in the next wave of automation.Thomas, Wilken, and Rennie provide the first comprehensive account of the social and cultural consequences of Wi-Fi, highlighting the ways in which it has changed our homes, communities, and cities. They discuss its origins as an experimental technology, the conflicts generated around its ownership and control, and the ideas and expectations attached to it by technologists, activists, and entrepreneurs. The authors reveal the ways in which Wi-Fi is an inherently social and political technology, animated by conflicting aspirations for local, public, and community control, and defined by private and corporate interests. As this book shows, Wi-Fi has extended and intensified our online lives while also promising a more inclusive internet.Wi-Fi is essential reading for students and scholars of media and communication, as well as anyone who wants a better understanding of this ubiquitous and influential technology.

Search engines, paywalls, bots, targeted ads: we already share our media worlds with machines — and with the rise of generative AI, new ones are coming.Automating Media is an accessible, incisive guide to the new wave of automation transforming contemporary culture and communication. Drawing on extensive research, the book sheds new light on the key technologies, infrastructures, industry convulsions and cultural innovations driving media automation. The authors pinpoint where automation is happening, introduce the organisations making it happen, and critically assess debates over its consequences. They outline the implications of automation for knowledge practices, entertainment, and culture, and highlight its potential impact on other spheres.Filled with instructive contemporary and historical examples, Automating Media shows how current developments see the return of questions and conflicts provoked by earlier moments of technological change, while also presenting new challenges that will unfold over the coming decades. It is enlightening reading for advanced students and scholars of Media and Communication Studies, Internet Studies, and industry practitioners.

Search engines, paywalls, bots, targeted ads: we already share our media worlds with machines — and with the rise of generative AI, new ones are coming.Automating Media is an accessible, incisive guide to the new wave of automation transforming contemporary culture and communication. Drawing on extensive research, the book sheds new light on the key technologies, infrastructures, industry convulsions and cultural innovations driving media automation. The authors pinpoint where automation is happening, introduce the organisations making it happen, and critically assess debates over its consequences. They outline the implications of automation for knowledge practices, entertainment, and culture, and highlight its potential impact on other spheres.Filled with instructive contemporary and historical examples, Automating Media shows how current developments see the return of questions and conflicts provoked by earlier moments of technological change, while also presenting new challenges that will unfold over the coming decades. It is enlightening reading for advanced students and scholars of Media and Communication Studies, Internet Studies, and industry practitioners.

Debates about the digital media economy are at the heart of media and communication studies. An increasingly digitalised and datafied media environment has implications for every aspect of the field, from ownership and production, to distribution and consumption.

The SAGE Handbook of the Digital Media Economy offers students, researchers and policy-makers a multidisciplinary overview of contemporary scholarship relating to the intersection of the digital economy and the media, cultural, and creative industries. It provides an overview of the major areas of debate, and conceptual and methodological frameworks, through chapters written by leading scholars from a range of disciplinary perspective.

PART 1: Key Concepts

PART 2: Methodological Approaches

PART 3: Media Industries of the Digital Economy

PART 4: Geographies of the Digital Economy

PART 5: Law, Governance and Policy

Over the past three decades, “landscape” has become an umbrella term to describe many different strands of archaeology. From the processualist study of settlement patterns to the phenomenologist’s experience of the natural world, from human impact on past environments to the environment’s impact on human thought, action, and interaction, the term has been used. In this volume, for the first time, over 80 archaeologists from three continents attempt a comprehensive definition of the ideas and practices of landscape archaeology, covering the theoretical and the practical, the research and conservation, and encasing the term in a global framework. As a basic reference volume for landscape archaeology, this volume will be the benchmark for decades to come. All royalties on this Handbook are donated to the World Archaeological Congress.

Over the past three decades, “landscape” has become an umbrella term to describe many different strands of archaeology. From the processualist study of settlement patterns to the phenomenologist’s experience of the natural world, from human impact on past environments to the environment’s impact on human thought, action, and interaction, the term has been used. In this volume, for the first time, over 80 archaeologists from three continents attempt a comprehensive definition of the ideas and practices of landscape archaeology, covering the theoretical and the practical, the research and conservation, and encasing the term in a global framework. As a basic reference volume for landscape archaeology, this volume will be the benchmark for decades to come. All royalties on this Handbook are donated to the World Archaeological Congress.

For many centuries, scholars and enthusiasts have been fascinated by Stonehenge, the world’s most famous stone circle. In 2003 a team of archaeologists commenced a long-term fieldwork project for the first time in decades. The Stonehenge Riverside Project (2003-2009) aimed to investigate the purpose of this unique prehistoric monument by considering it within its wider archaeological context.This is the second of four volumes which present the results of that campaign. It includes studies of the lithics from excavations, both from topsoil sampling and from excavated features, as well as of the petrography of the famous bluestones, as identified from chippings recovered during excavations. Other specialist syntheses are those of the land mollusca. The volume provides an overview of Stonehenge in its landscape over millennia from before the monument was built to the last of its five constructional stages. It concludes with a chapter placing Stonehenge in its full context within Britain and western Europe during the third millennium BC.With contributions by:Umberto Albarella, Michael Allen, Richard Bevins, Benjamin Chan, Robert Ixer, Claudia Minniti, Doug Mitcham and Sarah Viner-Daniels