Katrien Pype – författare

The Post-Global City seeks to open a new field of analytical inquiry that examines knowledge production and technological developments in urban Africa rooted in local, historical realities, while also partaking in transnational, global processes. This work explores the ways in which urban residents have utilized technologies and networks to operate around, under, and beyond the state and the international “order,” and challenges the stereotypical images of Africa as a continent either devoid of technology or filled with either broken technologies or technologies from the Global North or Asia. This book focuses on accounts and critiques of new “Rising Africa” ideologies, examining megaprojects such as geothermal and hydroelectric plants with new networked startups that circumvent state and patriarchal hierarchies, women vendors selling online, youths designing and constructing oil refining technologies and tech startups working across diasporas.Grounded in ethnographic fieldwork carried out in urban spaces in Nigeria, Kenya, the Democratic Republic of Congo, Sudan, Gabon, Cameroon, and Tanzania, The Post-Global City brings together voices from Africa, Europe, and the United States to inquire into the dialectics between technology and the urban on the African continent.

The Post-Global City seeks to open a new field of analytical inquiry that examines knowledge production and technological developments in urban Africa rooted in local, historical realities, while also partaking in transnational, global processes. This work explores the ways in which urban residents have utilized technologies and networks to operate around, under, and beyond the state and the international “order,” and challenges the stereotypical images of Africa as a continent either devoid of technology or filled with either broken technologies or technologies from the Global North or Asia. This book focuses on accounts and critiques of new “Rising Africa” ideologies, examining megaprojects such as geothermal and hydroelectric plants with new networked startups that circumvent state and patriarchal hierarchies, women vendors selling online, youths designing and constructing oil refining technologies and tech startups working across diasporas.Grounded in ethnographic fieldwork carried out in urban spaces in Nigeria, Kenya, the Democratic Republic of Congo, Sudan, Gabon, Cameroon, and Tanzania, The Post-Global City brings together voices from Africa, Europe, and the United States to inquire into the dialectics between technology and the urban on the African continent.

Theoretically literate, based on superb ethnography, this book provides one of the best studies of television we have yet in African studies...[that] promises to open up a new field of analysis and define the standards for how this research is to be conducted...a landmark that will make a significant contribution to some of the main fields in African studies and anthropology. * Brian Larkin, Columbia University [A] tour de force. This very elegantly and evocatively written ethnography of Congolese television drama is a path-breaking example of what it means to conduct and construct a thick description of a culture of media production. * Debra Spitulnik Vidali, Emory University This book is beautifully written, theoretically sophisticated, nuanced in its analysis and empirically rich. Given that so much has already been written on African Pentecostalism, coming up with something original and new to say on the topic is quite a challenge, but Pype pulls it off and deserves a lot of credit for that. * Martin Lindhardt, University of Copenhagen The author deserves great praise for the original way in which she moves her analysis beyond a mere observation of African Pentecostalism.This ethnographically grounded book not only captures the heterogeneity that marks Kinshasa in a beautiful way, but it also innovatively combines three currently burgeoning fields within anthropology: the anthropology of urban settings, the anthropology of youth, and the anthropology of media. * Filip De Boeck, University of Leuven How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa. Katrien Pype currently holds a Marie Curie postdoctoral fellowship. She is working at MIT and Katholieke Universiteit Leuven on social media and old age in Kinshasa.

This collection of in-depth ethnographic analysis examines the impact of local and global transformations on the care, or lack of care, older people receive in Sub-Saharan Africa. This volume provides the pan-African evidence and analysis needed to move forward debates about how to address the long term care needs of this vulnerable population.Case studies from different regions of the continent (southern, central, east and west Africa) examine formal and informal care, including inter- and intra-generational care, retirement homes, care in the context of poverty, HIV/AIDS and migration.

This collection of in-depth ethnographic analysis examines the impact of local and global transformations on the care, or lack of care, older people receive in Sub-Saharan Africa. This volume provides the pan-African evidence and analysis needed to move forward debates about how to address the long term care needs of this vulnerable population.Case studies from different regions of the continent (southern, central, east and west Africa) examine formal and informal care, including inter- and intra-generational care, retirement homes, care in the context of poverty, HIV/AIDS and migration.

How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa.

Hidden information, double meanings, double-crossing, and the constant processes of encoding and decoding messages have always been important techniques in negotiating social and political power dynamics. Yet these tools, “cryptopolitics,” are transformed when used within digital media. Focusing on African societies, Cryptopolitics brings together empirically grounded studies of digital media toconsider public culture, sociality, and power in all its forms, illustrating the analytical potential of cryptopolitics to elucidate intimate relationships, political protest, and economic strategies in the digital age.