Kate Holmes – författare & böcker

Female Aerialists in the 1920s and Early 1930s

Femininity, Celebrity, and Glamour

Inbunden, Engelska, 2021

2 508 kr

Skickas inom 10-15 vardagar

Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination.Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses?This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.

Female Aerialists in the 1920s and Early 1930s

Femininity, Celebrity, and Glamour

AvKate Holmes

E-bok

Engelska, 2021

762 kr

Läs direkt efter köp

Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination.

Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses?

This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.

Female Aerialists in the 1920s and Early 1930s

Femininity, Celebrity, and Glamour

AvKate Holmes

E-bok

PDF, Engelska, 2021

762 kr

Läs direkt efter köp

Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination.

Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses?

This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.

Female Aerialists in the 1920s and Early 1930s

Femininity, Celebrity, and Glamour

AvKate Holmes

Häftad, Engelska, 2023

667 kr

Skickas inom 10-15 vardagar

Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination.Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses?This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.

Nyhet

Gillian Arrighi, Kate Holmes, Jenny Leigh Dupuis, Kim Baston, Jennifer Lemmer Posey, Betsy Golden Kellem, Mark St Leon, Laurence Senelick, Matthew McMahan, Aastha Gandhi - Circus in the Long Nineteenth Century, Övrigt

Circus in the Long Nineteenth Century

A Documentary History

Taylor & Francis Ltd

2026

10 295 kr

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This collection of primary sources brings together a series of documents derived from archives, journals, newspapers, out-of-print books, memoirs, letters, and other written materials pertaining to the circus during the long nineteenth century (1789-1919). Historians concur that the ‘modern’ circus emerged in London in the late-eighteenth century, following the entrepreneurial initiatives of Philip Astley (1742-1814). It soon spread to Scotland, Ireland, France, Russia, Scandinavia, and other regions of Europe. Introduced to the United States by and English equestrian, John Bill Ricketts, in 1793, the modern circus transformed into a movable tent show by 1825. Following the Civil War and the development of railroad transport, the uniquely American circus transformed again into an ‘industrialized juggernaut’ capable of entertaining a large and diverse population from coast to coast. Transmitted across the globe through the British colonial project, the circus flourished in the colonies of Australasia, South Africa, South- and Southeast Asia, and was nourished by traditional performance forms of China, Japan, India, and Southeast Asia. The modern circus evolved through interaction with different geographies, socio-political contexts, new technologies, cultural heritage, and absorption of vernacular performance forms. Accompanied by extensive editorial commentary, and edited by an international team of scholars, this collection will be of great interest to students and researchers of circus studies, theatre and performance studies and cultural history.

Nyhet

Circus in the Long Nineteenth Century

Volume I: Circus in Great Britain

AvKim Baston,Gillian Arrighim. fl.

Inbunden, Engelska, 2026

1 824 kr

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This volume establishes the historical foundations of the modern circus, tracing its development from pre-Astley entertainments to nineteenth-century British performance culture. Drawing extensively on rare archival materials, it situates circus within a wider entertainment ecology that includes pantomime, music hall, and theatre. The collection reveals intersections between innovation, engineering, and spectacle, highlighting animal training, aerial performance, and creative experimentation as key sites of development. Attention to provincial activity, particularly in Bristol, enriches understanding of regional practice. Scholarly commentary and primary sources together illuminate the social, cultural, and technological forces that shaped circus as a dynamic popular form.

Circus and Sideshow in the Long Nineteenth Century: A Documentary History

Volume I: Circus in Great Britain

AvKate Holmes,Gillian Arrighim. fl.

E-bok

PDF, Engelska, 2026

970 kr

Läs direkt efter köp

This collection of primary sources brings together a series of documents derived from archives, journals, newspapers, out-of-print books, memoirs, letters, and other written materials pertaining to the circus during the long nineteenth century (1789-1919). Historians concur that the 'modern' circus emerged in London in the late-eighteenth century, following the entrepreneurial initiatives of Philip Astley (1742-1814). It soon spread to Scotland, Ireland, France, Russia, Scandinavia, and other regions of Europe. Introduced to the United States by and English equestrian, John Bill Ricketts, in 1793, the modern circus transformed into a movable tent show by 1825. Following the Civil War and the development of railroad transport, the uniquely American circus transformed again into an 'industrialized juggernaut' capable of entertaining a large and diverse population from coast to coast. Transmitted across the globe through the British colonial project, the circus flourished in the colonies of Australasia, South Africa, South- and Southeast Asia, and was nourished by traditional performance forms of China, Japan, India, and Southeast Asia. The modern circus evolved through interaction with different geographies, socio-political contexts, new technologies, cultural heritage, and absorption of vernacular performance forms. Accompanied by extensive editorial commentary, and edited by an international team of scholars, this collection will be of great interest to students and researchers of circus studies, theatre and performance studies and cultural history.

Circus and Sideshow in the Long Nineteenth Century: A Documentary History

Volume I: Circus in Great Britain

AvKate Holmes,Gillian Arrighim. fl.

E-bok

Engelska, 2026

970 kr

Läs direkt efter köp

This collection of primary sources brings together a series of documents derived from archives, journals, newspapers, out-of-print books, memoirs, letters, and other written materials pertaining to the circus during the long nineteenth century (1789-1919). Historians concur that the 'modern' circus emerged in London in the late-eighteenth century, following the entrepreneurial initiatives of Philip Astley (1742-1814). It soon spread to Scotland, Ireland, France, Russia, Scandinavia, and other regions of Europe. Introduced to the United States by and English equestrian, John Bill Ricketts, in 1793, the modern circus transformed into a movable tent show by 1825. Following the Civil War and the development of railroad transport, the uniquely American circus transformed again into an 'industrialized juggernaut' capable of entertaining a large and diverse population from coast to coast. Transmitted across the globe through the British colonial project, the circus flourished in the colonies of Australasia, South Africa, South- and Southeast Asia, and was nourished by traditional performance forms of China, Japan, India, and Southeast Asia. The modern circus evolved through interaction with different geographies, socio-political contexts, new technologies, cultural heritage, and absorption of vernacular performance forms. Accompanied by extensive editorial commentary, and edited by an international team of scholars, this collection will be of great interest to students and researchers of circus studies, theatre and performance studies and cultural history.

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Kate Holmes – författare

Female Aerialists in the 1920s and Early 1930s

Female Aerialists in the 1920s and Early 1930s

Female Aerialists in the 1920s and Early 1930s

Female Aerialists in the 1920s and Early 1930s

Circus in the Long Nineteenth Century

Circus in the Long Nineteenth Century

Circus and Sideshow in the Long Nineteenth Century: A Documentary History

Circus and Sideshow in the Long Nineteenth Century: A Documentary History

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