Katherine Bucknell – författare

An engrossing new biography of the man whose writings about 1930s Berlin made him famous. From the editor of Isherwood’s diaries and letters.Christopher Isherwood rejected the life he was born to and set out to make a different one. Heir to an English estate, he flunked out of university, moved to Berlin, was driven through Europe by the Nazis, and circled the globe before finally settling in Hollywood. There he adopted a new religion and continued to form the friendships – including an astounding number of romantic and sexual ones, often with other celebrated artists – through which he discovered himself.Isherwood repeatedly fictionalised his friends and himself – from the detached ‘Christopher Isherwood’ of Goodbye to Berlin to George, the unapologetic middle-aged lover of men, in A Single Man, and the boldly out narrator of Christopher and His Kind. He was determined to portray his milieu appealingly to mainstream audiences in lucid, entertaining, often hilarious prose. Frankness about his sexuality, political beliefs and religion made him both a figurehead for the left and a target for the right. All the while, among the many public, constructed selves, an inmost self remained hidden.Using a wealth of unpublished material, Christopher Isherwood Inside Out reveals the drama and complexity of Isherwood’s interior world. It tells how the traumas of his father’s death in World War I and his failure to protect his German lover from the Nazis were healed by his life as a monk in the 1940s, enabling him to commit unflinchingly to a sexually open relationship in the 1950s, and to come out as a ‘grand old man’ of the gay rights movement in the 1970s.With this new biography, enriched by unlimited access to Isherwood’s partner Don Bachardy, Katherine Bucknell shows how Christopher Isherwood achieved a uniquely inspiring personal life. He effected lasting change in our culture, through both his literary works and the way he lived.

An intimate portrait of London intellectual life, the breakdown of a marriage and the friendship between two women, ‘What You Will’ draws the reader into a spellbinding world of beauty and tension.Gwen, an American painter, lives in London with her English husband, Lawrence, an Oxford don. When Gwen’s friend Hilary arrives from New York bruised by a broken engagement, a lost job and an unsuitable love affair, Gwen is determined to find her someone to marry. But will he be another Oxford intellectual, a member of London's bohemia, or a professional from the scandal-ridden New York museum world?But with Gwen’s arrival the bonds of friendship, love, and marriage are severely tested. Pressure builds in the household, affecting Gwen and Lawrence’s small son as he struggles to engage with the sophistication and savagery around him.Tackling deep and unsetttling questions – Are we slaves to our impulses or to one another? Is it possible to have both love and freedom? Can the artist or the intellectual illuminate such questions?, ‘What You Will’ is a subtly wrought, multi-layered, and hypnotically suspenseful tale about how we handle our most intimate relationships.

An intimate portrait of London intellectual life, the breakdown of a marriage and the friendship between two women, `What You Will’ draws the reader into a spellbinding world of beauty and tension.Gwen, an American painter, lives in London with her English husband, Lawrence, an Oxford don. When Gwen’s friend Hilary arrives from New York bruised by a broken engagement, a lost job and an unsuitable love affair, Gwen is determined to find her someone to marry. But will he be another Oxford intellectual, a member of London's bohemia, or a professional from the scandal-ridden New York museum world?But with Gwen’s arrival the bonds of friendship, love, and marriage are severely tested. Pressure builds in the household, affecting Gwen and Lawrence’s small son as he struggles to engage with the sophistication and savagery around him.Tackling deep and unsetttling questions – Are we slaves to our impulses or to one another? Is it possible to have both love and freedom? Can the artist or the intellectual illuminate such questions?, `What You Will’ is a subtly wrought, multi-layered, and hypnotically suspenseful tale about how we handle our most intimate relationships.

This remarkable debut novel is a vibrant tale of beauty and passion, stalked by desolation. Katherine Bucknell captures the tragedy of a marriage on the brink with extraordinary delicacy and insight and draws us into a compelling world glittering with wealth and social prestige.David is an investment banker; Elizabeth, his wife, is a woman of peerless beauty and refinement. They have two children; their marriage seems perfect. Why does she want him to retire and move home to America? One summer evening David, alone in their empty mansion, receives a phone call from a long-lost friend. So begins a tale about friendship, marriage and betrayal that is filled with unexpected reversals.Canarino is a portrait of intimate relationships set in a world of privilege and achievement. Its characters possess personal gifts in dazzling abundance, yet their appetites to succeed, to be exceptional, tempt them to risk everything. How can we recognise love and friendship? Which are the bonds that bind people longest? What is the cost for the heart of seeking perfection?Like the drink of the title – boiling water over a twist of lemon peel – the prose has a sharp, delicate clarity. Beneath its polished surface lie psychological depths both uncanny and haunting. Canarino is a novel that lingers in the mind, long after the final page has been turned.

