Karl Kraus – författare

Kraus’s iconic WWI drama, a satirical indictment of the glory of war, now in English in its entirety for the first time  "[A] superb translation."—Bill Marx, Arts Fuse  One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars.  Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.

"A woman is more than just her exterior. The lingerie is also important."  "The mission of the press is to spread culture while destroying the attention span."  "Art serves to rinse out our eyes."Uniquely combining humor with profundity and venom with compassion, Dicta and Contradicta is a bonanza of scandalous wit from Vienna's answer to Oscar Wilde.  From the decadent turn of the century to the Third Reich, the acerbic satirist Karl Kraus was one of the most famous–and feared–intellectuals in Europe. Through the polemical and satirical magazine Die Fackel (The torch), which he founded in 1899, Kraus launched wicked but unrelentingly witty attacks on literary and media corruption, sexual repression and militarism, and the social hypocrisy of fin-de-siÈcle Vienna.  Kraus's barbed aphorisms were an essential part of his running commentary on Viennese culture. These miniature gems, as sharp as diamonds, demonstrate Kraus's highly cultivated wit and his unerring eye for human weakness, flaccidity, and hypocrisy. Kraus shies away from nothing; the salient issues of the day are lined up side by side, as before a firing squad, with such perennial concerns as sexuality, religion, politics, art, war, and literature. By turns antagonistic, pacifistic, realistic, and maddeningly misogynistic, Kraus's aphorisms provide the sting that precedes healing.  For Dicta and Contradicta, originally published in 1909 (with the title Spruche und Widerspruche) and revised in 1923, Kraus selected nearly 1,000 of the scathing aphorisms that had appeared in Die Fackel. In this new translation, Jonathan McVity masterfully renders Kraus's multilayered meanings, preserving the clever wordplay of the German in readable colloquial English. He also provides an introductory essay on Kraus's life and milieu and annotations that clarify many of Kraus's literary and sociohistorical allusions.

The first complete English translation of a far-seeing polemic, written in 1933 by the preeminent German-language satirist, unmasking the Nazi seizure of power"[A] drop-dead analysis of the rhetorical barbarities of the Hitler cult."—Bill Marx, Arts FuseAustrian satirist and polemicist Karl Kraus’s Third Walpurgis Night was written in immediate response to the Nazi seizure of power in 1933 but was withheld from publication for fear of reprisals against Jews trapped in Germany. Acclaimed when finally published by Kösel Verlag in 1952, it is a devastatingly prescient exposure, giving special attention to the regime’s corruption of language as masterminded by Joseph Goebbels. Bertolt Brecht wrote to Kraus that, in his indictment of Nazism, “you have disclosed the atrocities of intonation and created an ethics of language.” This masterful translation, by the prizewinning translators of Kraus’s The Last Days of Mankind, aims for clarity where Kraus had good reason to be cautious and obscure.  The Austrian Jewish author Karl Kraus (1874–1936) was the foremost German-language satirist of the twentieth century. As editor of the journal Die Fackel (The Torch) he single-handedly after 1912 conducted a sustained critique of propaganda and the press, expressed through polemical essays, satirical plays, witty aphorisms, and resonant poems.

The literature of the Wiener Moderne exhibits biting social satire and other related aspects, first emanating from Karl Kraus (1874-1936), a prolific writer, difficult to classify, who reminds people of Jonathan Swift. Novelists and essayists Hermann Broch (1886-1951) and Elias Canetti (1905-94), who won the Nobel Prize for Literature in 1981, were likewise marginalized, to a large extent as Jews. Robert Walser (1878-1956) is Swiss, and to a large extent like the other three authors in this collection, had no less a desire to upset the social applecart. Among the works included are substantive selection from Krauss's "The Last Days of Mankind and Aphorisms", Bloch's "The Anarchist," selections from Canetti's "Crowds and Power and Auto-da-Fe", and Walser's "Jakob von Gunten".

Der Band 1 der dreibändigen Lehrbuchserie Photogrammetrie ist den Grundlagen und Standardverfahren sowohl der Photogrammetrie als auch des in den letzten Jahren aufgekommenen Laserscannings gewidmet. Mit Photogrammetrie und Laserscanning werden vor allem die Lage und die Form von Objekten erfasst und modelliert. Die Sensoren zur Datenerfassung werden in Flugzeugen eingebaut und im Nahbereich auf terrestrische Plattformen montiert. Die Ergebnisse der Modellierung werden teilweise als Vektorgraphik und teilweise als Rastergraphik mit der Textur der Photographien visualisiert.

Diese Lehrbuchreihe wendet sich an Studierende und Praktiker in gleicher Weise. Einige Disziplinen seien genannt: Bauingenieurwesen und Kulturtechnik, Geodäsie, Geographie, Geophysik, Geoinformatik, Hydrologie, Informatik, Land- und Forstwirtschaft, Maschinenbau, Raum- und Landschaftsplanung. Bei der Auswahl des Stoffes sowie bei der Gliederung und Formulierung des Textes wurde der Didaktik ein sehr großer Stellenwert eingeräumt. Die theoretischen Grundlagen werden mit vielen Beispielen veranschaulicht. Zahlreich eingestreute Aufgaben (mit Lösungen) bieten die Möglichkeit der Selbstkontrolle.