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As its title announces, this book collects two interviews with the American poet Edward Dorn (1929-99). 'The Peak Interview' (1971) was published in a Vancouver student newspaper and contains contributions from Ralph Maud and J.H. Prynne, among others. Following it is a selection of four texts from The Day & Night Report, Dorn's unpublished daybook from 1971. 'The Riverside Interview' (1981) was intended for publication in the Riverside Interviews series and is supplemented here with an introduction by Gavin Selerie, the interviewer. Following it is a selection of two chapters from Dorn's unpublished prose work Juneau in June (1980-81), as well as three uncollected poems from the English magazine Spectacular Diseases, 6 (1981).
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Derelict Air gathers over 400 pages of previously uncollected poetry gleaned from ephemera, correspondence, and notebooks housed at numerous archives in the USA and UK. From Dorn's first Beat poems in 1952, to visionary juvenalia from his study at Black Mountain, to the long poems that were central to the development of the British Poetry Revival, and to translations of native texts from the Mayans and Aztecs, the transatlantic roots of Dorn's anti-capitalism are here fully visible. Robert Creeley wrote of Dorn that "No poet has been more painfully, movingly, political". Whereas Dorn's Collected Poems exhibits the poet that he became, Derelict Air reflects a career of becoming, full of unacknowledged successes in the diverse forms of the lyric, the pronouncement, the mock-epic, and the epigram. Recovering four lost books, Derelict Air significantly expands Dorn's oeuvre, including impassioned outbursts written during the Cuban missile crisis, illustrated bucolics for an unfinished children's book, "confetti poems" meant to shower the 1968 DNC, outtakes from his sci-fi epic Gunslinger, and a relentless extension of his nineties "stock ticker".Complete with scholarly endnotes, manuscript facsimiles, and a cover by the painter Raymond Obermayr, this substantial offering of Edward Dorn's poetry is a must-have for any reader interested in post-War American modernism.