Justin Vickers – författare

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12 produkter

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12 produkter

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Childhood and the Operatic Imaginary since 1900
AvJoy H. Calico,Justin Vickers
Inbunden, Engelska, 2026
1 315 kr
Skickas inom 5-8 vardagar
Childhood and the Operatic Imaginary since 1900 addresses a stark reality: Opera Studies has neglected its children. Opera scholarship has been complicit in othering children and childhoods, disregarding repertoire for, by, and about children as well as its creators. This volume tilts Opera Studies off its adult-centric axis by focusing on children as characters, creators, performers, and audiences. The gender biases that have plagued children's literature and its related study as inherently feminine and thus subordinate are also evident in the historical appraisal of children's operas and its imbalanced representation in scholarship. Similarly, Opera Studies has primarily focused on white, Eurocentric traditions from the Global North. This volume models an inclusive Opera Studies, exploring the myriad relationships between children, childhood, and opera to address two fundamental questions: 1. What functions do children serve for opera?2. What functions does opera serve for children? These questions are answered primarily by bringing Opera Studies into dialogue with Childhood Studies, but numerous other fields are engaged throughout the volume such as Education, Ethnomusicology, Voice Studies, African American Studies, History, English and Comparative Literature, and Musicology. Editors Joy H. Calico and Justin Vickers, together with the roster of contributors, examine repertoire in a broad range of sociohistorical contexts, across four continents, to theorize a new line of inquiry for Opera Studies: the confluence of childhood and the operatic imaginary.
Childhood and the Operatic Imaginary since 1900
AvJustin Vickers,Joy H. Calico
E-bok
PDF, Engelska, 2026
1 233 kr
Läs direkt efter köp
Childhood and the Operatic Imaginary since 1900 addresses a stark reality: Opera Studies has neglected its children. Opera scholarship has been complicit in othering children and childhoods, disregarding repertoire for, by, and about children as well as its creators. This volume tilts Opera Studies off its adult-centric axis by focusing on children as characters, creators, performers, and audiences. The gender biases that have plagued children's literature and its related study as inherently feminine and thus subordinate are also evident in the historical appraisal of children's operas and its imbalanced representation in scholarship. Similarly, Opera Studies has primarily focused on white, Eurocentric traditions from the Global North. This volume models an inclusive Opera Studies, exploring the myriad relationships between children, childhood, and opera to address two fundamental questions: 1. What functions do children serve for opera? 2. What functions does opera serve for children? These questions are answered primarily by bringing Opera Studies into dialogue with Childhood Studies, but numerous other fields are engaged throughout the volume such as Education, Ethnomusicology, Voice Studies, African American Studies, History, English and Comparative Literature, and Musicology. Editors Joy H. Calico and Justin Vickers, together with the roster of contributors, examine repertoire in a broad range of sociohistorical contexts, across four continents, to theorize a new line of inquiry for Opera Studies: the confluence of childhood and the operatic imaginary.
Childhood and the Operatic Imaginary since 1900
AvJustin Vickers,Joy H. Calico
E-bok
Engelska, 2026
1 233 kr
Läs direkt efter köp
Childhood and the Operatic Imaginary since 1900 addresses a stark reality: Opera Studies has neglected its children. Opera scholarship has been complicit in othering children and childhoods, disregarding repertoire for, by, and about children as well as its creators. This volume tilts Opera Studies off its adult-centric axis by focusing on children as characters, creators, performers, and audiences. The gender biases that have plagued children's literature and its related study as inherently feminine and thus subordinate are also evident in the historical appraisal of children's operas and its imbalanced representation in scholarship. Similarly, Opera Studies has primarily focused on white, Eurocentric traditions from the Global North. This volume models an inclusive Opera Studies, exploring the myriad relationships between children, childhood, and opera to address two fundamental questions: 1. What functions do children serve for opera? 2. What functions does opera serve for children? These questions are answered primarily by bringing Opera Studies into dialogue with Childhood Studies, but numerous other fields are engaged throughout the volume such as Education, Ethnomusicology, Voice Studies, African American Studies, History, English and Comparative Literature, and Musicology. Editors Joy H. Calico and Justin Vickers, together with the roster of contributors, examine repertoire in a broad range of sociohistorical contexts, across four continents, to theorize a new line of inquiry for Opera Studies: the confluence of childhood and the operatic imaginary.
