Juliana Dresvina – författare

This is the first comprehensive interdisciplinary study of the cult of St Margaret of Antioch in medieval England. Margaret was one of the most famous female saints of both the Catholic world and of Eastern Christianity (where she was known as St Marina). Her legend is remembered for her confrontation with a dragon-shaped devil, who allegedly swallowed Margaret and then burst asunder. This episode became firmly established in iconography, making her one of the most frequently represented saints. Margaret was supposedly martyred in the late 3rd century, but apart from the historically problematic legend there is no evidence concerning her in other contemporary sources. The sudden appearance of her name in liturgical manuscripts in the late 8th century is connected with the dispersal of her relics at that time. The cult grew in England from Anglo-Saxon times, with over 200 churches dedicated to Margaret (second only to Mary among female saints), and hundreds of images and copies of her life known to have been made.The book examines Greek, Latin, Old English, Middle English and Anglo-Norman versions of Margaret's live, their mouvance and cultural context, providing editions of the hitherto unpublished texts. By considering these versions, the iconographic evidence, their patronage and audience, the monograph traces the changes of St Margaret's story through the eight centuries before the Reformation. The book also considers the further trajectory of the legend as reflected in popular fairy-tales and contemporary cultural stereotypes. Special attention is given to the interpretation of St Margaret's demonic encounter, central to the legend's iconography and theology.

This collection uncovers the wives, daughters, mothers, companions and female assistants who laboured in the shadows of famous men. Revealing the reality of uncredited female contributions throughout history, this book highlights the work of neglected and forgotten women associated with celebrated male writers, scholars, activists and politicians.As the #ThanksforTyping movement has shown, anonymous women working to support the work of their male relations and colleagues has been, and often still is, a universal phenomenon. These essays show just how long intelligent and determined women have been sidelined, ignored or forgotten throughout history. From a well-connected Roman matrician to the mother of the poet Philip Larkin, these women have their voices returned to them in twenty engaging chapters. Spanning ancient times to the modern day, they return agency to women who occupied crucial roles behind the scenes, but were always restricted to the supporting role they were obliged to play.The universal importance of these women take on new meaning in our modern era where women’s voices are becoming ever-louder and increasingly recognised - including through such a movement as #ThanksforTyping.

This collection uncovers the wives, daughters, mothers, companions and female assistants who laboured in the shadows of famous men. Revealing the reality of uncredited female contributions throughout history, this book highlights the work of neglected and forgotten women associated with celebrated male writers, scholars, activists and politicians.As the #ThanksforTyping movement has shown, anonymous women working to support the work of their male relations and colleagues has been, and often still is, a universal phenomenon. These essays show just how long intelligent and determined women have been sidelined, ignored or forgotten throughout history. From a well-connected Roman matrician to the mother of the poet Philip Larkin, these women have their voices returned to them in twenty engaging chapters. Spanning ancient times to the modern day, they return agency to women who occupied crucial roles behind the scenes, but were always restricted to the supporting role they were obliged to play.The universal importance of these women take on new meaning in our modern era where women’s voices are becoming ever-louder and increasingly recognised - including through such a movement as #ThanksforTyping.

With the rapid development of the cognitive sciences and their importance to how we contemplate questions about the mind and society, recent research in the humanities has been characterised by a 'cognitive turn'. For their part, the humanities play an important role in forming popular ideas of the human mind and in analysing the way cognitive, psychological and emotional phenomena are experienced in time and space. This collection aims to inspire medievalists and other scholars within the humanities to engage with the tools and investigative methodologies deriving from cognitive sciences. Contributors explore topics including medieval and modern philosophy of mind, the psychology of religion, the history of psychological medicine and the re-emergence of the body in cognition. What is the value of mapping how neurons fire when engaging with literature and art? How can we understand psychological stress as a historically specific phenomenon? What can medieval mystics teach us about contemplation and cognition?

This book brings together the disciplines of history and psychology. It is the first study to apply attachment theory to self-narratives of the past, namely examples of life-writing (letters and proto-autobiographies) from medieval England, written in broad religious contexts. It examines whether God could appear as an adequate attachment figure in times of high mortality and often inadequate childrearing practices, and whether the emphasis on God’s proximity to believers benefited their psychological reorganisation. The main method of enquiry is discourse analysis based on the Adult Attachment Interview (AAI) coding.