Karen Lloyd – författare

New insights into the changing human attitudes towards wild nature through the depiction of wolves in human culture and heritage. Few animals arouse such strong opinion as the wolf. It occupies a contested, ambiguous, yet central role in human culture and heritage. It appears as both an inspirational emblem of the wild and an embodiment of evil. Offering a mirror to different human attitudes, beliefs, and values, the wolf is, arguably, the species that plays the greatest role in shaping our views on what nature is or should be. North America and, more recently, Europe have witnessed a remarkable return of the grey wolf (Canis lupus, and its close relative the Eurasian wolf, Canis lupus lupus) to eco-systems. The essays collected here explore aspects of this recovery, and consider the history, literature and myth surrounding this iconic species. There are chapters on wolf taxonomy, including the coywolf, the red wolf, and the many faces of the dingo. We also meet the Tasmanian wolf and encounter Nazi Werewolves from Outer Space. The book explores the challenges of separating fact from fiction and superstition, and our willingness to co-exist with large carnivores in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this wolf collection.

Lakeland Book of the Year 2018, Bookends Prize for Art and Literature, WINNER. With its enchanting song, striking orange bill and endearing willingness to share our living space, the blackbird is one of our best-loved birds. And, in common with all our garden wildlife, it plays a critical role in Britain's fragile and precious biodiversity. In The Blackbird Diaries, Karen Lloyd shares her deep-rooted knowledge and affection for the flora and fauna of these isles. And she issues a clarion call for the conservation of endangered habitats and species - most notably the curlew, Europe's largest wading bird. Over the four seasons, Karen intimately chronicles the drama of the natural world as it all unfolds in her garden and in the limestone hills and valleys of Cumbria's South Lakeland. What emerges is a celebration of landscapes that rarely feature in nature writing. But more than that, at a time of critical species loss, she offers rare insights into the lives of animals that may be common but are no less remarkable.

“Curlews give their liquid, burbling call, a call of pure happiness, the music of the fells.” Ella Pontefract, 1936, WensleydaleThe North of England abounds with beauty, from unspoiled beaches in Northumberland to the dramatic Lakeland Fells, for so long celebrated by writers and artists. Wide estuaries, winding rivers, sheer cliffs, rushing waterfalls, ancient woodland, limestone pavements, and miles of hedgerows and drystone walls sustainably built and rebuilt over centuries – all form part of its rich heritage.But these are, too, contested and depleted landscapes. Today the curlew's call is isolated, and many other species are in decline. Industry, urban sprawl and climate chaos threaten our environment on a previously unimagined scale. And while stereotypes persist – of dark satanic mills or “bleak” moorland – the imperative of conservation is all too often overlooked for short-term economic interests.This essential volume reminds us how and why Northern people have risen to the challenge of defending their open spaces, demanding action on pollution and habitat loss. Contemporary writers including Sarah Hall, Lee Schofield, Benjamin Myers and Lemn Sissay take their place alongside those who wrote in previous centuries. Together, the voices in this one-of-a-kind anthology testify that North Country is a place apart.

"Evocative, muscular." - Kathleen Jamie. Karen Lloyd takes us on a deeply personal journey around the 60 miles of coastline that make up ‘nature’s amphitheatre’. Embarking on a series of walks that take in beguiling landscapes and ever-changing seascapes, Karen tells the stories of the places, people, wildlife and history of Morecambe Bay. So we meet the King's Guide to the Sands, discover forgotten caves and islands that don’t exist, and delight in the simple beauty of an oystercatcher winging its way across the ebbing tide. As we walk with Karen, she explores her own memories of the bay, making an unwitting pilgrimage through her own past and present, as well as that of the bay. The result is a singular and moving account of one of Britain’s most alluring coastal areas.