Leninsky Prospekt is an enthralling novel about conflicting allegiances, to family, friends, nations, ideals, at a time of legendary international tension.In October 1962, Nikita Krushchev and John Kennedy confronted each other over the deployment of Russian missiles in Cuba, and world came as close as it has ever been to nuclear holocaust. During the crisis, the New York City Ballet, led by the Russian-born choreographer, George Balanchine, was performing in Moscow. And the dissident movement was taking hold among certain members of the Soviet intelligentsia. Nina Davenport, the lonely bride of a gifted, increasingly, preoccupied American diplomat, struggled to come to terms with her new circumstances.Raised in Moscow, once a ballet student at the Bolshoi, Nina made an unprecedented escape to the West in the 1950s – by tricking the authorities. Ties to the past were severed, but never resolved. Her return to the Soviet Union is reckless at best; now, at the height of a world crisis, she confronts the demons of her traumatic girlhood. Hemmed in by official diplomatic restraints, followed everywhere by spies, longing to make contact with old friends, she becomes the tool of figures within the American Embassy who have a surprising agenda of which the world knows nothing.Leninsky Prospekt brings vividly to life a period of anxieties that resonates with our own fraught times, as the characters, both real and imaginary, are stretched to the breaking point by political events. Katherine Bucknell's first novel, Canarino, was richly praised; her second is explosive, psychologically astute and deeply moving.

This second volume of Christopher Isherwood''s remarkable diaries opens on his fifty-sixth birthday, as the fifties give way to the decade of social and sexual revolution. Isherwood takes the reader from the bohemian sunshine of Southern California to a London finally swinging free of post-war gloom, to the racy cosmopolitanism of New York and to the raw Australian outback. He charts his ongoing quest for spiritual certainty under the guidance of his Hindu guru, and he reveals in reckless detail the emotional drama of his love for the American painter Don Bachardy, thirty years his junior and struggling to establish his own artistic identity.The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time—Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. But the diaries are most revealing about Isherwood himself—his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide.In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin''s spaceflight, de Gaulle and Algeria, the eruption of violence in America''s inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade that more than any other has shaped the way we live now.

Candid and revealing, the final volume of Christopher Isherwood''s diaries brings together his thoughts on life, love, and death. Beginning in the period of his life when he wrote Kathleen and Frank, his first intensely personal book, Liberation: Diaries 1970–1983 intimately and wittily records Isherwood''s immersion in the 1970s art scene in Los Angeles, New York, and London—a world peopled by the likes of Robert Rauschenberg, Ed Ruscha, Andy Warhol, and David Hockney, as well as his Broadway writing career, which brought him in touch with John Huston, Merchant and Ivory, John Travolta, John Voight, Elton John, David Bowie, Joan Didion, and Armistead Maupin. With a preface by Edmund White, Liberation is a rich and engaging final memoir by one of the most celebrated writers of his generation.

In this final volume of Christopher Isherwood's diaries, capstone of a million-word masterwork, he greets advancing age with poignant humour and an unquenchable appetite for the new. Isherwood journeyed and changed with his century, until, by the 1980s, he was celebrated as the finest prose writer in English and the Grand Old Man of Gay Liberation. The mainstays of his mature contentment, his Hindu guru, Swami Prabhavananda and his long term companion, Don Bachardy, draw from him an unexpected high tide of joy and love.Gifted friends both anonymous and infamous take a turn through Isherwood's densely populated human comedy, sketched with ruthlessness and benevolence against the background of the Vietnam War and the Nixon, Carter and Reagan White Houses. Bachardy’s burgeoning career pulled Isherwood into the 1970s art scene where we meet Rauschenberg, Ruscha, and Warhol (serving fetid meat for lunch) as well as Hockney (adored) and Kitaj. Frpm Hollywood and the worlds of music and letters enter John Huston, Merchant and Ivory, John Travolta, John Voight, Elton John, David Bowie, Joan Didion and Armistead Maupin.These are the most concrete and the most mysterious of his diaries, candidly revealing the fear of death that crowded in past Isherwood’s fame, and showing how his life-long immersion in the day-to-day lifted him, paradoxically, toward transcendence.

