Juliette Wells – författare

Written during Jane Austen's race against failing health, Persuasion tells the story of Anne Elliot, a woman who - at twenty-seven - is no longer young and has few romantic prospects. Eight years ago, she was persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. When Anne and Frederick meet again, he has acquired both, but still feels the sting of her rejection. A brilliant satire of vanity and pretension, Austen's last completed novel is also a movingly told love story tinged with the heartache of missed opportunities.

Shy and penniless Fanny Price is brought up on her uncle Sir Thomas Bertram’s estate, Mansfield Park, as an act of charity. Sir Thomas also owns land—and benefits from the labour of enslaved people—in the Caribbean colony of Antigua. Fanny is miserable until her kind cousin Edmund Bertram takes her under his wing. Having secretly fallen in love with him, Fanny suffers severely when his head is turned by the captivating Mary Crawford. Fanny’s quiet fortitude makes Mansfield Park one of Austen’s most psychologically astute novels.Edited with an Introduction by Juliette Wells.

This Penguin Classics Deluxe Edition celebrates 200 years of Austen's beloved novel. With a beautiful cover designed by illustrator Dadu Shin and comprehensive notes sourced from the Jane Austen Collection, this is an edition to be treasured by students and collectors alike. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work. Beautiful, clever, rich-and single-Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protégée Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontës' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.

With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen''s most flawless work. Now, with the BBC''s superior adaptation, this captivating story is sure to win the hearts of countless new fans. Beautiful, smart, rich-and single-Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegée, Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontës' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.

Jane Austen’s last completed novel, Persuasion is a delightful social satire of England’s landed gentry and a moving tale of lovers separated by class distinctions. After years apart, unmarried Anne Elliot, the heroine Jane Austen called “almost too good for me,” encounters the dashing naval officer others persuaded her to reject, as he now courts the rash and younger Louisa Musgrove. Superbly drawn, these characters and those of Anne’s prideful father, Sir Walter, the scheming Mrs. Clay, and the duplicitous William Elliot, heir to Kellynch Hall, become luminously alive—so much so that the poet Tennyson, visiting historic Lyme Regis, where a pivotal scene occurs, exclaimed: “Don’t talk to me of the Duke of Monmouth. Show me the exact spot where Louisa Musgrove fell!”Tender, almost grave, Persuasion offers a glimpse into Jane Austen’s own heart while it magnificently displays the full maturity of her literary power.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen’s novels originated and developed in America, and how American readers contributed to the rise of Austen’s international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America—the 1816 Philadelphia Emma—came to be. She reveals the responses of this book’s varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen’s family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen’s novels originated and developed in America, and how American readers contributed to the rise of Austen’s international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America—the 1816 Philadelphia Emma—came to be. She reveals the responses of this book’s varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen’s family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen''s novels originated and developed in America, and how American readers contributed to the rise of Austen''s international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book''s varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen''s family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen''s novels originated and developed in America, and how American readers contributed to the rise of Austen''s international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book''s varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen''s family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.

Completing Juliette Wells’ groundbreaking trio of books on Austen’s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world’s greatest novelist. Wells shows that Austen’s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia.Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen’s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy.Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

Completing Juliette Wells’ groundbreaking trio of books on Austen’s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world’s greatest novelist. Wells shows that Austen’s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia.Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen’s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy.Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

Completing Juliette Wells'' groundbreaking trio of books on Austen''s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world''s greatest novelist. Wells shows that Austen''s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia.Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen''s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy.Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

Completing Juliette Wells'' groundbreaking trio of books on Austen''s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world''s greatest novelist. Wells shows that Austen''s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia.Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen''s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy.Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings'' lives and literature. This interdisciplinary collection presents new research on the Brontës'' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings'' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës'' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.

Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings'' lives and literature. This interdisciplinary collection presents new research on the Brontës'' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings'' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës'' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.

The first bookto investigate Jane Austen''s popular significance today, Everybody''s Jane considers why Austen matters to amateur readers, how they make use of hernovels, what they gain from visiting places associated with her, and why theycreate works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge fromboth published and unpublished sources, including interviews conducted with literary tourists and archival research into thefounding of the Jane Austen Society of North America and the exceptional Austencollection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austenportraits; portrayals of Austen, and of Austen fans, in film and fiction; andhybrid works that infuse Austen''s writings with horror, erotica, or explicitChristianity.Everybody''s Jane will appeal to all those who care about Austen and will change how we think about theimportance of literature and reading today.

The first bookto investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of hernovels, what they gain from visiting places associated with her, and why theycreate works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge fromboth published and unpublished sources, including interviews conducted with literary tourists and archival research into thefounding of the Jane Austen Society of North America and the exceptional Austencollection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austenportraits; portrayals of Austen, and of Austen fans, in film and fiction; andhybrid works that infuse Austen's writings with horror, erotica, or explicitChristianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about theimportance of literature and reading today.

The first book to investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life. The voices of everyday readers emerge from both published and unpublished sources, including interviews conducted with literary tourists and archival research into the founding of the Jane Austen Society of North America and the exceptional Austen collection of Alberta Hirshheimer Burke of Baltimore. Additional topics include new Austen portraits; portrayals of Austen, and of Austen fans, in film and fiction; and hybrid works that infuse Austen's writings with horror, erotica, or explicit Christianity. Everybody's Jane will appeal to all those who care about Austen and will change how we think about the importance of literature and reading today.

This title explores the afterlives of Jane Austen's work in literature, film and popular culture. The plethora of Jane-Austen-related fiction and nonfiction - sequels, mysteries, dating guides, invented biographies, and more - that has appeared within the last decade attests to her readers' enthusiasm for re-envisioning her characters as well as herself. "Everybody's Jane" is the first study to investigate fully these popular appropriations of Austen in England and America, taking into account recent scholarly work on fan cultures and fan fiction. Like these Austen-inspired works themselves, this book stands at the crossroads between studies of popular culture and literary studies; it also offers a major contribution to the ongoing public discussion about the significance and relevance of Jane Austen today.