Kateri Akiwenzie-Damm – författare

★ [Akiwenzie-Damm's] luminescent prose in this book dances "like jingle dress dancers," and is somehow still compressed to shining perfection - Publishers Weekly, Starred ReviewIn the Anishnaabe language and worldview, stones are alive, infused with life force or spirit. Although many of the stories are about loss, under that surface they are alive, celebrating the beauty and preciousness of life.—Kateri Akiwenzie-DammIn these 14 unique stories, Kateri Akiwenzie-Damm takes on complex and dangerous emotions, exploring the gamut of modern Anishinaabe experience. Through unforgettable characters, these stories—about love and lust, suicide and survival, illness and wholeness—illuminate the strange workings of the human heart.

A great read and teaching tool for National Indigenous History Month!Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.Each story includes a timeline of related historical events and a personal note from the author. Find cited sources and a select bibliography for further reading in the back of the book. The accompanying teacher guide includes curriculum charts and 12 lesson plans to help educators use the book with their students.This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

(Re)Generation contains selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm that deals with a range of issues: from violence against Indigenous women and lands to Indigenous erotica and the joyous intimate encounters between bodies. Kateri Akiwenzie-Damm's influence on the field of Indigenous literature cannot be understated. Her creative work is formative, and she is responsible for the release of other influential works in the field of Indigenous literary studies through her publishing house, Kegedonce Press. Akiwenzie-Damm is proof positive that if Indigenous peoples are going to resist the violent processes of ongoing colonialism, then they're going to have to do it together.Akiwenzie-Damms's afterword speaks to the relations and obligations Indigenous peoples have to one another and their other-than-human kin, as she reflects on the resilient work that Indigenous creative work has done and continues to do in spite of colonial violence. Her afterword stakes a claim for the necessity of poetry in the face of ongoing colonialism, not only in the present but in the future and for the generations to come. The introduction by Dallas Hunt locates Akiwenzie-Damm within the field of Indigenous literature and meditates on her influence on the field of Indigenous erotica. Akiwenzie-Damm writes in service of Indigenous love, intimacy, and joy, and speaks with an unwavering voice, one that, to paraphrase Akiwenzie-Damm herself, 'shakes the earth'.