Victoria Blud - Böcker

With the rapid development of the cognitive sciences and their importance to how we contemplate questions about the mind and society, recent research in the humanities has been characterised by a 'cognitive turn'. For their part, the humanities play an important role in forming popular ideas of the human mind and in analysing the way cognitive, psychological and emotional phenomena are experienced in time and space. This collection aims to inspire medievalists and other scholars within the humanities to engage with the tools and investigative methodologies deriving from cognitive sciences. Contributors explore topics including medieval and modern philosophy of mind, the psychology of religion, the history of psychological medicine and the re-emergence of the body in cognition. What is the value of mapping how neurons fire when engaging with literature and art? How can we understand psychological stress as a historically specific phenomenon? What can medieval mystics teach us about contemplation and cognition?

An investigation of the motif of the unspeakable as manifested in a wide range of medieval texts, from the Exeter Book to Chaucer.Amid saints and sinners, open secrets and queer codes, the mechanisms of confession and the infliction of torture, what is unspeakable in the Middle Ages - and who decides? Aspiring to the ineffable glories of heaven or plunging down to the murky depths of "unmentionable sin", this very functional concept becomes attached to the very good and the very bad in medieval literature and culture.This book investigates the concept and use of the trope of unspeakability from pre-Conquest to late medieval literature in England, and the relationship between that which cannot be said and cultural and social understandings of gender and sexuality. The question of how the unspeakable returns to the realm of discourse drives the exploration of texts, including the Exeter Book, Old English hagiography, Ancrene Wisse, Old French romance, Gower's Confessio Amantis and Chaucer's Canterbury Tales and Legend of Good Women. Theorising the work this concept performs, asking who the unspeakable works for and who it works on, this study takes in the compulsive confessions of penitent whores and anchorites, the tales of could-be sodomites and crypto-lesbians, the howls of wolf-men (and wolf-women), and the rebellion and rhetoric of the tongueless. These texts show how in representations of gender and sexuality in medieval literature, the unspeakablechallenges the voiceless to overcome silence, showing the limits of language, the workings of power and the desire to be heard.Victoria Blud gained her PhD from King's College London and is currently a Research Associate at the Centre for Medieval Studies, University of York.