Kaori Nagai – författare

The story of the man-cub Mowgli who is raised by wolves in the Indian jungle, guided by his mentors Baloo the bear, Bagheera the black panther and the ancient python Kaa, and who confronts his arch-enemy Shere Khan the tiger, is one of the greatest literary myths ever created. Mowgli's adventures are juxtaposed with other animal stories set in the British Empire, ranging from the heroic battle of 'Rikki-tikki-tavi' and the Himalayan pastoral 'Purun Bhagat' to the drama of survival in 'The White Seal'. With The Jungle Books Rudyard Kipling drew on ancient beast fables, Buddhist philosophy and memories of his Anglo-Indian upbringing to create a rich, symbolic portrait of man and nature, and an eternal classic of childhood that has had a lasting impact on our imaginations.Part of a series of new editions of Kipling's works in Penguin Classics, this volume contains a General Preface by Jan Montefiore and an introduction by Kaori Nagai discussing the many imperial, Indian and literary contexts of The Jungle Books.

Kipling's best-loved work, now in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectable editions are bound in high-quality, tactile cloth with foil stamped into the design.The story of Mowgli, the man-cub who is brought up by wolves in the jungles of Central India, is one of the greatest literary myths ever created. As he embarks on a series of thrilling escapades, Mowgli encounters such unforgettable creatures as the bear Baloo, the graceful black panther Bagheera and Shere Khan, the tiger with the blazing eyes. Other animal stories in The Jungle Books range from the dramatic battle between good and evil in 'Rikki-tikki-tavi' to the macabre comedy 'The Undertakers'. With The Jungle Books Rudyard Kipling drew on ancient beast fables, Buddhist philosophy and memories of his Anglo-Indian childhood to create a rich, symbolic portrait of man and nature, and an eternal classic of childhood.Rudyard Kipling was born in Bombay in 1865. In 1882 Kipling started work as a journalist in India, and while there produced a body of work, stories, sketches and poems - notably Plain Tales from the Hills(1888) - which made him an instant literary celebrity when he returned to England in 1889. His most famous works include The Jungle Book (1894), Kim (1901) and the Just So Stories (1902). Kipling refused to accept the role of Poet Laureate and other civil honours, but he was the first English writer to be awarded the Nobel Prize, in 1907. He died in 1936.Jan Montefiore has taught at the University of Kent since 1978, where she is now Professor of 20th Century English Literature. She is the author of Men and Women Writers of the 1930s (1996); Arguments of Heart and Mind:Selected Essays 1977-2000 (2002); Feminism and Poetry (3rd edition, 2004); and Rudyard Kipling (2007). Kaori Nagai is a Research Associate at the University of Kent and author of Empire of Analogies (2006). She has also introduced Kobo Abe's Face of Another and Kipling's Plain Tales from the Hills for Penguin

This volume explores nonhuman animals’ involvement with human maritime activities in the age of sail—as well as the myriad multispecies connections formed across different geographical locations knitted together by the long history of global ship movement. Far from treating the ship as a confined space defined by the sea, Maritime Animals considers the ship’s connections to broader contexts and networks and covers a variety of locations, from the Canadian Arctic to the Pacific Islands. Each chapter focuses on the oceanic experiences of a particular species, from ship vermin, animals transported onboard as food, and animal specimens for scientific study to livestock, companion and working animals, deep-sea animals that find refuge in shipwrecks, and terrestrial animals that hunker down on flotsam and jetsam. Drawing on recent scholarship in animal studies, maritime studies, environmental humanities, and a wide range of other perspectives and storytelling approaches, Maritime Animals challenges an anthropocentric understanding of maritime history. Instead, this volume highlights the ways in which species, through their interaction with the oceans, tell stories and make histories in significant and often surprising ways.In addition to the editor, the contributors to this volume include Anna Boswell, Nancy Cushing, Lea Edgar, David Haworth, Donna Landry, Derek Lee Nelson, Jimmy Packham, Laurence Publicover, Killian Quigley, Lynette Russell, Adam Sundberg, and Thom van Dooren.

This volume explores nonhuman animals’ involvement with human maritime activities in the age of sail—as well as the myriad multispecies connections formed across different geographical locations knitted together by the long history of global ship movement. Far from treating the ship as a confined space defined by the sea, Maritime Animals considers the ship’s connections to broader contexts and networks and covers a variety of locations, from the Canadian Arctic to the Pacific Islands. Each chapter focuses on the oceanic experiences of a particular species, from ship vermin, animals transported onboard as food, and animal specimens for scientific study to livestock, companion and working animals, deep-sea animals that find refuge in shipwrecks, and terrestrial animals that hunker down on flotsam and jetsam. Drawing on recent scholarship in animal studies, maritime studies, environmental humanities, and a wide range of other perspectives and storytelling approaches, Maritime Animals challenges an anthropocentric understanding of maritime history. Instead, this volume highlights the ways in which species, through their interaction with the oceans, tell stories and make histories in significant and often surprising ways.In addition to the editor, the contributors to this volume include Anna Boswell, Nancy Cushing, Lea Edgar, David Haworth, Donna Landry, Derek Lee Nelson, Jimmy Packham, Laurence Publicover, Killian Quigley, Lynette Russell, Adam Sundberg, and Thom van Dooren.

Cosmopolitan Animals asks what new possibilities and permutations of cosmopolitanism can emerge by taking seriously our sharing and 'becoming-with' animals. It calls for a fresh awareness that animals are important players in cosmopolitics, and that worldliness is far from being a human monopoly.

Cosmopolitan Animals asks what new possibilities and permutations of cosmopolitanism can emerge by taking seriously our sharing and ''becoming-with'' animals. It calls for a fresh awareness that animals are important players in cosmopolitics, and that worldliness is far from being a human monopoly.

This book coins the term ‘imperial beast fable’ to explore modern forms of human-animal relationships and their origins in the British Empire. Taking as a starting point the long nineteenth-century fascination with non-European beast fables, it examines literary reworkings of these fables, such as Rudyard Kipling’s Jungle Books, in relation to the global politics of race, language, and species. The imperial beast fable figures variably as a key site where the nature and origins of mankind are hotly debated; an emerging space of conservation in which humans enclose animals to manage and control them; a cage in which an animal narrator talks to change its human jailors; and a vision of animal cosmopolitanism, in which a close kinship between humans and other animals is dreamt of. Written at the intersection of animal studies and postcolonial studies, this book proposes that the beast fable embodies the ideologies and values of the British Empire, while also covertly critiquingthem. It therefore finds in the beast fable the possibility that the multitudinous animals it gives voice to might challenge the imperial networks which threaten their existence, both in the nineteenth century and today.