Kate Galloway – författare

Music and Sonic Environments in Video Games brings together a range of perspectives that explore how music and sound in video games interact with virtual and real environments, often in innovative and unexpected ways. Drawing on a range of game case studies and disciplinary perspectives, the contributors consider the sonic environment in games as its own storytelling medium. Highlighting how dynamic video game soundscapes respond to players’ movements, engage them in collaborative composition, and actively contribute to worldbuilding, the chapters discuss topics including genre conventions around soundscape design, how sonic environments shape players’ perceptions, how game sound and music model ecological processes and nonhuman relationships, and issues of cultural and geographic representation.Together, the essays in this volume bring game music and sound into the environmental humanities and transform our understanding of sonic environments as an essential part of storytelling in interactive media. Engaging a wide variety of game genres and communities of play, this book will be of interest to students and scholars of music, media studies, critical game studies, popular culture, and sound studies.

Music and Sonic Environments in Video Games brings together a range of perspectives that explore how music and sound in video games interact with virtual and real environments, often in innovative and unexpected ways. Drawing on a range of game case studies and disciplinary perspectives, the contributors consider the sonic environment in games as its own storytelling medium. Highlighting how dynamic video game soundscapes respond to players’ movements, engage them in collaborative composition, and actively contribute to worldbuilding, the chapters discuss topics including genre conventions around soundscape design, how sonic environments shape players’ perceptions, how game sound and music model ecological processes and nonhuman relationships, and issues of cultural and geographic representation.Together, the essays in this volume bring game music and sound into the environmental humanities and transform our understanding of sonic environments as an essential part of storytelling in interactive media. Engaging a wide variety of game genres and communities of play, this book will be of interest to students and scholars of music, media studies, critical game studies, popular culture, and sound studies.

From studio albums to stadium tours, Taylor Swift is a record-setting pop artist whose impacts are outsized and global in scale. At the same time, she has cultivated an audience base that finds her, her songs, and her voice eminently relatable. Taylor Swift: The Star, The Songs, The Fans positions Swift as a prismatic figure for the musical world of the 21st century.This collection includes new work from interdisciplinary scholars who focus on Swift’s star persona; the lyrics, themes, and meanings of Swift’s songs; and the ways that fans interact with Swift’s work and with each other. Together, the essays evaluate Swift’s career with attention to how her work has resonated in a changing global society, how she has navigated shifts in the music industry, and how she has negotiated changes in her musical transition from country to pop along the lines of her age, gender, race, and class identity.Including contributions by scholars, practitioners, and journalists, this book offers a serious consideration of one of today’s most popular music stars that shows why and how she matters. Engaging a wide variety of disciplines and methodological perspectives—including fan studies, cultural studies, philosophy, musicology and music theory, journalism, and songwriting—Taylor Swift: The Star, The Songs, The Fans will be of interest to students and scholars of music, media studies, popular culture, fan studies, gender and sexuality studies, and sound studies.

From studio albums to stadium tours, Taylor Swift is a record-setting pop artist whose impacts are outsized and global in scale. At the same time, she has cultivated an audience base that finds her, her songs, and her voice eminently relatable. Taylor Swift: The Star, The Songs, The Fans positions Swift as a prismatic figure for the musical world of the 21st century.This collection includes new work from interdisciplinary scholars who focus on Swift’s star persona; the lyrics, themes, and meanings of Swift’s songs; and the ways that fans interact with Swift’s work and with each other. Together, the essays evaluate Swift’s career with attention to how her work has resonated in a changing global society, how she has navigated shifts in the music industry, and how she has negotiated changes in her musical transition from country to pop along the lines of her age, gender, race, and class identity.Including contributions by scholars, practitioners, and journalists, this book offers a serious consideration of one of today’s most popular music stars that shows why and how she matters. Engaging a wide variety of disciplines and methodological perspectives—including fan studies, cultural studies, philosophy, musicology and music theory, journalism, and songwriting—Taylor Swift: The Star, The Songs, The Fans will be of interest to students and scholars of music, media studies, popular culture, fan studies, gender and sexuality studies, and sound studies.

Adaptation, Rearrangement, and Music Across Screen Media explores the various ways in which adaptation and rearrangement shape the role of music across a range of screen media and communities of viewing. Many forms of audiovisual screen media are characterized by musical adaptation and rearrangement, constantly remixing and reusing pre-existing music in new and unexpected narrative contexts. This book shines a light on this practice and offers a wide-ranging overview of musical adaptation as a practice across film, television, video games, and online media, and identifies several key approaches to understanding its manifestations.With contributors from musicology, ethnomusicology, music theory, sound studies, media, and gender studies, this volume illuminates one of the key features of music’s role in the contemporary audiovisual media landscape. It will be of interest to scholars in musicology, media studies, and sound studies, as well as those in studying screen media and music.