The second volume in the Auden Studies Series, The Language of Learning and the Language of Love considers Auden primarily during the first decade of his literary career as a public figure as well as private man. It includes previously unpublished poems, prose, and letters by Auden - each with a scholarly introduction and full annotation - which reveal how the well-known poet, teacher, dramatist, and sage battled with his literary ancestors, experienced love, and devised a rhetoric to express both homosexual feelings and artistic impulses.Contributions to this volume include poems, songs, and a piece of early travel writing introduced by Auden's new biographer, the historian Richard Davenport-Hines. Lyrics offered to Benjamin Britten as cabaret songs are presented by Donald Mitchell, Philip Reed, and Nicholas Jenkins. Also in the volume is a fascinating array of essays about Auden by leading scholars in the field, including Stan Smith and Katherine Bucknell, and the German scholar and close friend of Auden, David Luke. A further Supplement to B.C. Bloomfield's magisterial Auden Bibliography of 1972 is supplied by Edward Mendelson.

This is the first volume in a new series on the work of the poet W. H. Auden. The volume contains a large amount of Unpublished material by Auden, notably six poems written in German in the early 1930s, translated here by the poet and scholar David Constantine, as well as the complete version of the important early essay, `Writing', with a new foreword by its original editor Naomi Mitchison. There are substantial selections from Auden's letters to Stephen Spender and to E. R. Dodds and Mrs Dodds: these are the first Auden letters to receive a scholarly presentation with full annotation. Also in the volume are essays about Auden and his mentors and contemporaries, by leading scholars in the field such as Valentine Cunningham, John Fuller, Julian Symons, and Stan Smith, as well as by outstanding newcomers. For bibliophiles, there is advice on collecting Auden's works, and Edward Mendelson has contributed a Supplement to his comprehensive W. H. Auden: A Bibliography, 1924-1969.

The third volume of Auden Studeis presents Auden in maturity, and includes a large amount of previously unpublished prose by him. The book concentrates on the relatively unexplored area of Auden's post-1940 writings, and the letters, essay, and lectures printed here demonstrate the Goethean scope of his intellect, which ranged easily from psychoanalysis to theology, archaeology to politics.In Solitude, for Company contains two hitherto unpublished and little-known lectures. The first of these, introduced by Nicholas Jenkins, is on the theme of vocation, delivered during the troubled war years when Auden was examining his own vocation. The second lecture was given near the end of the poet's life, on the subject of the value of the work of Sigmund Freud. Katherine Bucknell precedes this with the first full-length examination of Auden's intensely ambivalent relation to Freud. Auden's correspondence with his close friends James and Tania Stern reveals much new and important biographical information, and Edward Mendelson's further supplement to the Auden Bibliography provides an extensive listing of all published letters by Auden. In addition, distinguished literary critics, including David Bromwich, Lawrence Lipking, Edna Longley, and Michael Wood, together with the nonagenarian communist Edward Upward, contribute to a symposium on one of this century's most famous poems, 'In Praise of Limestone'.

You know the terror that for poets lurks Beyond the ferry when to Minos brought. Poets must utter their Collected Works, Including Juvenilia...--from "Letter to Lord Byron" (1936) Regardless of how poets feel about their youthful attempts at verse, their early poems not only enrich our understanding of their artistic growth, but also reveal much about the nature of literary genius. No other twentieth-century poet has left behind such a wealth of early poetry as did W. H. Auden. By bringing together for the first time all the poems written by Auden between the ages of fifteen and twenty-one (1922-1928), this book allows us a rare, detailed look at the literary personality, development, and preoccupations of a major poet. Auden's readers will be fascinated to find in these poems the earliest evidence of his interest in psychoanalysis, his conflicted attitude toward his homosexuality, his self-conscious approach to poetry, and his life-long journey toward a religious sense of the world. This collection includes over two hundred poems, most of them never published before, concluding with the contents of Auden's privately printed volume, Poems (1928).The poems are generously annotated with information on Auden's education, reading, literary concerns, and personal life. In her introduction, Katherine Bucknell traces important themes relating to the poet's entire career, and describes crucial but hitherto unknown aspects of his youth during his years at Gresham's School and at Christ Church, Oxford. Throughout this work we see in Auden an admirable instinct for experiment, a thorough testing of tradition, and a gathering mastery of technique and thematic argument.

