Karl Borromäus Murr - Böcker

The Routledge Handbook of Museum and Heritage Education is a practical reference guide that shows how museums, galleries and heritage sites can offer opportunities for successful visitor engagement.Defining museums as all cultural sites that interpret collections and spaces for public education, understanding, and enjoyment, this volume argues that museum education has a central role in the development of policies, practices, and research for engagement. Including contributions from experts across the globe, the volume shows how these sites can continue to offer unique opportunities for social, physical, emotional, and academic engagement that are much needed to inform and empower museum visitors internationally. It also demonstrates how museums, galleries, and heritage sites can be utilised for the betterment and sustainability of our world and the societies we live in. Combining rich theory with innovative practice, this book provides a comprehensive analysis of museum and heritage education today.The Routledge Handbook of Museum and Heritage Education will be of interest to academics, students, and professionals who are based in the fields of museum education, heritage, adult and community education, cultural studies, social studies, psychology, and tourism.

The artistic works by Sabine Groschup, a student of Maria Lassnig, range from painting, textile art and cinematic creations to sculptural pieces, literature and photography as well as spatial, video and sound installations. In her Augsburg solo exhibition "DER DOPPELTE (T)RAUM" (the Double Dream), Groschup presents her multifaceted work on a specially created, surreal stage. Real space and dream oscillate and merge into one another. This sets in motion a tense interplay between reality and dream, which is the focus of the artist's creative œuvre. The essays collected here - by Silvia Eiblmayr, Katja Gasser and Peter Weibel, among others - help the reader to decipher and classify this œuvre. First comprehensive presentation of Groschup's extensive and diverse artistic œuvre. Presentation of the aesthetically unique, surreal stage scenario of the Augsburg exhibition Exhibition tim AugsburgJune 29, 2022–October 9, 2022

In her series of images “Monkey Business” the artist Beate Passow portrays a mysterious fairy - tale world of political dimensions. The black and white images, which upon closer observation turn out to be sophisticated tapestries, question the ruling syst ems, economic structures, and political movements of contemporary Europe.A Barbary macaque sits on a martial gun barrel in Gibraltar, a powerful bear mounts a bull, a skeleton - like figure strides over destroyed refugee boats on Lampedusa. The strange fi gures that inhabit “Monkey Business” narrate a penetrating mythology of the 21st century. In her narrative approach Passow subverts the established tapestry tradition, not praising rulers and heroes, but directing criticism – at today’s Europe. Once celebr ated as the stronghold of democracy and humanism, it is today marked by a military defensive stance at its borders, by a thoroughly corrupt capitalism, and by increasingly brazen Neo - Nazi movements.

The Japanese artist Koho Mori-Newton is a master when it comes to handling silk, which he places in an exciting dialogue with architecture. In this way he creates cult-like spaces which interact with light in a fasci nating way. In addition to the works in silk, this volume also shows various graphic work groups from the last 35 years as well as the Path of Silk, created especially for no intention. Koho Mori-Newton (*1951) is a master of intentional lack of intention. His works appear simple, but the aesthetic which lies behind them is complex. Time and again he investigates the basis of art itself, questions the concept of the originality of the artistic creative process and explores the boundaries of artworks. His oeuvre lures us into a world that exists beyond the obvious. Path of Silk, a labyrinthine installation of room-high panels of silk, worked in China ink by Mori-Newton, presents a fragile interplay of space and light, of heaviness and lightness. Further areas of focus in his creative work are repetition and copy, from which his graphic works derive their own special charm.