Elizabeth Sweeting: The Best and Happiest Days
A memoir of the early Aldeburgh Festivals by the first manager, and her correspondence with Benjamin Britten
AvPhilip Reed,Justin Vickersm. fl.
Häftad, Engelska, 2026
465 kr
Skickas inom 5-8 vardagar
An essential volume for anyone interested in Benjamin Britten, Peter Pears and the history of the Aldeburgh Festival.Britten invited Elizabeth Sweeting (1914-1999) to be the General Manager of the Aldeburgh Festival after observing her organisational skills for the English Opera Group. She worked closely with Britten and Peter Pears, administering all aspects of the first eight Aldeburgh Festivals - from booking artists to tearing ticket stubs - beginning with the inaugural festival in 1948.She was to become one of the most significant facilitators in the performing arts in the post-war era, and a pioneering figure in the new profession of arts administrator. Her tenure as Manager of the Oxford Playhouse in the 1960s and 1970s was followed by five years as Director of the Arts Council of South Australia. Her inspirational guide, Theatre Administration (1969), was a vital handbook for those following her.Sweeting's honest and lively memoir of her Aldeburgh years, written in the mid-1980s and here published complete for the first time, offers an insider's account of what those early festivals were like - charting both their highs and their lows. Also included is most of the extant correspondence between Sweeting and Britten and Pears. Beginning in 1948, it extends from her time working at Aldeburgh through to her Oxford years and her period in Australia.The editors provide a contextualising introduction and detailed annotations throughout.Elizabeth Sweeting: The Best and Happiest Days is an essential volume for anyone interested in Britten, Pears and the Aldeburgh Festival.
Elizabeth Maconchy in Context
AvLucy Walker,Justin Vickers
E-bok
Engelska, 2026
1 382 kr
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Elizabeth Maconchy in Context
AvLucy Walker,Justin Vickers
E-bok
PDF, Engelska, 2026
1 396 kr
Läs direkt efter köp
Elizabeth Maconchy in Context
AvJustin Vickers,Lucy Walker
Inbunden, Engelska, 2026
1 229 kr
Skickas inom 11-20 vardagar
Elizabeth Maconchy was one of the most prominent and successful composers of the twentieth century, a champion of contemporary music who composed chamber operas, choral music, orchestral works, a range of compositions and operas for children, and a highly-regarded series of string quartets. This collection explores her life and work, her Irishness and her formative years at the Royal College of Music. It examines her intersections with musical and cultural movements, and the persistent and insidious presence of sexism against which she presented a forceful, often humorous stance. There are chapters devoted to her important friendships with composers and teachers, interactions with broadcasters and festival organisers along with a focused section dedicated to the breadth and depth of Maconchy's compositions. The Irish-English composer is revealed a force to be reckoned with who frequently demonstrated a powerful instinct to thrive and survive, often against the odds.
Benjamin Britten in Context
AvVicki P Stroeher,Justin Vickers
Inbunden, Engelska, 2022
1 415 kr
Skickas inom 11-20 vardagar
Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
Benjamin Britten in Context
AvVicki P Stroeher,Justin Vickers
Häftad, Engelska, 2024
367 kr
Skickas inom 11-20 vardagar
Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
Benjamin Britten in Context
AvJustin Vickers,Vicki P Stroeher
E-bok
PDF, Engelska, 2022
439 kr
Läs direkt efter köp
Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten''s relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten''s creative output.
Benjamin Britten in Context
AvJustin Vickers,Vicki P Stroeher
E-bok
Engelska, 2022
444 kr
Läs direkt efter köp
Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten''s relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten''s creative output.
Del 12 - Aldeburgh Studies in Music
Benjamin Britten Studies: Essays on An Inexplicit Art
AvVicki Stroeher,Justin Vickers
Inbunden, Engelska, 2017
1 707 kr
Skickas inom 5-8 vardagar
Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.VICKI P. STROEHER is Professor of Music History at Marshall University.JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell

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Justin Vickers – författare

Childhood and the Operatic Imaginary since 1900

Childhood and the Operatic Imaginary since 1900

Childhood and the Operatic Imaginary since 1900

Elizabeth Sweeting: The Best and Happiest Days

Elizabeth Maconchy in Context

Elizabeth Maconchy in Context

Elizabeth Maconchy in Context

Benjamin Britten in Context

Benjamin Britten in Context

Benjamin Britten in Context

Benjamin Britten in Context

Benjamin Britten Studies: Essays on An Inexplicit Art

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