'A first-rate biography of the man, the writer and the lover' DAVID HOCKNEY'Bucknell's research is impressive and her judgements astute' GUARDIANAn engrossing new biography of the man whose writings about 1930s Berlin made him famous. From the editor of Isherwood’s diaries and letters.Christopher Isherwood rejected the life he was born to and set out to make a different one. Heir to an English estate, he flunked out of university, moved to Berlin, was driven through Europe by the Nazis, and circled the globe before settling in Hollywood.There he adopted a new religion and continued to form the friendships – including an astounding number of romantic and sexual ones – through which he discovered himself.Using a wealth of unpublished material, Christopher Isherwood Inside Out tells how the traumas of his father’s death in World War I and his failure to protect his German lover from the Nazis were healed by his life as a monk in the 1940s, enabling him to commit unflinchingly to a sexually open relationship in the 1950s, and to come out as a ‘grand old man’ of the gay rights movement in the 1970s.With this new biography, enriched by unlimited access to Isherwood’s partner Don Bachardy, Katherine Bucknell shows how Christopher Isherwood achieved a uniquely inspiring personal life. He effected lasting change in our culture, through both his literary works and the way he lived.‘The best biography I’ve ever read . . . Every page is full of surprises’ EDMUND WHITE'It’s hard to imagine a better qualified candidate for this task than Katherine Bucknell' THE TIMES'A fast-paced story of an extraordinary life and a broadly illuminating history of vast cultural changes’ EDWARD MENDELSON

This second volume of Christopher Isherwood's remarkable diaries opens on his fifty-sixth birthday as the fifties give way to the decade of social and sexual revolution. Isherwood takes the reader from the bohemian sunshine of Southern California to a London finally swinging free of post-war gloom, to the racy cosmopolitanism of New York, and the raw Australian outback. He charts his ongoing quest for spiritual certainty under the guidance of his Hindu guru, and reveals in reckless detail the emotional drama of his love for the American painter Don Bachardy, thirty years his junior and struggling to establish his own artistic identity.The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time - Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. They are most revealing about Isherwood himself - his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide.In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin's space flight, De Gaulle and Algeria, the eruption of violence in America's inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade which more than any other has shaped the way we live now.

In this final volume of Christopher Isherwood's diaries, capstone of a million-word masterwork, he greets advancing age with poignant humour and an unquenchable appetite for the new. Isherwood journeyed and changed with his century, until, by the 1980s, he was celebrated as the finest prose writer in English and the Grand Old Man of Gay Liberation. The mainstays of his mature contentment, his Hindu guru, Swami Prabhavananda and his long term companion, Don Bachardy, draw from him an unexpected high tide of joy and love.Gifted friends both anonymous and infamous take a turn through Isherwood's densely populated human comedy, sketched with ruthlessness and benevolence against the background of the Vietnam War and the Nixon, Carter and Reagan White Houses. Bachardy’s burgeoning career pulled Isherwood into the 1970s art scene where we meet Rauschenberg, Ruscha, and Warhol (serving fetid meat for lunch) as well as Hockney (adored) and Kitaj. Frpm Hollywood and the worlds of music and letters enter John Huston, Merchant and Ivory, John Travolta, John Voight, Elton John, David Bowie, Joan Didion and Armistead Maupin.These are the most concrete and the most mysterious of his diaries, candidly revealing the fear of death that crowded in past Isherwood’s fame, and showing how his life-long immersion in the day-to-day lifted him, paradoxically, toward transcendence.

Christopher Isherwood settled in California in 1939 and spent the war years writing for Hollywood, but by 1945 he had all but ceased to write fiction and even abandoned his habit of keeping a diary. Instead he embarked on a life of frantic socialising and drinking. Looking back from the 1970s, Isherwood recreated these years from personal memories to form a remarkably honest mixture of private and social history.